The Surroundings series arose from the experience of my involvement with nature, I wanted to play being a tree, being a plant, I wanted to be part of it. I am part of the whole, I am not one thing and nature another.

My project is about closeness with mom. In my childhood, my mother almost never was near. First because of her second marriage, then because of her alcoholism. And then she completely disappeared. 

This is where the forest begins, where the valley rises into the mountain, and the first kiss is shared. This is where the land ends, where the river meets the ocean, and the lovers say goodbye.

For years, next door football pitch although teams and track athletes used it for practice, it was in an overall decline. Yet, because it was a very familiar space

The idea for the series ‘Marine Species’ started with my fascination for the sea, water and everything that lives in it. In this series I want to give the viewer a different look at a variety off sea life, that has been portrayed in a very aesthetic way, minimalistic, where the focus is on the subject, with a playful link incorporated in it.

The collection is a tribute to the famous cellist Jacqueline du Pré, a famous British musician who died at a young age. In this series, I have tried not to see the female face at first, so that the viewer's perception remains without judgment, and when she begins to see the rest of the photographic works, she realizes the feelings of this dominant musician.

The idea started with a fascination for the germinating process of dried beans. In this series I want to give the viewer a different look at a product, which they usually see as just a dried product to cook with

Sometimes we want to destroy the real space through our imaginative mind. Tried to replace the concrete form of the image to combination of light and shadows and our physical body becomes transparent against light or shadow.

I have always been mesmerised by the intricate details in nature. The way that the veins form on the rear of a leaf, to the standing wave that holds its place as the surrounding stream cascades past.

Journey to the edge of the room The heroes of my project are people, who barely ever leave their home. Many of them work at home, others are sponsored by their relatives.

During the days prior to the pandemic I was ultra-busy planning a photographic shoot with a large team of people, assistants, stylists, hair and make-up team, prop stylists, set designers etc.

About a year and a half ago I created a dinner series called, At Home with Momoko, where I would host 8-10 women once a month.

The photography of the 21st century is still able to surprise us. The mass of images that land on our screens every day is so enormous that twenty-four hours would probably not be enough to count them.

This portfolio is an experiment to try and see everyday ordinary items with a fresh eye. It focuses on the most familiar items around the house: food. Apples, mushrooms, broccoli, almonds, pepper, pistachio and walnuts are the models.  Sometimes the characteristics of these small, mundane and unexciting objects of everyday life are overlooked or neglected. It was their undervalued and overlooked visual attributes that attracted me.  My goal was to create images that look as...

It is the story of a girl who lived through a period of history but was never seen, and though she was a very artist, she always hid herself from others until one day her identity was revealed.

Art is for me a way of transforming reality with an expressive purpose. My favourite artworks are those that use the expressive tools of the chosen media form (in this case, photography) to materialize a very subjective vision of the human experience

Yuan Tang is a New York-based Chinese multidisciplinary artist who moves freely within photography, video, installation, and print. She started fascinating painting since her childhood years, then quickly developed a passion for photography. After transferring to the United States, Yuan continues her visual art journey later received her MFA in Photographic & Electronic Media from Maryland Institute College of Art in 2017. Currently, she chooses to keep working her creativity in the diverse environment of...

Curiouser and Curiouser is a conceptual series of photographs influenced by the story Alice’s Adventures in Wonderland. I was inspired to create this series from personally identifying with the theme of not belonging that features prominently in Alice’s narrative.

In a “Short History of Photography(1931)”, Benjamin firstly coined the term ‘ Optical unconsciousness’,writing that “Another nature … speaks to the camera rather than the eye

A place. Insignificant, work of the hand of man. Where are we? In a nondescript urban space: a commercial, industrial area, offices? It doesn’t matter. It is a world without a soul, where it’s neither good to live nor work.

The universe is filled with living and dead matter. Both matters interpenetrate each other. Everything around us is energy. Words, thoughts, feelings cause vibrations, release energy. A way to communicate. 

For me creating still life compositions is a form of self-exploration. The creating process is an intriguing and almost devotional journey through my mind. Through predilections in aesthetic decisions such as subject matter, color and composition the work reflects who I am, where I come from and what I have experienced.

What would we do if our only home, the only place that we can live in, would be invaded with unknown materials that we have neither the instinctive knowledge nor genetic information passed by prior generations for avoiding it or use any already build defence mechanism?

Moving Ghosts is an ongoing project that I started at the beginning of 2019  where I am collaborating with people to create portraits of them in locations important to them while wearing their favorite outfit. 

Growing up with erratic attachment patterns that were both painful and delightful, makes you gravitate towards people equally weird as yourself.

