Origins by Michael Naify

This project is composed of coffee-stained cyanotypes, one of the first photographic processes developed in the mid-19th century. Its principal active ingredient is iron salts, evoking the area known as the 'Iron Triangle', where the imagery for this work was taken.

Vibrant Street Art in Varanasi: A Glimpse into India’s Spiritual Heritage and Culture by Kaushik Dolui

The city is no doubt vibrant with its colours and smell, particularly Varanasi Street art at public places. Street art always tend to convey a direct message, gives an idea about the place and it is true for Varanasi, mostly with religious tones having figures of Gods with some abstract artworks.

Bubbles of Magic: Re-enchanting Nature Through the Lens of Catherine Regnier

Artist and photographer Catherine Regnier invites us to rediscover the hidden magic in the smallest details of nature. Through her photographs, she seeks to share her wonder at things that might seem banal or overly familiar but actually conceal a beauty waiting to be unveiled.

Shadows Beneath the Surface: Unveiling the Subway’s Hidden Psyche by Charles Birnbaum

Captured in the bustling environment of New York City’s subway system, these photographs embody symbolic representations of our nightmares and the hidden fears that often linger beneath the surface of our consciousness.

Fauxliage: Disguised Cell Phone Towers of the American West by Annette LeMay Burke

Fauxliage documents the proliferation of disguised cell phone towers in the American West. By attempting to conceal an unsightly yet essential technology of the modern world, our landscapes are now sown with a quirky and unsettling mosaic of masquerading palms, evergreens, flagpoles, crosses, cacti, and more.

Facade glass cleaners by Alireza Pourkhan

I think the facade glass cleaners have one of the hardest, heaviest and most dangerous jobs in the world  because they always have to work at a very high altitude and usually in hot and humid weather, risking their lives for a small amount of money, but for the love of their families.

Blossoms in ice by Marc Heiligenstein

In this fascinating artistic work, flowers are frozen in a clear block of ice, creating an impressive connection between the fragility of nature and the immortality of ice. The bright petals of the flowers contrast strongly with the cold, glittering surface of the ice that surrounds the flowers.

After the Fire: Water Damaged by Lynne Breitfeller

After the Fire: Water Damaged, explores photographs as memory by examining the shape-shifting potential of altered images. As a result of a fire above my studio, water impacted my negatives destroying a third of my archive.

The Eternal Field – Entrusting Memories to the Field by Michiko Chiyoda

I simply don’t remember about the past or never really thought about remembering the past. I have never been one to hold on to the past, but after my mother's death, I found myself troubled by memories of her. What I remember about my mother is mostly from the time I cared for her.

Mongolia – The migration of the eagle hunters by Josef Buergi

Mongolia, a land of vast steppes and rugged beauty, is home to a unique way of life centered around the winter migration of nomadic herders. As temperatures plummet, these resilient people lead their livestock across the frozen landscape in search of fresh grazing grounds.
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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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