Magazine
Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.
The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.
We invite professional and amateur photographers from all around the world to share their work in our printed edition.
Dna Stories
Anatomy of a photograph by Nikhail Asnani
This image came from the collection 'Feelings will hurt me'. When I was living in LA - I felt like I couldn't get close to anyone intimately. I live a life where sometimes people don't believe what I do, and at the time I was feeling very much in pain, after a sexual experience resulted in being backstabbed and emotionally beat up.
Interview with Foteini Zaglara; published in our print edition #22
My style is closely related (to) but not limited to fine art photography. About my personal style, I wouldn't say it has a specific description. I'm in a phase where I'm experimenting quite a bit so it's a "process in progress."
Interview with Marius Surleac; published in our print edition #22
The name “Invisible Man” comes from the photo with the same name, the BW street photo in which there are some kids on a pedestrian bridge and somewhere in the frame is an old man that is not present in the reflection (I used some of the basic physics tricks). Hence, it came to my mind the idea of sole people – even though we are in a group we still can be alone.
Interview with Mike Potts; published in our print edition #22
Mike grew up in Pennsylvania and in 2005 moved to Arizona where he’s rarely cold and doesn’t have to shovel snow or cut grass. He graduated from Bucknell University with a major in English and a minor in Chemistry and still wonders what to do with them.
Interview with Alain Schroeder; published in our print edition #20
Belgian photojournalist Alain Schroeder has been working in the industry for over four decades. First as a sports photographer in the 80s, then shooting book assignments and editorial pieces in art, culture and human stories.
Interview with France Leclerc; published in our print edition #20
France Leclerc, born in Québec, Canada, is an independent photographer who currently lives in Chicago. Her early career was in academia, but her true passion for documentary and street photography has now taken over.
Interview with Ann Prochilo; published in our print edition #20
Ann Prochilo brings extraordinary dreams of mixed elements, and thoughtful reflections to her images, being in the intersection of different worlds but still connected to her roots. Her surprising works are the result of a striking and complex process of work and way of thinking while trying to have her feet on the ground with everyday questioning about which is her place in the universe.
Interview with Sara Camporesi; published in our print edition #20
A photographer passionate about art, for a long time she has combined this interest with the spontaneity of visual storytelling, conceived not only as a classic account of experiences but as a combination of personal and creative shots conveys the secret appeal of urban places and museums, revealed through images and words like a “photographer narrator”.
Exclusive Interview with Demi Cauwenbergh
We had the honor to interview exclusively with the photographer Demi Cauwenbergh, winner of the Rotterdam Photo Best Exhibition Award. A collection of self-portraits that she have made over the course of 5 years, and it is still ongoing. she started making self-portraits in 2017 as a way to be really personal.
Interview with Karie Sue; VIEWBUG “My favorite space” contest winner
We had the pleasure to interview the photographer karie Sue. Recent winner of the contest "My favorite space" convened by Viewbug. Karie Sue is an incredible photographer who photographs fantastic places in the united states.
Interview with Riccardo Magherini; published in our print edition #19
Riccardo Magherini is a photographer and visual artist. By approaching his medium in innovative ways, Riccardo often challenges human perception, condition and context.
Interview with Patrizia Burra; published in our print edition #19
Patrizia Burra brings together the Renaissance Classicism with the latest and the most modern Instagram aesthetics. Her concept of female expression and beauty transforms the obscurity of realism into the light of fantasy, creating new characters with her digital masterpieces.
Interview with Elena Molina; published in our print edition #19
In this interview for Dodho Magazine, Francesco Scalici met with spanish Photographer Elena Molina to discuss her ongoing project ‘Being a child in a Mundari camp’, which recently featured on the pages of Issue 19 of the Magazine.
Interview with Christos J.Palios; published in our print edition #19
Christos was raised as a first-generation Greek-American, a son of immigrants. These two distinct cultures forged his personal and creative evolution.
Interview with Peter Eleveld; published in our print edition #18
The artworks are just objects out of daily life, such as glassware, fruit, and nature. I notice them and create an image in my head. This happens during the day or I create when I am sleeping.
