This is like a story that author wants to tell with the help of things. A story about someone or someone’s life – which was spied by Roman Zakrevsky. A life is like a frame that consists from different kind of stuff. Stuff like light, lines, person, colors, shapes – stuff that works with your eyes and your perception / imagination.
The body of work “Thou Art..,Will Give…’ is derived from the first Penitentiary in the United States. The Quakers started it because they believed they could reform people by putting them in solitaire for the full sentence and provide them with a Bible to give their Penitence. It was their grand experiment to try and help people. Obviously, it did not work.
Trauma This self-portrait series aims to explore the themes of brokenness, the struggles of loss and grief, the regrets of past decisions and my personal experiences with generational trauma and mental health struggles.
Olga Merrill lived and worked in Russia until March of 2013 when she came to Maine, USA and her life changed. At the end of 2015 her life changed even more – she got a gift – a photo camera and her view of the world became different through lens
This series deals with a notion of loss and absence. I photograph and through the act of capturing I isolate people and objects from time and space to show first of all inability photography to capture constant change and movement of reality.
In Imagine Magic I use found light and textures to make visible the dreamscapes hidden in everyday life. I often find myself moving through my daily routine without really observing my environment, particularly when I am at home.
In reaction to my father’s death, I use the camera to describe my inner emotions. I found myself entangled in a complex web of emotions and reactions. I felt disorientated, as if I had lost my place and purpose in life. I was living in a different world.
“Escape” is devoted to several years of my life when I did not want to deal with my feelings, being not ready to be sincere with myself. I’ve been working as a photographer for a magazine and a real estate company, riding my black Vespa through the city, videotaping a psychedelic metal band, and I was in love.
The world is a living and dead matter. Each matter has its central point. The most important place, like the core of the earth. The essence of seeing and understanding the world. Pleasure and wisdom. The focal point is energy, invisible to the eye.
As everybody knows, Photography is the art of ‘writing’ with light. What is written is what light can register: shapes, tones, things and people. In a word, Photography deals with what the philosopher Descartes called ‘extension’.
Natural, without complaisance, a heroine, conquering version, dreams of a masterly brush stroke, story to finish in beauty. Games of colours, aesthetic choices initiating a return of the sap and feelings.
There is nothing more beautiful and liberating than indulging in your (one’s) own pandemonium, nothing more reassuring of one’s existence, both spiritually and physically, and this belief of mine gave birth to this particular series.
Still life can be a portal to a personal kind of history. In some ways it’s very intimate: the objects chosen by the Photographer reveal what they consider to be either of social or cultural importance, or of personal value to them.
In accordance with the visual quality of the universe, when its geometric structure, form, rhytm, color and massic kinesis reduced to body, it reorganizes the senses and attributes meaning to phenomena. The indefinite combination of the information received is the misconception of the colors, the physical dimensions, the continuity of the rhythm.
Throughout her work, Yayoi Kusama uses polka dots as a metaphor for giving up personal identity and becoming one with the universe. “Far beyond the reaches of the universe,” she says, “infinity is trying to communicate with us” and it reaches out through her work as an infinite series of polka dots.
We live in the best communicated society in history, an intelligent and formed society able to get excited almost without control before a book, a movie or a photograph. But he completely ignores his neighbor. The best communicated society in history.
I always had been fascinated by the concept of specie’s evolution. In this work I wanted to shed light the proximity between the vegetable kingdom and the human body. I chose to use an analogic camera and instantaneous film because of the fragility, oneness, ephemeral and random characteristics of the life.
There is a certain magic to the American Midwest. Honest. Modest. Understated. Sometimes unappreciated. Often overlooked. I created Midwest Memoir as a way to help others see the American Midwest in a whole new light.
The central idea for Hypothesis Project came to me during a theatrical performance, that I had the opportunity to photograph in 2016. Once the performance started, immediately came to my mind, a memory of part of poem from a Brazilian poet, Carlos Drummond de Andrade.
The series Huis clos confronts us with a suggestive confinement. What happens in us when we are faced with a desperate situation ? What do we feel when we no longer have a connection with the outside world ? Disorientation and loss of contact with the outside world put us into a physical and mental isolation and can lead us — in a conscious or subconscious way — to modify our relationship with the external reality.This maze slowly conducts us into a mental illness.
Rosa is the caretaker of a family house in the Philippines. She likes to create her own solutions for lacking or broken households items. When lola (grandma in Tagalog), the original inhabitant of the house, was still alive she would ask Rosa to repair and mend broken items instead of replacing them.
I‘M FREE …?, of all border interpellative border areas is undoubtedly one of the fundamental and defining questions of our status as beings that we are part of a community and what is more evident is that when formulating this question the answers are quite varied and tendentious
I miss the feeling of wonder I had when someone asked me: What do you want to be when you grow up? That’s the hardest part of being grown-up. To find new dreams when I know what it feels like when you have to let them go.
