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Curiouser and Curiouser is a conceptual series of photographs influenced by the story Alice’s Adventures in Wonderland. I was inspired to create this series from personally identifying with the theme of not belonging that features prominently in Alice’s narrative.
From my window Is not easy. When you are used to travelling, going out with your friends, exercising, bathing on the beach, having a drink on a terrace, etc., that is, when you are used to living...change that is not easy so thanks for stay home! 
Walking through one of the camps I saw a kind of shack in which there were many people queuing. I approached them and noticed that they were waiting to dispatch what they had been granted in another shack. They had a sort of voucher and were waiting their turn to collect materials; mainly, canvas covers to build or repair their homes.
Last November Venice experienced the second highest tide in recorded history. Looking at the top 10 tides, we see that five have occurred in the past 20 years and the frequency of exceptional tidal flooding above 110 cm have ramped up dramatically through the years.
A place. Insignificant, work of the hand of man. Where are we? In a nondescript urban space: a commercial, industrial area, offices? It doesn’t matter. It is a world without a soul, where it’s neither good to live nor work.
This series documents the incongruous behavior between man and the environment in Sumatra. On the one hand, humans destroy virgin forests wounding and killing animals, while on the other, they do everything possible to save them.
The universe is filled with living and dead matter. Both matters interpenetrate each other. Everything around us is energy. Words, thoughts, feelings cause vibrations, release energy. A way to communicate. 
The North of Russia abounds with history, folklore and mythology. Seclusion of these lands from the central regions had a substancial impact on how people save and cherish their artistic and folk heritage from the old days.
For me creating still life compositions is a form of self-exploration. The creating process is an intriguing and almost devotional journey through my mind. Through predilections in aesthetic decisions such as subject matter, color and composition the work reflects who I am, where I come from and what I have experienced.
What would we do if our only home, the only place that we can live in, would be invaded with unknown materials that we have neither the instinctive knowledge nor genetic information passed by prior generations for avoiding it or use any already build defence mechanism?
Refugees and immigrants arriving to Europe are sidelined from day one, forced to survive on the edges of the First World, facing razor wires and hostile attitudes. Contemporary nomads with no sense of arrival, their fate echoes the age-old story of constant movement in today's liquid global society.
Moving Ghosts is an ongoing project that I started at the beginning of 2019  where I am collaborating with people to create portraits of them in locations important to them while wearing their favorite outfit. 
The icy winds of change cut through me as I find myself in shoes that pinch my toes. The rye-grass skin of the earth offered a soft comfort. My frozen skin prays for the sun to peek through the gloomy clouds to kiss the land with warmth. However, the winds never give the chance.
Still Alive, through a photographic path reporting a social degradation, retraces the everyday hard life of Payatas and Tondo inhabitants, two districts belonging to the metropolitan area of Manila, Philippines.
My story is one encountered quite often. I was not born special in any way. I didn’t excel in anything as much as I would have liked to. In fact, I do not believe I will ever feel accomplished.
Despite fast growing economy, 39,1% of population in Rwanda lives below poverty line. Over 80% of Rwandans lives in rural areas. As most of them can not afford health insurance, access to health care is limited.
In Senegal, 95% of People Living with Albinism die before the age of 30 because of skin cancer. A vast majority of these people are illiterate and forced into begging because of the discrimination and persecution they suffer from.
Day in day out my eyes and my mind are on the look out. The street is my stage. The challenge is to put the props into order. In a few secs I figure out the script and the casting. Now and then it takes much more time but, never mind, I stop only when fully satisfied.
I discovered one of the smallest and most intriguing countries in Southern Africa, Eswatini, as part of a 10-day tour of South Africa in early 2018. Landlocked between South Africa and Mozambique, the tiny nation still bore its colonial era name of Kingdom of Swaziland when I visited it
The project "Horizon in Color" is composed of Anna's favorite shots, because they evoke her emotions and memories. The photos are all in color to show the places exactly as they are in reality.
Polo is the sport of kings. Here in the Coachella valley, California  -it belongs to everyone, to the Eldorado and Empire clubs, to young and old, to women and men, to the green grass and vast sky. And to a photographer’s curiosity.
In this series, Zilberberg creates animal montages as an expression of self-therapy. As an urbanite, functioning day-to-day in a fast-paced, built environment can be emotionally unsettling.
I grew up in a town near a big city. No matter its name, all locations around the capital are roughly equal. Before being large urban centers which are now were small towns to which, in the sixties, many people went from all over the country with the idea of working in the capital.
The Ijen volcano complex is a group of composite volcanoes in the East Java, Indonesia; in the crater of this active volcano there is a famous sulfur mine and here, for about 40 years, about 400 miners are lowered into toxic fumes and extract the element from the sheets of the volcanic walls.
Reinterpreting Brexit is a series that shows the emotional side of the British’s split from the European Union. Being in contact with British people living in Spain and also Spanish living in the UK stimulate my views about the issue.
All around the world, the environment is suffering. We recently saw the Amazon rainforest and Australia go up in flames, following countless other natural catastrophes that increasingly confirm our societies' greatest fear and reinforce our biggest challenge: things need to change.
There was a time when immense forests filled four fifths of the European continent; where heaven, earth and all the elements present in it participated in a divine nature that was expressed in specific myths and rituals. 
The ballerina leaves danced in the streets: wide leaves of a tropical almond tree, small leaves that flew from the bougainvillea, twisted leaves from the Maranhão chestnut trees and so many others that I cannot remember.
If you have visited any of the public gardens of Paris, you have seen the chairs scattered about the jardins. Green-painted and moveable, some have arms, others recline slightly to better arrange oneself to catch the fleeting rays of the Parisian winter sun.
Streets without billboards, passers-by who are not looking at their smartphones: you are in Cuba. Time has a relative value, it is the reign of "ahorita" a more approximate ahora (now)
Surfing is a practice that goes beyond slipping skillfully on wave crests. Those who dedicate themselves completely to this sport know that there is a ritual around surfing: studying the weather forecast, getting up early and observing the waves with eyes still half closed by sleep
May 19 2014 and the fishing season draws slowly to an end. The once bountiful North Atlantic no longer provides the tens of tons of daily catch for the local fishermen of Røst.
Time and tide keep on pushing and pulling Pushing and pulling on you and me Sometimes our flood runs high, Sometimes we're both left bone dry Dreaming of the big blue sea! Time and tide wait for no one Time and tide wait for no one Time and tide keep on pushing and pulling.
In 1850-60s Britain brought Indian Tamils to Sri-Lanka as slaves. They had no citizenship till 1990s and some of them only got it in 2003. Owners of the plantation have been changing since then but the life of workers stayed the same. 
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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