I aim to show the progression of the feeling of not belonging anywhere as something natural. I transit between the landscapes like a figure, I leave no trace, nothing I take, nothing I bring.

My interest in fortune telling was started from thoughts about predestination of the life. I admitted it and was afraid of it at the same time.

My story is one encountered quite often. I was not born special in any way. I didn’t excel in anything as much as I would have liked to. In fact, I do not believe I will ever feel accomplished.

Inquisitive Creatures is a story about 4 friends living in an abandoned workshop on a quest to solve one of science’s most difficult problems, time travel.

Have you seen my twin sister? So often I’ve pondered upon this question during my childhood years. For so long I believed I lost her in cod death or that she died in the womb.

It's not ectoplasm, but an artistic energy which Alexandra pours into her hauntingly beautiful photographs. Alexandra's photographs reveal the tendrils of electricity that fill overlooked spaces, pulling out the abstract entities that embody these obscured worlds.

The project, Room 32, is a pictorial investigation of a relationship that is in a state of agitation due to years of a lack of communication and misunderstandings.

This continuous project started a couple of years ago when I discovered an immense amount of discarded food which was too old to be sold at the local supermarket.

Minimal expression produces maximum thinking. Atom's experience of visiting many countries resulted in the idea that "the answer is not one, everyone's answer is important."

My first go-to boneyard was Johnnie Monroe's in South Thomaston, Maine where I sourced parts for the Pontiac as well as a '29 Essex, a '41 Packard and a '54 Nash.

Finland has more boats per person than almost any other country. The latest estimate is 1.2 million boats. We also have 200000 lakes shared among just 5.5 million Finns. So pretty much everybody’s got a boat and a lake. 

Today my subject matter features floral, mushroom and pear studies. My mission is to capture and present a unique perspective that engages the viewer and embodies a concept or tells a story.

What is a happy childhood? Few experience the idyllic family life portrayed in TV shows and commercials. The truth, told by the World Health Organisation, points to a sadder, darker reality.

According to scientists the virtual reality represents immersive and interactive imitation of realistic and imaginary mediums, some kind of illusory world human being dive into. This world is created by simulation framework forming sensory stimuluses and perceiving motor responses from human in the real time.

(great) Expectations is a series of portrait and still life photographs which explore ideas of conformity to the stereotypical, individual and societal expectations of femininity as well as the portrayal of roles typically perceived as female.

No Memory is Ever Alone is a visual conversation between my dad and I. He used to bring out a box of slides that he photographed in his late teens and early 20s every Christmas and made us view them on an old projector on our living room wall telling the same stories every year.  

/phobia/ feminine noun/ Old ghosts posing next to the windows and family reunions between the dead. The feeling is that of fear and disgust, a parallel normality, visible from behind the stage, from inside a film.

The Sideshow is the unique new series from The International Collaboration Project duo Deb Young of New Zealand and Francisco Diaz of the United States. Diaz and Young designed their new series to usher the viewer into a fictitious seaside carnival.

My work is about entangling women and home, leading to the phrase “housewife.” All of the photographs are reimagined interior spaces of rooms filled with décor and objects, engulfing a lone figure of a woman, camouflaged, often with only bits of her visible.

This series references the board game Cluedo, a who done it crime game where the objective is to find the murderer and the weapon that was used in the most heinous of all crimes. 

Fine Art Photography is a fertile field that allows the cultivation of reflections and dialogues, so I chose it as language, to be the home of my yearnings.

Tatiana Saavedra is a a moon enthusiast and photographer based in Portugal who tries to create visual poetry because there is something very special in colors and dreams. From a young age she has been interested in photography and cinematography later on.

I own a small mahogany boat from the early -60s. I’ve kept the boat as simple as possible without electrical aids or modern conveniences. It is powered by an old two-stroke outboard engine with a rope starter and the steering uses an old-fashioned cable loop. The mahogany hull is no longer perfect but shows its age. But, like people, wooden boats age beautifully.  Summers up north are short; just a few months. But the days...

The essential feature of photography is to capture and reflect a reality in which the dimensions of space, time, authentic being, of mind and feelings are equally prominent, linking in an easily discernible way all those in the area: photographer, viewer, environment, its it’s details and other members involved in it.

Photography is the art that is present in my view and so I am inspired by the search for the shapes, colors and textures of the seeds, leaves, flowers, trees and fruits.

There is such a thing as an irregular rhythm syndrome, where the heartbeat is inconsistent; it races, slows down or flutters. There are times when the heart skips a beat, others when it frantically chases the following one to the point of breathlessness, swarming, oscillating.

