Silence in Photography: The Power of Leaving Things Unsaid

Silence in photography is not absence, but presence tuned just below the surface. It is what happens when a frame stops explaining and begins to suggest. The image no longer performs, it invites. A viewer pauses, leans in, and something shifts. That quiet tension, hard to measure yet deeply felt, is what gives certain photographs their lasting weight. They do not need to shout to leave a mark — they simply know when not to speak.

What You Probably Didn’t Know About Leica Cameras

A Leica is not just a camera, it is a way of being in the world. From its nearly silent shutter to the ritual of loading film, every detail is designed to make the photographer an active part of the image. It gives you nothing for free. It forces you to look, to wait, to earn the photograph. And perhaps for that reason, every click carries a different weight. You do not shoot out of habit, you shoot with intent.

Street Photography Urban Poetry or Privacy Invasion

Every image is both a gift from the city and a possible intrusion into someone’s invisible shield. Street photography walks that delicate edge where a poetic moment can suddenly become an intrusive gesture. Capturing the invisible demands sensitivity, but also an ethical awareness that goes beyond the shutter.

10 little-known curiosities about Elliott Erwitt

Elliott Erwitt may be known for his sharp wit and iconic dog portraits, but behind the humor lies a story full of unexpected turns. From mopping floors to pay for film school to directing comedy shorts for HBO and inventing a fake artist to mock the contemporary art world, Erwitt’s career is a masterclass in blending discipline with irreverence.

How Image Excess Reduces the Quality of Our Attention

In a world saturated with images, the real casualty is not photography but our ability to truly see. The constant scroll, the dopamine-driven tap, the avalanche of visual content have numbed our eyes to the subtle and the slow. We no longer look, we skim.

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
WE WANT YOU TO SHOW US YOUR PHOTOGRAPHS SO WE CAN SHOW IT TO THE WORLD
AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE
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