Fotopoesie: The backstage story of a photo book

An image only makes sense if it "sees the light" and if it is seen by someone. Otherwise it would be just a visual thought. In my opinion, the best way to bring an image to life is through a book.

My Two Decade Brush with Neo Pictorialism

When I started as a photographer, my knowledge of the photographic landscape was rather limited in terms of the history of photography and the movements within it. 

Niko & Adriana: Bored of being wild

Bored of being wild speaks of the wild side and the domesticated side that coexist in each of us as individual and social beings. The book visualizes the eternal struggle of many people to maintain their own uniqueness despite the “system” in which we have to fit.

Waitography, the photography of waiting

In my previous article “Photography or Promptography” I talked about how artificial intelligence is revolutionizing the visual language; how it is making us question axioms that seemed consolidated and how it is causing a schism in the photographic world. In this article I will talk about Waitography, that is, the photography of waiting.

Cloud Cover

Epic is an overused word these days but if anything is epic the sky is. A few years ago, I started a project photographing clouds mostly from my third floor balcony and sometimes my kitchen windows.

The praise of slowness

Reading the book "The Secret Life of Trees" by Peter Wohlleben, undoubtedly marked a before and after in my life and in my way of relating to botany and the plant universe. 
Mar 5, 2020

The story of my art by Dasha

In order to understand the art of each individual artist, you need to get acquainted with him. I want to tell you the story of my art, about how I became a photographer. This is one of the most common questions that people ask me.

Home

Each of us needs to feel at home to be well. The concept of "home" is intimately linked to a spiritual state of well-being. To feel protected, to feel welcomed, to feel understood, to feel free to be who we intimately feel we are, to feel oneself in essence, to feel authentic; to connect with the harmonious universe, with thought, with memories, with hope for the future, with one's roots; to get rid of fears, of appearance, of complacency, of defensive armor.

Interview with Diego Bardone; published in our print edition #14

A Streeter must only and exclusively think about capturing photographs, he must feel at home while walking the streets of our cities and must not be influenced by anything.

Interview with Patrizia Burra; published in our print edition #19

Patrizia Burra brings together the Renaissance Classicism with the latest and the most modern Instagram aesthetics. Her concept of female expression and beauty transforms the obscurity of realism into the light of fantasy, creating new characters with her digital masterpieces.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
WE WANT YOU TO SHOW US YOUR PHOTOGRAPHS SO WE CAN SHOW IT TO THE WORLD
AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE
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