The most common cause of death was the plastic we found in their stomachs. We then separated the bones from other organs,From the thirty dead bodies, we reached a flock of ten deer ,Golden herd.

The images are captured with longer exposure only, no photo-manipulation. Long exposure helps me create a mysterious and ethereal atmosphere. My dancers are otherworldly ghost-like beings engrossed in their dance and lost in the moment.

Art portfolio : The Matter Matter photographic series presents waste, neglected traces of the common history that lives in us, crushed, swept, thrown, recovered after our passage.

Creative portraits, I decided to make a generalized “consumer portrait”, using the garbage of heroes as a metaphor. First, I took pictures of the garbage itself and made masks from photographs. Then I shot masked heroes and talked to them about consumerism and the waste problem. Is there a problem?

Synchronicity is a concept which holds that events are "meaningful coincidences" if they occur with no causal relationship yet seem to be meaningfully related.

At the same time he tells a personal narrative of the microcosm in which he and his children were born and live every day. We are presented with a timeless story, both sensory and evanescent, in which the main characters are the trees and their greatness.

The very title of the photographic cycle – Illumination of solar scripts – signifies the gesture of photography as dedication as well. On the one hand, it is possible to claim that in this way Žilvinas Kropas dedicates his work to the sun.

In the ongoing new series ‘Together’, I suggest that we change our attitude and look differently at re- lationships ( friendly relationships, lovers). The social injunction impose itself like a proven normalcy with its hetero-normative codes in our live and our relationship to other.

For this photographic series the interaction between the physics of foam construction and its visual impact is what drove me. Designed to spark the viewer's imagination, these images perfectly exploit the connection between science and the inherent artistic appeal of soap bubbles.

This short series was born from the trips that I make almost daily from the city where I live, San Sebastián de Los Reyes to the center of Madrid. It is a 45-minutes journey that takes the C4 line of the Renfe train company.

The moonlight will always lead you the way and keep you safe, my children. I want you to never forget that. And as you already know, the stars look down on the children in the world.

The narrative seeks to examine the socio-political makeup of America through its political icons - the presidential figures that mark the most notable and controversial chapters in American history.

This photo series is a way of trying to deal with a body dysmorphic disorder and an abusive relationship with capitalism and patriarchy in Lebanon.

In these still lifes I'm going back to work. with pastel colours. they seem to purify the surfaces, light colors make the vacuum merge. The empty spaces have slight contrasts of shape as a value.

You would often give in and share your sweets with me because I was the youngest. When we grew up, we would part for a long time and see little of each other.

When my grandfather passed away that year, I stood beside him. The weeping people had gone, and there were only the two of us. He lay there as if he were asleep, and I stood in a trance in a dream.

Mister X" project is a story of a mysterious character, a composite character of many unrecognized talents, living in free play to one's imagination. The project’s idea appeared in the summer of 2018 and was developed in a series of photos about the different life character situations. The series will be continued in the autumn of 2019.

You will find that in today's China, everyone is looking for a kind of existence, their own existence, and a way of being compatible with the world in this fragmentation and powerlessness.

"Day and night" is a story about a group of young people doing utopian experiments in the city. These young people are students who have just graduated from college, and they don't want to experience the modern life of the town too early

Hybrid photographic project, born and focused on coexistence and interaction with sorceress women, healers and healers who have lived with me throughout my life, all of them have changed my way of perceiving and understanding the world.

There is no logic in this project, everything is shot at the level of sensations. It was a very interesting experience. I decided to set myself a very interesting task - every day for a month to take one photo on an emotional state.

In his latest series for Monkeyphoto, Alessandro Ciccarelli presents “Erehwon, CaMg(CO3)2/CaCO3”, 26 black and white photographs published in the form of posterzine, or rather, prints on large format sheets (45x30cm).


Captured in its various countenances, water poses in these series as an enchanting backdrop to the centre stage figures. It roars through the gaps among a group of stoical rocks and it dances around a water temple creating a mystical mist. The combination of the static and the dynamic elements forms a composition with strength of presence that sends the rest of the world fading into the background.  About Hengki Koentjoro Hengki Koentjoro is an...

Just like a painter gradually creates its own unique palette by mixing up colors like never before and never after, the photographer can steal the colors that are around him: on people, on bricks, on nature.

The Waiting for the Tide to Turn series farcically explores the emotions of a disenfranchised people. The images allude to a spectrum of thoughts, feelings and actions ranging from apathy and subservience to enlightenment and rebellion.

The individual human memory is an episodic memory. It reflects our experiences, impressions, feelings, as well as specific times and places, all combined together. A smell, a song, a gesture, a dress. Humans rely on memories. They can provide a temporal experience, towards the future or the past.