After 5 p.m. in Lipakovo, a village in Northern Russia you can only see what your flashlight allows you to. The photographs here are made the way the locals see their village, a tiny circle of light surrounded by pitch black darkness.
Dreams and hidden memories – is what the artist works with. In his photographs the reality – landscapes or various cityscapes – is a bit reconstructed to include an imaginary personage who is missing from actual life or even from actual memory.
Birds are like humans, and people are like birds. They are smart and stupid. They are nice and ugly. They are full and hungry. They are delicate and predatory. somethey are singing others are shouting. People like birds can fly.
Between earth and air is a photographic-philosophic debate about the liquid room that divides the solide underground from the air. A silent space where the vertical growths of the plants crosses the horizontal flow of the water.
Henkō is a Japanese word composed by the kanjis 変Hen, meaning “change” and 光Kō, meaning “variable/unusual light”. In fact, more than a word, Henkō is a sound that bears a concept, that of a shifting light which transforms our perception of the objects that it illuminates.
Heavy social context masked under details filled with symbolic meanings within truly artistic composition is a handwriting in photography of Ukrainian based artist and photographer Oleksandr Pankovets.
All of my pictures are self-portraits, which convey the struggles and emotions in my everyday life. I’m interested in generating different atmospheres through the use of color, objects, locations and compositions.
L’Opéra Fabuleux (The Fabulous Opera) Should we believe in Fate and if yes, is it possible to outrun to our own destiny ? Why some beings seem like be snatched by the black unfortune infernal spiral when others are blessed by the holy light and chance ?
These works can especially focus on texture and its inherent emotional qualities, the way a visual pattern can intrigue, repulse, stimulate. But interestingly, in this series, you will find a shift in focus from that sharp clarity to a greater ambiguity
This series “Walls and Windows” was shot in an apartment in Budapest, where we were staying for the New Year 2017/18. The apartment was newly renovated and each room was painted a different colour and there were many windows and paintings.
In 1997 Daoust was invited to decorate a room in the Carlton Arms Hotel in New York City – a hotel that, for the past 40 years, has invited artists such as Banksy, Andre Charles and Paco Simone to transform rooms and walls.
“Copypaste” is an observation of the ways in which the human living in a technocratic world continues recreating nature inside and outside the home. The imitation of the environment in artificial materials embodies the striving for immortality.
The River Thames is not even the longest river in the British Isles and a mere pygmy in comparison with many other rivers in the world, yet its significance to British and world history is immense. The river starts as a small trickle in hills to the north west of London and travels for nearly 450 km through the south of England, the centre of London and thence out into the North Sea via the…
In the study of history of photography it’s easy to see how light is fundamental, in fact photographers of every ages have been able to create atmospheres, communicate sensations and show the movement of surfaces through more or less intense contrasts of lights and shadows.
The Rug’s Topography began with me photographing my intimate partner of six years. Simultaneously, we were facing an internal conflict: how we identified as individuals differed from the roles we occupied in our partnership.
I grew up on a small farm thirty miles outside of New York City. The forest that bordered the farm was my childhood wilderness, a safe and wild place to play that was ignored by our neighbors who commuted to Manhattan.
I started working on this project six years ago when I first started my undergrad degree. At the time my youngest sisters were thirteen.My sisters were around me all the time and I figured if they were there I should start photographing them.
The most compelling lies we tell ourselves are made up almost entirely of the truth.This is the third in an ongoing series of photographic short stories that explore the deeply personal space between what is known and what is felt
‘Liminality’ series was taken during the ‘Integral Lens’ 5-month photographic journey in United States sponsored by the Fulbright Artist Scholarship for a multi-perspectival study of architectural photography.
The Statesman Vintage & Classic Car Rally is an annual vintage car rally in New Delhi and Kolkata and the oldest, continuously-run such event in India and the sub-continent. It started in the year 1964 in New Delhi, and was brought to Kolkata in the year 1968 as The Statesman Vintage Car Rally.
According to statistics, about 20% of the population in Russia have an anxiety-depressive disorder, and the same percentage of the population – all the prerequisites for its development. The reasons are stress, changes in society, problems of Internet dependency and other factors.
The cold air is unmoving, except for when the wind thrusts it violently making me bend in its wake. Trees mockingly bloom with snowball cotton tops. Gale force winds throw the storm door off its hinges as I make my way outside. I hear the birds who have come back to our yard to sing, though the snow clings, swaddling the muddy earth.
In the same way my profession of Architect allows me to plunge the visitors by confronting them with powerful, thick, high walls, or with heavy, dark atmospheres; I like images that transport people, which open the doors of another world.
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