The derivative measures the sensitivity to change of the output with respect to a change in the input. I photographed Moscow in 2015 and 3 years later, as I was looking the photos on my screen, I re-shot them.
he basis for this was laid by the work on “Duality”. The basis of this work describes the power and the great potential to find happiness. It enables the recognition of emotions of the physical and mental body.
In 2015, I moved to Iceland for about six months. Student in the Academy of the Arts of Reykjavik, I discovered the Icelandic everyday life. Far from tourist dreams, living from day to day a « behind the scene » of a small country, living in the heart of mass tourism.
This work is a tribute to the Xacriaba, one of the many indigenous people of Brazil. A way to record in images a brave and noble people and their way of living. A culture that is fading and that may be lost forever.
In this portfolio I draw inspiration from the art of minimalism.By using modern technology I have created photographs that are both true to the artist and the definition of minimalism but convey a modernist approach.
Goth’s undying legacy has been around since the late 1970’s and it’s extreme dark aesthetic continues to permeate mainstream culture today. It’s ability to reinvent itself and evolve has made it one of the most enduring of London subcultural tribes, with the new generation incorporating high-fashion and runway looks into their club wear.
I depict the aesthetics of nature in black and white to deliver certain universal feelings.Feelings that a photograph in color washes out. Feelings that every human is able to translate from visual poetry to an introspective understanding of the world that surrounds us
Life within boundaries is hard and painful, no matter how sophisticated and safe it is. I always wonder why schools, offices and sometimes even a home is felt so stressful and pressurised, because, it confines us within boundaries with specific regulations.
Inception is a fine art project which represents my inner world through photographs of folded paper/origami. The formal quality of strong lines and shapes investigates the relationship between light and shadow through visual abstractions.
Andreas Theologitis is a master photographic sculptor of the female body. He keeps our interest by overwhelming us with a plethora of nude photographs full of surprises; this is the main theme of his latest collection.
After the incident of Stephen court and New market, the shopping marts of the city of Kolkata is yet to learn its lesson as yet another inferno hits a 6 – storeyed wholesale market on busy Canning street area of the city.
The rocky structures that dot the US Pacific coast, called monoliths, stretch from the US border with Mexico to Canada. These strange and dramatic formations grow from sandy beaches. or raise like mountains from the ocean.
The body of work “Thou Art..,Will Give…’ is derived from the first Penitentiary in the United States. The Quakers started it because they believed they could reform people by putting them in solitaire for the full sentence and provide them with a Bible to give their Penitence. It was their grand experiment to try and help people. Obviously, it did not work.
On November 7, 2017, South Korean President Moon Jae-in extended a “heartfelt welcome” towards US President Donald Trump as he arrived in South Korea for a two-day summit to reaffirm the Korea-US alliance.
Through time and elements; through hope and despair; through the eyes of the ones who once left and fought the ruthless sea; the ones who stayed and faced the shape of history, and us, who came in wonder, Havana stands as a monument to resilience.
“The World’s Greatest Tobacco Market” says the title of a book, Wilson was indeed a prosperous trading center of tobacco, with a growing population employed and involved in different thriving activities, a vibrant and bustling downtown as old pictures recall, and a railroad connecting the small and wealthy town to the major cities of the east coast.
How to shoot at home and stay creative under bad conditions I hope this article can serve as inspiration (not only) for all budget nude photographers who are lacking good quality equipment, a studio, lighting or any other ‘necessary’ things photographers can’t work without. A little about me I used to live in an apartment that was great for shooting. It had almost no furniture, there were lovely wooden floors, white walls and a lot…
The felicific calculus is an algorithm formulated by jurist and reformer Jeremy Bentham (1748–1832) for calculating the moral rightness of an action by balancing the probable pleasures and pains that it would produce. Bentham, a utilitarian philosopher, believed this calculus could, in principle, help determine the moral status of any considered act.
The fishermen of Ngapali Beach, Myanmar is a series from a project I have been working on over the past couple of years. Continuously revisiting the fisherman’s village to capture their day-to-day life.
Pamela Aminou is a self taught artist based in London that chooses photography as a way to express herself. Through her work, she’s able to transcribe what she feels at a specific time, to better understand her emotions and what surrounds and most importantly to interpret the world that she lives in.
“Escape” is devoted to several years of my life when I did not want to deal with my feelings, being not ready to be sincere with myself. I’ve been working as a photographer for a magazine and a real estate company, riding my black Vespa through the city, videotaping a psychedelic metal band, and I was in love.
It is a dark world that millions of people are forced to work in, made of mines, dust and fear. Characterized by oppression, violence and trampled human rights; where the presence of enormous deposits of minerals transform into a curse for the people through the illegality caused by games of power and corrupt economies.
