After the Fire: Water Damaged by Lynne Breitfeller

After the Fire: Water Damaged, explores photographs as memory by examining the shape-shifting potential of altered images. As a result of a fire above my studio, water impacted my negatives destroying a third of my archive.

The Eternal Field – Entrusting Memories to the Field by Michiko Chiyoda

I simply don’t remember about the past or never really thought about remembering the past. I have never been one to hold on to the past, but after my mother's death, I found myself troubled by memories of her. What I remember about my mother is mostly from the time I cared for her.

The morning light by Stefania Piccioni 

In the study of history of photography it’s easy to see how light is fundamental, in fact photographers of every ages have been able to create atmospheres, communicate sensations and show the movement of surfaces through more or less intense contrasts of lights and shadows.

Juan Pablo de Miguel: Something unique and personal

In a moment of high voltage between Photography and AIgraphy in which the old spits plague and horns on the new (as has happened since the origin of humanity), it is precisely Juan Pablo's “bicephalism” between Photography and AIgraphy that has me taken to interview him, hoping that this can make us reflect, making room for this new way of creating visual art that will surely assume a predominant position in our lives.

Caldera by Andrei Bortnikau

The formation of a caldera creates an environment where familiar foundations crumble, leaving everyone inside trapped within a new and uncertain territory. Similar to intense heat and pressure within a caldera, the experience of forced immigration can evoke feelings of disorientation, fear, and despair.

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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Concept

Beyond mere capture, into the realm of the intangible and abstract. CONCEPT is an invitation to journey through the minds of photographers who challenge the norm, imprinting onto images not just what they see, but what they feel, think, and dream. Each photograph is a statement, a story, a query; translating ideas, emotions, and visions into visual compositions that challenge our perception and beckon us to look beyond the surface.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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