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The clock on the dashboard of our rental car reads 3:45am. It’s funny to think that we have saved money, written proposals, met with sponsors to travel half way around the world to search for horrible weather to climb in. 
People tend to hide their innermost feelings. We don’t like to discuss them or express them in daily life. Through photography I connect with my own hidden fears and desires – I can fix my inner chaos.
The night until the early hours of the following morning, a waxing moon was just like a thin wire, it was going to be a almost new moon. Her unpredictable and bewitching movement appeared from the completely dark shore
Flyover Country, the moniker given to the middle part of America that so many people view as boring that it is simply flown over while going from one coast to the other, to places where much more interesting things happen.
The passion for ocean photography has always been present as I have lived near the ocean almost my entire life. Discovering photography made it possible for me to express my love for the ocean through images.
“A World of Lights" is a series of images that started 4 years ago, taken in various parts of the world, utilising diverse luminous objects that I find on the streets, camera movement and long exposure techniques.
This is part of an ongoing project to record aerial images of human settlement patterns at the edge of water. Most of these are at the ocean’s edge. Humans have a fascination or a compelling need to live at the interface of land and water in its different forms.
The project Landscapes of the world is a small sample of some of the places and locations that I have liked and impacted the most during my travels around the world. With them I have tried to reflect and give my vision of how beautiful is the nature and the world in which we live
Myanmar Army’s campaign of killing, rape and arson in Rakhine, which has driven more than half a million Rohingya out of the country since late August. The UN is calling it the fastest displacement of a people since the Rwanda genocide.
Self, intimacy, reflexivity…. In this series of photographs I am exploring various themes revolving around the Self. The headless self-portraits located within my most intimate space and objects are trying to observe me from afar
This body of work shows the daily life In Kathmandu Valley which, due government laws, suffer a controlled daily 12 hours black-out. During the electricity cut off people go out in the street trying to catch the last ray of the sun
«Between The Mountains» revolves around isolation and alienation, with the alpine scenery of Austria as a backdrop. The location is not a coincidence. In the winter, low elevation of the sun leaves many Austrian valleys in darkness
The beach of Sankt Peter Ording  in the North of Germany at the "Norse" is about 12 km long and the width is between 0,6 – 1,8 km and in the summer it is one oft the best visited beaches in Germany with about multible thousend of bathing visiters.
During the 16th, 17th and 18th Centuries, there was an ever increasing interest in the natural world and the recording of the discoveries of Asia and the new world.
In this first edition of the 2017 Color Photography Awards a prestigious international jury made up of renowned photographer Flora Borsi, Jay Davies of Getty Images, Ori Guttin, Co-founder and director of Viewbug, the director of Kuala Lumpur Photography Awards, Steven Lee, The Artistic director of Unseen Amsterdam, Emilia Van Linden, Ted Vancleave of the Image Rights Intl. in Boston, the director of Photolux Festival, Enrico Stefanelli and Gurdas Dua, member of HIPA Jury and Sony Ambassador.
Another genocide of our time, with many witness, but few concrete international actions to stop the violence. Rohingya's exodus goes on, under the indifference of the rest of the world and the heavy silence of Nobel prize for Peace, Aung San Suu Kyi.
The goal of my pictures is to take the hand of the viewer, and bring him around to discover a parallel world, a hidden reality made by soft tones, natural lines and smooth water. Landscapes are my preferred subjects, and long exposures are the way I try to show my vision to the beholder.
These works are part of my collection of fireworks photographs. Using a somewhat unconventional camera technique. Handheld, camera settings all manual, and changing settings on the lens during exposure. I call it Squibtography.
This series was inspired by my recent insights. An emotion, feeling, energy or idea can manifestate itself in different forms, but when you tune up your inner vision, you can start recognize one spirit behind the external shell. 
More often than not, people behave rather oddly when they face roses.One day, shortly after I moved to Osaka, I encountered a tribe of people obsessed with roses in an urban rose garden I found purely by chance.
These photos represent the very best of my trip to Kenya that ignited in me such a fire for photography. The breadth of color that I experienced there, from the wildlife to the landscapes to an amazing sunrise awoke a passion that I had not known before and for which I am truly thankful.
This photographic project “A face without a name” is a journey through imagination and reality, in the territory of the Caucasus. A visual trip to discover that part of the world that has a foot in the Asia and another foot in Europe.
Knowing Europe's northern regions well, I have always been amused by the nominative difference between Greenland and Iceland. The first called green is largely represented by its icecap, pack ice, gigantic glaciers and huge drifting icebergs.
Emma Sywyj has been an artist for 14 years, 4 of those years she was based in London whilst studying photography at the Camberwell College of Arts at the UAL.
My recent work has been focused primarily on my Boat Hull series, which began in the marinas of Montauk, NY where I was drawn to boats that were out of the water and in need of repair.
The Bonda tribes are most primitive tribe of India who live in the isolated hill regions of the Malkangiri district of southwestern Odisha, India, near the junction of the three states of Odisha, Chhattisgarh and Andhra Pradesh. The Bonda are a scheduled tribe of India, known for their unique culture and traditions.
Creation is either passion or nothing. The middle way might be safe, but it is also the most uninteresting of them all. My affection towards the extremes cannot help itself but to ask: How do I commit myself completely, how do I fully dive into the creation?
It was’nt the first time that the island was faced with strong changes in its morphology, although unlike the one that nature itself in the garden of Yaiza led to bury it under the black mantle of lava, entered the night of that September 1, 1730 when the earth opened up
The title of the portfolio has been inspired to Italo Calvino’s book, Invisible Cities, described by Marco Polo to Kublai Kan: an atlas of fantasy cities with women’s names. It has also to do with the predominant visual aspect of contemporary cities.
Riad Mirage Club is the fifth volume of the long-term and ongoing documentary project Future Rust, Future Dust (2016 - ), which aims to analyse the urban and architectural impact of the last world financial crisis and the burst of the real estate bubble. 
The village is the cradle of the Russian civilization. This is where it has its roots. It has preserved its primeval soul, pure and simple. Through centuries of building a unique eco-system, it has turned into a self-sufficient organism living by its own rules and customs.
When the writer Jerry Siegel and the cartoonist Joe Shuster created Superman in 1933, they did not imagine that their character, dressed in his blue suit and with his cloak in the wind, would become a planetary icon.
Ever since 1989, the year communism fell, the Bulgarian population has been in decline. Over the span of 26 years the country has gone from a population of 9 million to something closer to 7 million.
In modern Russian society, where there is a cult of youth, beauty and overconsumption, the old are left behind.The aged person is associated in the collective consciousness rather with poverty, disability and abandonment than with welfare, peace and love.
A dark wood. A dead heart. A face hidden behind a latex canvas gasping for breath in vain. In her photographic  material Katlijn Blanchaert is looking up the edges of the volcano.
Inspired by the Golden Age of Dutch painting, Stefania Piccioni tries to recreate the feel of classic still lifes in his photography. His work is painstakingly assembled from shots of Fruits taken with the same lighting,
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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