The photographs I made for this series were neglected nearly three years, before I’ve chosen some to be shown to the public. This time distance is likely not just a duration between two dates, but rather distance between two personas.
As everybody knows, Photography is the art of ‘writing’ with light. What is written is what light can register: shapes, tones, things and people. In a word, Photography deals with what the philosopher Descartes called ‘extension’.
There is nothing more beautiful and liberating than indulging in your (one’s) own pandemonium, nothing more reassuring of one’s existence, both spiritually and physically, and this belief of mine gave birth to this particular series.
Floating Japan brings together a collection of photographs taken in October 2018. An effervescent but at the same time relaxing and inspiring country, the title refers to this impression of detachment one can feel there, mostly due to the gap between reality and interpretation.
In 2016, I published my “Fireflies” work far the first time, in the form of a book, in an effort to describe the troubled time I was in. I found myself in the turmoil of a divorce, the separation from my son, a change of job, the move another place to live and efforts to adapt to this situation and pick up life.
Summer is happiness, and happiness is a strange thing that only happens in the past: it is a projection on a mathematically nonexistent point where what we long to have intersects with what we think we have lost. Therefore, returning to summer is impossible.
We live in the best communicated society in history, an intelligent and formed society able to get excited almost without control before a book, a movie or a photograph. But he completely ignores his neighbor. The best communicated society in history.
In our century, in which we are surrouneded by exabytes of glamorous pictures as a demonstration of ostentatious perfection of the binary code, some stubborn people of the past are still seeking for the technologies of the past.
And now who are we? Where are we? Where do we go? If the last trace of innocence disappeared as life was transformed into survival. While fear intoxicated our human condition and duel consumed our calendars.
I always had been fascinated by the concept of specie’s evolution. In this work I wanted to shed light the proximity between the vegetable kingdom and the human body. I chose to use an analogic camera and instantaneous film because of the fragility, oneness, ephemeral and random characteristics of the life.
The current pace of development around the world has brought widespread concern about a loss of diversity in nature and the need to protect endangered species. But the changes brought by the forces of globalization, industrialization and urbanization affect not only animals and plants. People and cultures, ways of thinking and ways of living that have been in existence for thousands of years, are also at risk.
From my very infancy, I haven’t been living under the protective shade of my paternal grandmother ‘Rowshan Ara Begum’ and therefore I could never envision her persona, never understand her sorrows and joys,
There is a certain magic to the American Midwest. Honest. Modest. Understated. Sometimes unappreciated. Often overlooked. I created Midwest Memoir as a way to help others see the American Midwest in a whole new light.
The world’s population has increased from 4 billion to 7 billion since 1975 with the majority of the population surge occurring in developing countries. Today, it is estimated that over 4 billion people are living in urban centers with one quarter of these people (1 billion people) living in slums, and shantytowns within these centers.
Birds are like humans, and people are like birds. They are smart and stupid. They are nice and ugly. They are full and hungry. They are delicate and predatory. somethey are singing others are shouting. People like birds can fly.
I have travelled to Venice to photograph some of the iconic churches, to Abu Dhabi and Istanbul to photograph iconic mosques and to India and Nepal to photograph the key four places of the life of Buddha Shakyamuni
Between earth and air is a photographic-philosophic debate about the liquid room that divides the solide underground from the air. A silent space where the vertical growths of the plants crosses the horizontal flow of the water.
Yamal, in the language of the indigenous Nenets who inhabit this land, means “the end of the world”; It is a remote, windswept place, characterized by permafrost, by lakes and rivers and is the land of reindeer breeders for over a thousand years.
For several years my study has been the history of my family: from generations that lived in the XIX century to our time. By making this project, I began to realize how a small story of one family, could be the history of millions of others.
These works can especially focus on texture and its inherent emotional qualities, the way a visual pattern can intrigue, repulse, stimulate. But interestingly, in this series, you will find a shift in focus from that sharp clarity to a greater ambiguity
The song “road to nowhere” from the 80’s band the Talking Heads comes to my mind as the world becomes more cynical, less connected and a more dangerous place to live in. Extremism fills up the spiritual void after decades of unchecked consumerism and glorified individualism. Believing in something greater than oneself is being replaced by a global Facebook network of virtual connections, reprogramming our collective consciousness, shaping our behaviour on what is wrong, right,…
I was 17 years old when I travelled the first time with my camera through east Africa. As a visitor who comes from a completely different cultural background, I was fascinated by such an archaic way of life that I had the luck to discover at my journey.
Tina is a long-term photographic project, an image story that focuses on Alzheime pathology, the loneliness and lack of structures and assistance. Tina is 80 years old, she lives alone and she has Alzheimer’s disease.
It sets out to document that euthanasia, contrary to suicide, is not triggered by a severe depressive state. It is a conscious decision and a deeply human journey where the dichotomy of right and wrong must make way for compassion and hope.
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