Interview with Chloe Meynier; Published in our printed edition #18
Meynier’s work has won multiple awards, has been exhibited nationally and internationally and her photographs are in the permanent collection of the Fort Wayne Museum of Art, and the Kinsey Institute for Research in Sex, Gender, and Reproduction
Interview with Alessandro Celante; Published in our printed edition #16
My projects have always been about human perception of and relationship to society, more precisely about the distance between subject and phenomenon based on new technologies, and that's why I develop them based on sensory experiences.
Interview with Roger Ballen, One of the most influential photographic artists of the 21st century
Roger Ballen was born in New York in 1950 but for over 30 years he has lived and worked in South Africa. His work as a geologist took him out into the countryside and led him to take up his camera and explore the hidden world of small South African towns.
Interview with Samuel Feron; Published in our printed edition #16
Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16
I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16
Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16
Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16
I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15
This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited.
Interview with Dimitri Weber; published in our print edition #15
I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15
There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
Interview with Gavin Smart; published in our print edition #15
Gavin Smart is an award-winning freelance photographer. He has a rich and diverse creative background which began with his rigorous musical training, studying the tuba at London’s prestigious Guildhall School of Music.
Inside camera bag of Alain Schroeder
Belgian photographer Alain Schroeder has been working in the industry for over four decades. During his tenure as a sports photographer in the 80s, his shots appeared on more than 500 magazine covers.
Interview with Ted Chin; Digital Artist.
Dali is definitely one of my inspirations when I was learning about surreal art. However, jellyfish has nothing to do with his artwork. The gentle floating of clouds and jellyfish creates a sense of calm.
Interview with Susanne Middelberg; published in our print edition #14
These images are about loneliness, being abandoned, pain, about intimacy and connectedness. The photographs were not taken based on a concept, but from a feeling, an impulse.
Interview with Nicky Hamilton; published in our print edition #14
There is an extremely voyeuristic character in Nicky Hamilton's works. He is able to introduce us to detailed universes he designs and stages. He lets viewers overhear and have a peek at realistic storylines. His choices and ideas are intriguing and help him to show a whole meaningful narrative.
Inside camera bag of Bruce Haswell
My interest in photography began after leaving school and finding employment in a commercial photographic studio in Sydney and where I nurtured a growing interest in black and white imagery while relishing the work of such greats as Andre Kertesz,Walker Evans, Robert Frank and Lee Friedlander
Interview with Alain Schroeder; published in our print edition #14
When I finally had divers willing to be photographed and permission to hang my backdrop, it started to rain and I had to shoot holding an umbrella and protect my camera.
Interview with Diego Bardone; published in our print edition #14
A Streeter must only and exclusively think about capturing photographs, he must feel at home while walking the streets of our cities and must not be influenced by anything.
Interview with Vicky Martin; published in our print edition #14
The initial inspiration for the cover photograph came from the Disney character Minnie Mouse however, the stereotype that is often placed on the female as being timid, much like a mouse, also filtered into my conception of the idea.
Inside camera bag of Fallckolm Cuenca
Photography was a conscious choice. I really wish there was more magic to it. I had just completed my master’s degree in international law and was struggling with unemployment.
Anatomy of a photograph by Christophe Vermare
When underwater, many challenges add up. Holding its breath is challenging when you need to focus, check details into the frame, be sure to catch this « perfect » instant. I get so excited when the body conforms to better exist with in this environment I love it so much.
Inside camera bag of Svetlin Yosifov
I like high-end backpacks and one of the important things is that it is comfortable to carry and fits on my back. There are days when I don't have to take it off my back for hours.
Sarah Koenig Wagner; Exhibitions manager for Medium Festival
Sarah Koenig Wagner is a photographic artist and fine arts advocate who holds degrees in photography and art history from the University of Arizona.
Anatomy of a photograph by Peyman Naderi
It is the story of a girl who lived through a period of history but was never seen, and though she was very artistic, she always hid from others until one day her identity was revealed. She was still trying to keep his identity a secret until she was satisfied to register herself in history.
