The central idea for Hypothesis Project came to me during a theatrical performance, that I had the opportunity to photograph in 2016. Once the performance started, immediately came to my mind, a memory of part of poem from a Brazilian poet, Carlos Drummond de Andrade.
The series Huis clos confronts us with a suggestive confinement. What happens in us when we are faced with a desperate situation ? What do we feel when we no longer have a connection with the outside world ? Disorientation and loss of contact with the outside world put us into a physical and mental isolation and can lead us — in a conscious or subconscious way — to modify our relationship with the external reality.This maze slowly conducts us into a mental illness.
Rosa is the caretaker of a family house in the Philippines. She likes to create her own solutions for lacking or broken households items. When lola (grandma in Tagalog), the original inhabitant of the house, was still alive she would ask Rosa to repair and mend broken items instead of replacing them.
I‘M FREE …?, of all border interpellative border areas is undoubtedly one of the fundamental and defining questions of our status as beings that we are part of a community and what is more evident is that when formulating this question the answers are quite varied and tendentious
I miss the feeling of wonder I had when someone asked me: What do you want to be when you grow up? That’s the hardest part of being grown-up. To find new dreams when I know what it feels like when you have to let them go.
After 5 p.m. in Lipakovo, a village in Northern Russia you can only see what your flashlight allows you to. The photographs here are made the way the locals see their village, a tiny circle of light surrounded by pitch black darkness.
Dreams and hidden memories – is what the artist works with. In his photographs the reality – landscapes or various cityscapes – is a bit reconstructed to include an imaginary personage who is missing from actual life or even from actual memory.
Birds are like humans, and people are like birds. They are smart and stupid. They are nice and ugly. They are full and hungry. They are delicate and predatory. somethey are singing others are shouting. People like birds can fly.
Between earth and air is a photographic-philosophic debate about the liquid room that divides the solide underground from the air. A silent space where the vertical growths of the plants crosses the horizontal flow of the water.
Henkō is a Japanese word composed by the kanjis 変Hen, meaning “change” and 光Kō, meaning “variable/unusual light”. In fact, more than a word, Henkō is a sound that bears a concept, that of a shifting light which transforms our perception of the objects that it illuminates.
Heavy social context masked under details filled with symbolic meanings within truly artistic composition is a handwriting in photography of Ukrainian based artist and photographer Oleksandr Pankovets.
The River Thames is not even the longest river in the British Isles and a mere pygmy in comparison with many other rivers in the world, yet its significance to British and world history is immense. The river starts as a small trickle in hills to the north west of London and travels for nearly 450 km through the south of England, the centre of London and thence out into the North Sea via the…
In the study of history of photography it’s easy to see how light is fundamental, in fact photographers of every ages have been able to create atmospheres, communicate sensations and show the movement of surfaces through more or less intense contrasts of lights and shadows.
The Rug’s Topography began with me photographing my intimate partner of six years. Simultaneously, we were facing an internal conflict: how we identified as individuals differed from the roles we occupied in our partnership.
Isolated in the countryside of the island, Ι was constantly confronted with my traumatic past, my memories and myself. Gradually, through wandering in nature, a conceivable field of action was created within me, an intermediate space full of transformative dynamics, a place of becoming.
I can clearly remember from my childhood that even the storey with empty, „haunted” rooms in our family house was full of life in summer, even though it was a rather creepy place all year round (at least for a little girl).
Night after night, I take my compact camera, I hold it at arm’s length and I sink in the dark bars, in the infamous perfumes of the street, I seek the fragments of the bodies, the frailties, the hopes, the sounds of the glasses that we drink.
I grew up on a small farm thirty miles outside of New York City. The forest that bordered the farm was my childhood wilderness, a safe and wild place to play that was ignored by our neighbors who commuted to Manhattan.
I started working on this project six years ago when I first started my undergrad degree. At the time my youngest sisters were thirteen.My sisters were around me all the time and I figured if they were there I should start photographing them.
The most compelling lies we tell ourselves are made up almost entirely of the truth.This is the third in an ongoing series of photographic short stories that explore the deeply personal space between what is known and what is felt
‘Liminality’ series was taken during the ‘Integral Lens’ 5-month photographic journey in United States sponsored by the Fulbright Artist Scholarship for a multi-perspectival study of architectural photography.
The Statesman Vintage & Classic Car Rally is an annual vintage car rally in New Delhi and Kolkata and the oldest, continuously-run such event in India and the sub-continent. It started in the year 1964 in New Delhi, and was brought to Kolkata in the year 1968 as The Statesman Vintage Car Rally.
According to statistics, about 20% of the population in Russia have an anxiety-depressive disorder, and the same percentage of the population – all the prerequisites for its development. The reasons are stress, changes in society, problems of Internet dependency and other factors.
The cold air is unmoving, except for when the wind thrusts it violently making me bend in its wake. Trees mockingly bloom with snowball cotton tops. Gale force winds throw the storm door off its hinges as I make my way outside. I hear the birds who have come back to our yard to sing, though the snow clings, swaddling the muddy earth.
In the same way my profession of Architect allows me to plunge the visitors by confronting them with powerful, thick, high walls, or with heavy, dark atmospheres; I like images that transport people, which open the doors of another world.
The Weight of Water is a serie of self-portraits contrasting and colourful of modern-day sirens and nymphs. After seizing the telluric forces of the series My Wild Tales, as a metaphor for an inner emotional tremor.
Artasura, is a concept series that started back in 2012 with the picture Roots. Back then I had an incipient idea of raw primitive imagery that would depict humans in all sorts of nature landscapes, but it was never explored enough. In 2018 the inspiration struck, everything connected and a series of shots started to slowly emerge and take shape and color. The gods always had a powerful grip and exerted a great fascination on…
The nocturnal wandering in the borderland of the city and in the far away fields is characterised by darkness and danger. However, the fear that the night ignites is tempered by the freedom it entails.
There are several spaces formed by concrete walls and staircases, which is characteristic of Ando architecture, in the park beside the art museum, which was designed after the Great Hanshin Awaji earthquake by Tadao Ando.
‘Unnatural’ is the extended and more elaborate project of ‘The ghosts among us’ series by Anirban. Questions about the existence of life after death, spirits and unknown entities in our well known environment have been raised since long.
To be honest, I get no satisfaction from my finished images. The image itself means nothing to me; it is the process of obtaining the image that provides me with the satisfaction that keeps me looking for more- along the streets and in the pavement, in the chipped paint, in the mad colors and fleeting shapes, always looking.
This portfolio is about how I find ways to recover from my PTSD; a fire demolished most of my art photography archive – my entire house and all my belongings in New Jersey went up in flames and my left hand badly burned.
I’m a fine art photographer living in Bucharest (Romania) and taking advantage of my wanderings through the world to freeze moments and capture stories. I enjoy using minimal or abstract themes in my works
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