Mannequins by Hans-Martin Dölz

The mannequin, in its modern form, started to appear on the high streets of London, Paris and New York in the 1870s and quickly became an essential part of any window display.
Hans-Martin Dölz

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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The mannequin, in its modern form, started to appear on the high streets of London, Paris and New York in the 1870s and quickly became an essential part of any window display.

Mannequins have always been much more than an elaborate coat hanger parading the fashionable clothes of the day, but also mimicking the fashionable body shape of their era and appearing in displays that reflect the trend topics of the times.

First they have been modeled on royalty, film stars, musicians and fashion models, nowadays they primarily embody an ideal of beauty. They are an ever present feature of every high street and shopping centre in the developed world.

Mannequins | Hans-Martin Dölz

Many of the well known photographers of the 20th century (Lee Friedlander, Walker Evans, Vivian Maier, to name only three) have shot at least a few photos where mannequins can be seen.

Surprisingly, in our days, where photos are uploaded tsunami-like to various platforms, photos of this kind are seldom seen.

By the way, the photographer certainly faces interesting challenges when he devotes himself to this topic. Looking from the street into the shop window, he usually will see layer upon layer with varying intensities of light, the interior of the shop, the mannequins in the window display, the reflections of the street, the shop fronts opposite, and this mix of interior and exterior, of reflection and reality will in the end be visible in the photograph.

Attached you find a carefully selected collection of twenty photos, mostly taken
in 2019. Some are in color, some are monochrome, some are in landscape format, some are in portrait format and there is a broad range of different styles. [Official Website]

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

Hans-Martin Dölz

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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