Interview with Alain Licari; Published in our print edition #12
When we started the project with Dia and her children, we didn't know exactly how we were going to organize ourselves. But the idea was for me to follow them as closely as possible and for as long as possible.
Interview with Annick Donkers; Published in our print edition #12
The motivation for my story was a personal experience I had at the age of 10. I was raised at the Flemish countryside in the province of Antwerp. I remember that one cold December night, I was walking back home from a friends’ house with my mom.
Interview with Anne Mason-Hoerter; Published in our print edition #12
I think this project was a combination of many thoughts and ideas. Both conscious and unconscious. The initial feeling was my frustration/ fear with the experience at the supermarket and also the unknown.
Interview with David Shedlarz; Published in our print edition #12
The gear used on this trip was the Phase One XF Camera, IQ3 Digital Back, and several Schneider-Kreuznach lenses including the 28mm which I used to capture unique portraiture including the boxer and the farmers.
Interview with Seb Agnew; Published in our print edition #12
Seb Agnew (born 1986) is an award-winning photo artist based in Hamburg, Germany. Within staged images, he creates hyperrealistic sceneries which explore the human psyche and our modern society.
Interview with Panos & Mary, The new documentalists
Panos Mary is a photographic duo, and this is not their only unusual feat. These Greek islanders belong to the new documentalists. They portray realities through poetic images in pastel color fantasies.
Inside the camera bag of Anthony AsCer Aparicio
At the moment, in my backpack I carry a Nikon D90 body, equipped with a Nikon MB-D90 Battery Grip and two batteries for long work days. I also carry the kit lens, an AF-S DX Nikkor 18-105mm f / 3.5-5.6G ED VR, and an AF-S DX Micro Nikkor 40mm f / 2.8G.
Interview with Ovi D.Pop; Published in our print edition #11
I am a very visual person; I have always been. I believe the human form and especially the female form is most fascinating and worth exploring in photography. However, I don`t like to be conventional and I believe that rendering it in a traditional manner in a photo is unsatisfying.
Interview with Joxe Inazio Kuesta; Published in our print edition #11
Walking through one of the camps I saw a kind of shack in which there were many people queuing. I approached them and noticed that they were waiting to dispatch what they had been granted in another shack. They had a sort of voucher and were waiting their turn to collect materials; mainly, canvas covers to build or repair their homes.
More Stories
Anatomy of a photograph by Nikhail Asnani
This image came from the collection 'Feelings will hurt me'. When I was living in LA - I felt like I couldn't get close to anyone intimately. I live a life where sometimes people don't believe what I do, and at the time I was feeling very much in pain, after a sexual experience resulted in being backstabbed and emotionally beat up.
Interview with Foteini Zaglara; published in our print edition #22
My style is closely related (to) but not limited to fine art photography. About my personal style, I wouldn't say it has a specific description. I'm in a phase where I'm experimenting quite a bit so it's a "process in progress."
Interview with Marius Surleac; published in our print edition #22
The name “Invisible Man” comes from the photo with the same name, the BW street photo in which there are some kids on a pedestrian bridge and somewhere in the frame is an old man that is not present in the reflection (I used some of the basic physics tricks). Hence, it came to my mind the idea of sole people – even though we are in a group we still can be alone.
Interview with Mike Potts; published in our print edition #22
Mike grew up in Pennsylvania and in 2005 moved to Arizona where he’s rarely cold and doesn’t have to shovel snow or cut grass. He graduated from Bucknell University with a major in English and a minor in Chemistry and still wonders what to do with them.
Interview with Alain Schroeder; published in our print edition #20
Belgian photojournalist Alain Schroeder has been working in the industry for over four decades. First as a sports photographer in the 80s, then shooting book assignments and editorial pieces in art, culture and human stories.
Interview with France Leclerc; published in our print edition #20
France Leclerc, born in Québec, Canada, is an independent photographer who currently lives in Chicago. Her early career was in academia, but her true passion for documentary and street photography has now taken over.
