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In the fifties, Eastman Kodak Company made a very powerful advertising campaign: “The Kodak Moment,” encapsulating the perfect moment in a memorable photo.
I started working on this project six years ago when I first started my undergrad degree. At the time my youngest sisters were thirteen.My sisters were around me all the time and I figured if they were there I should start photographing them.
The project of The Hidden Harmony is the mystical and philosophical roots of Abstract Art transmigration into the Photography. Basically there is the rejection of materialism, the faith in progress and particularly the faith in the spiritual progress of the men. 
The most compelling lies we tell ourselves are made up almost entirely of the truth.This is the third in an ongoing series of photographic short stories that explore the deeply personal space between what is known and what is felt
‘Liminality’ series was taken during the ‘Integral Lens’ 5-month photographic journey in United States sponsored by the Fulbright Artist Scholarship for a multi-perspectival study of architectural photography. 
According to statistics, about 20% of the population in Russia have an anxiety-depressive disorder, and the same percentage of the population - all the prerequisites for its development. The reasons are stress, changes in society, problems of Internet dependency and other factors.
In the same way my profession of Architect allows me to plunge the visitors by confronting them with powerful, thick, high walls, or with heavy, dark atmospheres; I like images that transport people, which open the doors of another world.
The Weight of Water is a serie of self-portraits contrasting and colourful of modern-day sirens and nymphs. After seizing the telluric forces of the series My Wild Tales, as a metaphor for an inner emotional tremor.
Paris (8 Nov – 11 Nov 2018) Paris Photo, premier international art fair dedicated to the photographic medium, announces 180 exhibitors for the main gallery and book sectors—149 galleries and 31 art book dealers representing 28 countries
This project is based on a miscellany of photos that I have been collecting during my travels to India, Morocco, China, Vietnam, Laos, Thailand, Burma and Romania. A selection of individual images that are not interconnected and in which I show characters
Köln (8 Sep – 3 Nov 2018) "People of the Twentieth Century" is a compilation of German society in the first half of the twentieth century, conceived by my grandfather August Sander using photographs from his commercial work, as well as of people he met and photographed during his travels.
Beauty is a relative concept that means something different to all of us. From my point of view, beauty means grace, modesty, sincerity and spirituality. Nothing to do with our appearance. Beauty does not need anything.
Artasura, is a concept series that started back in 2012 with the picture Roots. Back then I had an incipient idea of raw primitive imagery that would depict humans in all sorts of nature landscapes, but it was never explored enough. In 2018 the inspiration struck, everything connected and a series of shots started to slowly emerge and take shape and color. The gods always had a powerful grip and exerted a great fascination on...
In the week before Easter, Trapani changes face and rediscovered still firmly attached to its roots. Trapani back to the rituals of ancient spirituality, after 400 years still deeply alive.
The nocturnal wandering in the borderland of the city and in the far away fields is characterised by darkness and danger. However, the fear that the night ignites is tempered by the freedom it entails.
In Africa and Latin America, hairdressers not only cut, shave and style hair; they build up hair like real architects.  The tropical "Salon de coiffure" is, however, a very diverse world; from street barbershops to posh hair salons.
On July 12, 1995, in the face of the UN's refusal to evacuate the civilian population, General MladiÊ ordered the separation of all men and boys aged between 15 and 77, and organized the deportation of women and children from the PotoËari area, previously prepared buses that deported them within 30 hours. in safe areas.
Erlend Mikael Sæverud (1975) photographer from Oslo, Norway masters his medium by patiently tapping into solemn moments that elicit universal truths. Known for his black and white photographs with an essence of ephemerality and omnipresence of subtlety, he shifts the narrative by using color in his series One Day in Paris.
The cult of success and personal growth, working in an always-connected environment, the virtualization of private life, the importunate and imposed needs to demonstrate our successes, both real or imaginary, in social networks
It was a very hot day, over 30 degrees. Day before l was cycling with my husband and find beautiful lake for this photo shoot, l put on social media that l am looking for a brave model who will not be afraid to go into lake for the pictures. My friend Martyna answer as first.
“Thuis” is the Dutch translation for “Home”. “Thuis" for me stands literally for “home", but also for the feeling of being at home in my life and in my body.
I overheard these sentences while shooting in the locker room describe the daily micro eeality of the female universe: different interests, cultures and ages melting in a sport that is usually played by men.
The photographs that can be seen in my submission are part of my latest project called “Instant Stage”. The name of the series presents the subject it handles and the medium through which the series was created. 
Waking Life is a homage to the disappearing monochrome dream world. Some researchers suppose that it was the childhood exposure to black-and-white photography, movies and later television
Max Lazzi, forty-eight years old, an Italian born in Lucca in Tuscany, a craftsman who works for his own company with a great passion for photography.
The photos belong to my first project after a 25 years break in photography, called “Odenwald – Forms and Impressions”. Odenwald is a natural park with a lot of forests. 
My goal was then to meet them, get to know them and give these hard-working bodies the importance they deserve, both in action during their work, or as ephemeral model under the lights of the improvised studio. 
Since August 25, 2017, extreme violence in Rakhine State, Myanmar, has driven an estimated 687,000 Rohingya refugees across theborder into Cox’s Bazar, Bangladesh. Generations of statelessness imposed vulnerabilities on these people
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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