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Ouranos is a serie of black and white photographs, where the sky takes a central part to stress on the ambiance created by the clouds. Above the sea or a city, clouds have the power to change the light and how we see the horizon.
Tatiana Saavedra is a a moon enthusiast and photographer based in Portugal who tries to create visual poetry because there is something very special in colors and dreams. From a young age she has been interested in photography and cinematography later on.
The world of photography is foreign to me. I’ve been in front of your lens many times, but I never pay attention to the technicalities. I’d rather have a conversation with you anyway. And I think that is the reason why our work speaks.
From my beginnings in photography, I always felt especially attracted to capture images of people. However, I didn't want to make simple portraits with people posing or stolen photographs without practically no contact between them and me.
There is such a thing as an irregular rhythm syndrome, where the heartbeat is inconsistent; it races, slows down or flutters. There are times when the heart skips a beat, others when it frantically chases the following one to the point of breathlessness, swarming, oscillating.
In the current model of society, the word sport is synonymous with health, culture and modernity, but also it means wealth. At least, that is the way the State considers it, as one of the great economic engines.
I packed my tried and true Hasselblad camera kits into my backpack, put on my warmest winter clothes, and headed to Kintulammi, a nature reserve in the middle of Finland.
Molokans are Russian Christians who do not recognise any intermediary communication with God. Molokan history began in 18th Century with the rejection of icons, churches, hierarchies, within the Church and the numerous sacraments.
Situated at the heart of the series Inner Self, the unfathomable enigma of human identity is one such concern. Everything is fluidity, impermanence or in transition in Anne-Sophie Guillet’s work
The image is taken from a larger series titled Scotland and the Environment, touching on a variety of contemporary issues facing Scotland today, such as plastic pollution, marine conservation, intensive agriculture and woodland protection.
They are abandoned. And when abandoned, I capture their story; their final moment in time before they are doomed to dust and lost forever. And I do this with black and white or infrared photography. 
BlackDust is a three years long project reinvestigating the theme of Incarnation and life cycles, dear to Valsecchi. While highlighting the artist’s photographic mastery through near-to monochromatic images, Black Dust is the final chapter to Valsecchi’s
Creative portraits, I decided to make a generalized “consumer portrait”, using the garbage of heroes as a metaphor. First, I took pictures of the garbage itself and made masks from photographs. Then I shot masked heroes and talked to them about consumerism and the waste problem. Is there a problem?
David Godichaud was born in Fontainebleau (France) in 1973. He started a carreer of photographer ten years ago, after graduating in Science Research first and from the photojournalism program of the International Center of Photography in New York next.
The very title of the photographic cycle – Illumination of solar scripts – signifies the gesture of photography as dedication as well. On the one hand, it is possible to claim that in this way Žilvinas Kropas dedicates his work to the sun.
Notorious for its red-light district and most famous for the fact that the Beatles started their career here more than 50 years ago, this workingman´s area in Hamburg, Germany, has always been a melting pot for people from all walks of life and backgrounds
In the ongoing new series ‘Together’, I suggest that we change our attitude and look differently at re- lationships ( friendly relationships, lovers). The social injunction impose itself like a proven normalcy with its hetero-normative codes in our live and our relationship to other.
Light traveling involves light luggage. I would recommend a small camera body like a MirrorLess or a compact one can help a lot. Even the objectives play an important role: I always choose wide-angle lenses
This photographic project documents the harsh reality of a few circuses that are still active .. In the era of technology; internet, virtual reality and social networks, most traditional circuses with wild animals are closing rapidly because of more restrictive laws and also as a result of public disinterest in this type of art.
For this photographic series the interaction between the physics of foam construction and its visual impact is what drove me. Designed to spark the viewer's imagination, these images perfectly exploit the connection between science and the inherent artistic appeal of soap bubbles.
Nonna Mira, the real boxing enthusiast of the family, set her alarm for 3 a.m. and called my father and me (just a boy) to watch big matches live from Madison Square Garden in New York.
The smiles, the laughter, the questions, the smells, sounds, families, dogs, horses, colors and textures …the Irish Travellers! I arrived at the halting sites in Western Ireland to learn about this remarkable group of people and their unique way of life.
This short series was born from the trips that I make almost daily from the city where I live, San Sebastián de Los Reyes to the center of Madrid. It is a 45-minutes journey that takes the C4 line of the Renfe train company.
The first impulse behind this experimental project was to inject street photography methodology - moslty, the reliance on serendipity and spontaneous behaviour - into architectural photography.
My photographic style encompasses cinematic lighting, powerful colour combinations, careful choice of models and the use of settings and props which enhance the visual story I am telling.
Aldo Rossi told us that in the city, in addition to emergencies, there are the buildings that give it body. In effect, this is a kind of architecture that does not attract the general public
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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