Interview with Ann Prochilo; published in our print edition #20
Ann Prochilo brings extraordinary dreams of mixed elements, and thoughtful reflections to her images, being in the intersection of different worlds but still connected to her roots. Her surprising works are the result of a striking and complex process of work and way of thinking while trying to have her feet on the ground with everyday questioning about which is her place in the universe.
Interview with Sara Camporesi; published in our print edition #20
A photographer passionate about art, for a long time she has combined this interest with the spontaneity of visual storytelling, conceived not only as a classic account of experiences but as a combination of personal and creative shots conveys the secret appeal of urban places and museums, revealed through images and words like a “photographer narrator”.
Exclusive Interview with Demi Cauwenbergh
We had the honor to interview exclusively with the photographer Demi Cauwenbergh, winner of the Rotterdam Photo Best Exhibition Award. A collection of self-portraits that she have made over the course of 5 years, and it is still ongoing. she started making self-portraits in 2017 as a way to be really personal.
Interview with Karie Sue; VIEWBUG “My favorite space” contest winner
We had the pleasure to interview the photographer karie Sue. Recent winner of the contest "My favorite space" convened by Viewbug. Karie Sue is an incredible photographer who photographs fantastic places in the united states.
Interview with Riccardo Magherini; published in our print edition #19
Riccardo Magherini is a photographer and visual artist. By approaching his medium in innovative ways, Riccardo often challenges human perception, condition and context.
Interview with Patrizia Burra; published in our print edition #19
Patrizia Burra brings together the Renaissance Classicism with the latest and the most modern Instagram aesthetics. Her concept of female expression and beauty transforms the obscurity of realism into the light of fantasy, creating new characters with her digital masterpieces.
Interview with Alice Zilberberg; Published in our print edition #11
I probably use every tool imaginable to shape the images. It’s really a variety of techniques that come together that creates the affect I like. I clean up the surfaces very laboriously, and I do a lot of dodging and burning to make more minimalistic and smooth. I also do color shifting. The end product looks a world different than the raw files.
Interview with Patty Carroll; Published in our print edition #11
My photographs in this series are metaphors for the interior lives of women; how we substitute everyday objects and artifice and turn them into obsessions. As for the Nightmare picture, I was thinking about the monster under the bed that we knew was there as children.
Interview with Henry Fernando; Published in our print edition #11
There is definitely a fine line that now separates documentary photography and fine art photography. I want to tell stories through my pictures and I like to create images that we can respond to, something that speaks to us.
Interview with Ari Jaaksi; Published in our print edition #10
I found film again some two years ago when I accidentally bought a Rolleicord camera. It simply looked awesome on a store shelf. I was immediately captivated by the camera itself, but I also soon found out that I can actually get the results I want with film.
Interview with Rebecca Moseman; Published in our print edition #10
Traditional gender roles are common within the Traveler community. It is expected and en- couraged for Traveler girls to marry young and have many children.
Interview with Emmanuel Monzon; Published in our print edition #10
The presence of signs is the revelation of the trace of men in the American landscape, and, of the endless expansion of urbanism with the sensation that there is no going back.
Interview with Max Caffel, owner of 31 Studio
The 31 Studio / The Platinum Printroom is the foremost specialist for Platinum and Platinum-Palladium printing in the United Kingdom.
Skype Interview with Dina Goldstein; Published in our print edition #10
Dina began her career over 25 years ago as a photojournalist, evolving from a documentary and editorial photographer into an independent artist focusing on large-scale productions of nuanced photographic tableaux.
Interview with Hal Gage; Published in our print edition #10
I think my work touches on the relationship between all of these elements; the imagined, death and the landscape. The theme of death is something which has come about indirectly, as a result of my interest in other ideas such as dystopia, memory and the uncanny.
Exclusive interview with Ralph Gibson
Ralph Gibson is one of the most celebrated American photographers, having achieved worldwide recognition in his career for more than four decades.
Interview with Jo Lauren; Published in our print edition #10
I think my work touches on the relationship between all of these elements; the imagined, death and the landscape. The theme of death is something which has come about indirectly, as a result of my interest in other ideas such as dystopia, memory and the uncanny.
Interview with Tommy Ingberg
I don’t usually have a recognizable face in my pictures, the faceless or unrecognizable man works as a device to make the viewer relate, someone they can replace with themselves, or someone they can chose to observe from a distance.
Interview with Dejan Mijovic ; Finalist in our Black & White 2019
A lot of quality photos I already made of my relatives. That means I did the opposite of how usually projects are made. After years of photographing my relatives and family and a lot of good photos of elders I decided that I have to do something with them.
Interview with Svetlin Yosifov ; Finalist in our Black & White 2019
When I started to pick up photography, I learnt to shoot many genres, from macro, landscape, night scape, long exposure, street photography… slowly I noticed capturing images related with human elements is very challenging yet fulfilling.
Interview with Zhou Yulong; Published in our print edition #09
Almost each figure in the images has their own backgrounds or archetypes, and they are all people who had important influence at historical moments.
Interview with: Princess Ayoola – Manager of Lagos Photos Festival
The festival’s goal has always been to bring together a diversity of images surrounding a particular theme. The theme this year seeks to explore and open up discourse about the passport not just as a document but as a form of identity rooted in all aspects of life.
Interview with Grace Ho Pui Wan ; Finalist in our Black & White 2019
When I started to pick up photography, I learnt to shoot many genres, from macro, landscape, night scape, long exposure, street photography… slowly I noticed capturing images related with human elements is very challenging yet fulfilling.
Interview with Todd Antony; Published in our print edition #09
I knew in advance that I wanted to create the portraits, but the where and how element can only ever be tackled once you’re on location and found a spot that grabs you, and then you have to work with the weather that you are given on that day.
Interview with Nathan Wirth ; Finalist in our Black & White 2019
When I speak of attempting to photograph with a mind not preoccupied with emotions or thought, I am speaking of simply photographing whatever I photograph whenever I photograph it and however I photograph it.
Interview with Efrat Sela; Published in our print edition #09
I would not define this as a religious encounter; I would define it as a meeting between cultures, between different societies. Unfortunately, I have not yet been part of a women's talk after the beach activity.
Interview with Ana Maria Robles; Published in our print edition #09
The world is amazing; photography is an experiences and sensations path. I found through it I have been able to share moments with wonderful people, from different cultures
Anatomy of a photograph by Gavin Smart
The image is taken from a larger series titled Scotland and the Environment, touching on a variety of contemporary issues facing Scotland today, such as plastic pollution, marine conservation, intensive agriculture and woodland protection.
Skype Interview with David Godichaud
David Godichaud was born in Fontainebleau (France) in 1973. He started a carreer of photographer ten years ago, after graduating in Science Research first and from the photojournalism program of the International Center of Photography in New York next.
Inside the Camera Bag of Matteo Maimone
Light traveling involves light luggage. I would recommend a small camera body like a MirrorLess or a compact one can help a lot. Even the objectives play an important role: I always choose wide-angle lenses
Interview with Julia Fullerton Batten
My photographic style encompasses cinematic lighting, powerful colour combinations, careful choice of models and the use of settings and props which enhance the visual story I am telling.
Anatomy of a photograph by Mitar Terzic
After the first answer I think that is easy to understood why I chose the witches as a motif for one of my works. The book "Malleus Maleficarum", one of the most blood soaked texts in the history, influenced me to went back to the topic which during my childhood impressed me so much.
Interview with Juan Jose Reyes, executive director of Miami Street Photography Festival
The goal of the Festival is to establish a global platform for learning through exhibitions, workshops, lectures and other events. This Festival is a collaborative effort to advance the work of photographers who pay attention to everyday life in order to capture the world around us.
Inside the Camera Bag of Biel Carlderón
My interest in journalism came before I'd get into photography. As I mentioned earlier, I like to tell stories, and for some reason, I feel more comfortable doing that visually, either with photography and, since, 2011, using video as well.
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Five minutes with Maria Svarbova
Earlier works of young and talented author, publishing under name Maria Svarbova are resembling a dream like reality with elements of surrealism and Art Nouveau. Her latest photographs focus on delivering a message and triggering feelings with focus on minimalism and purity.
Five minutes with Sean Archer
Sean Archer is a portrait photographer, speaker, educator. It took him just two years to go the entire way from a beginner who knew absolutely nothing about photography to a world-renowned master whose works are published on the covers of the most popular photography magazines.
Interview with Jose Girl
Jose Girl was born in Zaragoza in 1977, currently residing in Los Angeles; as a photographer she is intimately related to the rock world. Author of 3 books on this photography subject, her great vocation is portrait photography where she develops her full potential as an artist with a unique look endowing her images with a strong personal stamp
Interview with Lisa Bettany
Lisa Bettany is a Canadian tech entrepreneur and one of the most influential photographers on the web. She is cofounder of the top-ranked photography iPhone app, Camera+ which has sold over 14 million copies and is the best-selling camera app of all-time.
Five minutes with Reka Nyari
I’m a New York based fashion photographer and artist. I grew up in Finland and Hungary, and came to NYC to study painting at the age of 17.
Interview with Scott Bourne
Scott's been involved with photography for more than four decades and is an internationally-recognized thought leader and artist. His work has appeared in more than 200 publications and he’s received hundreds of industry awards for his photography.
Exclusive interview with Scott Kelby
We had the honour of being able to interview Scott Kelby; a highly expected interview that we now have the pleasure of being able to publish in Dodho Magazine. Without any doubt, currently, Scott Kelby is one of the best photographers, with an incredible mastery of colour and light.
Five minutes with Marco Tenaglia
I guess I’m interested in photography since I was a kid when I got my first camera, a polaroid sx70. I always loved to take photos.
Interview with Sandro Giordano; Published in our print edition #05
I already have a good opinion of Dodho Magazine for the web, but I have to say that the printed version is really really beautiful. It is a very elegant magazine and always full of good contents.
Exclusive interview with Reza, the photographer of just causes
Reza is a person with his light and one of the best-known photographers in the world, he has shot his camera capturing the beauty and war, for the National Geographic and other prestigious international media such as Time, Stern, Newsweek, El País, Paris-Match, Geo.
Interview with Manuel Armenis; Published in our print edition #05
Manuel´s work has been exhibited internationally in galleries and was published in leading contemporary photography magazines and online
Interview with Isabella Bubola; Published in our print edition #03
I love the big photos! They’re so nice to go through. And I like the feeling of the slightly glossy paper. One thing that I would change, if I’m completely honest, is the font choice and size (I would make it smaller).
Interview with Laurent Baheux
Laurent Baheux is a french photographer, born in Poitiers in 1970. Laurent Baheux was attracted to journalism and editing at first, rapidly discovering a passion for photography and becoming a self-taught photographer.
Five minutes with Gary Breckheimer
It all started in middle school with a mixed-media class. The assignment was to take photograph, process the film and make a print. In the darkroom making my first print, I emerged a single piece of white paper into a smelly liquid…
Trending Stories
Interview with Rebecca Moseman; Published in our print edition #10
Traditional gender roles are common within the Traveler community. It is expected and en- couraged for Traveler girls to marry young and have many children.
Exclusive interview with Ralph Gibson
Ralph Gibson is one of the most celebrated American photographers, having achieved worldwide recognition in his career for more than four decades.
Steven Lee – Director of the Kuala Lumpur Photography Awards
KLPA is an annual international portrait photography competition attracting a serious core of internationally renown and emerging photographers.
Anatomy of a Photograph by Sandro Giordano
That day there were some big clouds moving fast. When I understood that one of them was going to cover the sun, I hurried to put the model in position and tidying up the props around her. After that I ran to get ready to shoot.
Five minutes with Mafalda Rakos
It’s a very general thing to say, but I’m sure that everything you see and experience has an influence on how you see things, and then on your work.
Five minutes with Zuzu Valla
I am always open for new projects. In the meantime, I still continue working on my two series ‘’In the Bath’’ and ‘’Freckles”. I also have some new cooperation coming which we are organising at the moment.
Inside the Camera Bag of Erberto Zani
My photographic equipment, bags and lenses, can change depending on the type of assignment that I receive and the kind of country where I must work.
Gilles Altieri director of Galerie Du Canon
The Galerie du Canon, founded in 2017 by Jacques Mikaélian and Gilles Altieri, represents contemporary and confirmed artists and develops a policy of promotion and support for young creation.
Inside the Camera Bag of Jan Møller Hansen
I usually bring two camera houses, and most often it’s the Canon EOS 1DX and the Sony Alpha 7Rii. I fell that these two cameras supplement each other very well. The first is very fast, easy to maneuver, great at low-light conditions and is strong and weather proof.
Five minutes with Francisco Arteaga
I just focus on the subject, the situation and try to frame following technic and personal criteria.
Five minutes with Le Turk
Le Turk was born one night simply when listening by chance to Bach's Saint John Passion, nice and loud in headphones.Nothing else matters than that major awakening, that ground-breaking moment.
Susan Baraz, Head of jury of IPA and Co-Chair of the Lucie Awards
The International Photo Awards is just what it sounds like-a competition of photography entries submitted from around the world that various jurors go through, vote on, and select the winning images in several different fields.
Interview with Joshua Sariñana ; Finalist in our Black & White 2018
The quality of the work is excellent. It is very easy to get stuck on the site perusing all of the amazing imagery from such great contemporary photographers. Indeed, Dodho is great.
Interview with Stefanie Minzenmay; Published in our print edition #01
Stefanie Minzenmay was born in 1970 and lives in Neuss and Oldenburg, Germany; she studied and graduated in law at the University of Münster.
Interview with Emmanuel Monzon ; Honorable Mention in our Black & White 2018
It is a highly interesting magazine, open to all forms of photography, whether it be photo-documentary, photo-journalism, fine arts, and on contemporary photography in general. It is a very active and responsive journal on the world of photography, and is always a pleasure to read.
Interview with Thomas Alleman; Published in our print edition #03
It’s lovely and very bold! The use of type is adventurous, and the display of the pictures dramatic. The heaviness and heft of the publication give is real “gravity”, as does the paper stock, which announces a real seriousness…
Five minutes with Einar Sira
I try to work very slow with my pictures, trying to get the right light and exposure. I do most of my work in my garden. There i have a pond and also the rest of the backdrops i have built.
Five minutes with Yura Kurnosov
I shoot a people, ordinary people. I love to tinker with them, spend time on them. I coming to them in houses, apartments, rooms and so on.
Javier Corso Founder & Director of OAK Stories
At OAK we execute each project with the utmost informative rigor and the highest audiovisual quality. Depending on the subject and the goals we have set for ourselves, we choose the best combination of platforms and means to optimize the dissemination of the resulting work.
Inside the Camera Bag of Terri Gold
In my camera bag I carry my two Canon cameras, a 5D Mark III and a 7D. I carry a number of lenses, including a 24-105, a 28-70, a 70-200, a 16-35, and sometimes a 150-600, depending on what I’m going to be shooting.
Interview with Thomas Phoon ; Finalist in our Black & White 2018
As for my opinion of Dodho Magazine, I only have words of thanks for the award and for the exquisite attention I have always received.On the other hand I think they do a great job in the sense of serving as a platform for dissemination for new photographers as is my case.
Five minutes with Christopher Boffoli
I’m a Seattle, USA based photographer, writer, journalist and filmmaker. I started taking pictures as a hobby when I was a teenager and continued as a student journalist in high school and college.
Inside the camera bag of Efrat Sela
In addition to what I regularly take – the Lowepro bag, Newswear bag, which I finds very comfortable and appropriate for some days, My Canon camera , all variety of lenses- Canon 24 F2.8, Canon 16-35 f 2.8, Canon 24-105 F4, and Canon 50 f1.8.
Interview with Francis Meslet; Published in our print edition #08
In fact I visit a lot of abandoned places in different sectors: industrial, health, religious, education, entertainment and of course private homes. With "Home" I go closer to the secrets of people. This unique feeling of being passed on the other side of the mirror as an invisible traveler in time.
