I think black and white photography is the best technique that shows you the purity in human and in nature.
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I have never seen dead bodies piled up by the side of the road before. Bodies like rice dropped from a bag.
Born in Lima, Peru in 1978 Vanessa Colareta lives and works in Madrid. In 2013 she was named Still Life Professional Photographer of the Year at the Sony World Photography Awards, London.
Words do not come out, writing is painful, my speech is confused. My images reference the past and are mended in the present, never without leaving a mark.
I’ve made these photographs to better know my place in the universe. Our ability to travel the cosmos being limited, I’ve built a machine in an attempt to observe elemental transactions.
This series, Ice Formations, captured ice patterns appearing on ponds, lakes and river in the beginning of winter around Fairbanks, Alaska.
In my pictures it is really important with a name because they are so surrealistic.
Nicolas Evariste, a 28-year-old photographer from the Granville region, in the Manche department, Lower Normandy.
These photographs depicting abandonment expose the vulnerability of our existence by facing decay and loss. Metaphorically speaking the places in this series symbolize what we fear most:
In the series Whispers, Emmanuelle Bousquet has chosen, this time, for her role to be personified by different characters, emissaries sent to explore a critical period in her life: adolescence.
She is the founder of the international non-profit project, The Camera Project, which facilitates and encourages children around the world to photograph their everyday environment and reflect on their lives
Mathare valley is a large settlement which has about 500,000 inhabitants crammed into tiny wattle, tin and cupboard shacks in a hilly area that looks to be less than a square mile.
Since a long time tried to imagine how to create a series of images expressing in a provocative way the childhood's innocence in contrapposition with life brutality inspired by the lovely passage from Arthur Schopenauer.
There is no such thing as compromising with nature; we simply abide by how it lives and exist as a part of it. Nature is very relevant to each individual’s well-being, but more so than it is part of us, we are part of it.
The approach to flower photography that I take is somewhat similar to that of a portrait photographer - for every flower and plant that I photograph, I always try to find its unique look, study its mood and character, and ultimately unlock the hidden beauty of my models.
Last year graduate from the Krakow’s Academy of Fine Arts’ Photography Studio.Laureate and finalist of several contests, including Adobe Design Achievements Awards in New York, Poznan Photo Diploma Award, International Biennale of Landscape Photography, 5th Polish Biennale of Photography “City and People – Dynamics”.
I see the world as an image from which I choose parts to create my photographs. For me, a wall begins as a canvas, a two-dimensional surface, a foundation on which to build an image.
My series talk about our inner life. They look at the way we deal with political and social issues, relationships and values, emotions and rational thinking. They are built as poetical, oneiric and metaphorical fictions.
These borders alter their degree of thickness and curve by the forces on both sides of adjacent. Under such physical processes, it turns out the line within our vision.
Finalist Sony World Photo Awards 2014 - I was approached by the company “The Organic Sheep”, which is a company importing sheep-skin from Iceland and the Faroe Islands, for interior purposes.
We thought human could control water if we had lots of equipments and cared for risks in water, but human never be able to live in water. And we also never be able to live without water.
Ballet from the beginning, was and often still is, concentrated on making the dancer look polished, perfect, in character, focused on the end performance, or the final outstretched movement.
I started photographing seriously after I got retired and wanted to try something creative. I had tried darkroom with black and white prints ages ago, but mainly my photography was just snapshots before that.
I am trying to visualize the ominous, the bizarre and the cinematic around me through my own lens and following my own rules.
The Italian artistic photographer, Simone Zeffiro, has selected a series of black and white photographs from his recent archive to show our readers how powerful and poetic a monochromatic image can be.
I'm a freelance photographer living actually near from Lausanne in Switzerland. In 2006 I decided to create a new photographic project called « l’âme de fond »
My big project is called «a sight for sore eyes» its all about death, decay in its different stages.
As an Israeli my perception is chaotic; composed of mediated American culture, desert landscapes of childhood, and war, which became integral in my life. I was trained to see and understand the world through photographs.
The most sorrowful songs of humans would be composed when your are hanged on the rope of time, between the ground and the air, yesterday and today, with a cold smile on your face and with a distressed mind
In 2013 I created my project called Dream Series. This project represents the escape from reality into a dream
This project shows space surrounding me as the post-apocalyptic world. It has people, architecture, and only separate ruins which jut out of a ground indicate the past developments.
Absence of Water is a photographic project which documents the state of decay of some baths, pools and lidos in the United Kingdom.
My family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture.
Luiza Boldeanu (Marinas) is a well-known Romanian photographer, specialized in portrait, documentary and fine art photography. She started photography in 2007 when she decided to capture in images.
The Constellations of Winter is a body of work produced by Dutch photographer Wouter le Duc.
When I took a photo camera in my hands for the first time I felt that it can help do much more than just document facts.
Childhood Lost is an ongoing autobiographycal project (self portrait in a different body) exploring the nature of portraiture and memory.
When I was young, I drove on the road many times with my parents and I have always been intrigued by these great walls surrounding this houses as well as the gates with protruding pikes
Krystel Marois is a photographer originally from Sherbrooke (Canada) who currently lives and works in Brisbane (Australia). She completed with honours a Bachelor of Fine Arts at Concordia University (Montreal, Canada) in 2010, with a major in Photography
I am a Neuroscientist and an avid Art Photographer. My research focused on the study of epilepsy, and the development of innovative cure for this illness. In recent years I found myself directing most of my attention and energy to still life photography
I'm based on the north east coast of England and I spend a lot of my spare time outdoors as that's what I enjoy. I'm lucky enough to live in an area with remote sandy beaches and big sand dunes where you can find space and tranquillity.
In this series of images, I have posed street-cast young Korean women dressed in the traditional Hanbok against a backdrop of its modern austere capital city, Seoul.
I used a pinhole camera with long exposure times to create a record of the presence of radioactive danger. A dosimeter measured the level of radiation in micro Sieverts (µSv) received during each exposure.
Photography is a very interesting combination of technical skills and artistic perception. While I enjoy mastering the technical aspects of photography, I try to keep uppermost in mind the artistic matters.
The photographs I create are what I call cinematic narrative photomontages, fictions meant to seem like snapshots of "reality." The implication is that our reality is created through the limitations of our perceptions.
"Inner Space" is a reaction and my answer to the classical portraiture based on capturing subject's eyes and often making eye-contact with the camera.
The Redheads project came into existence in an attempt to contend with the true principle or belief of photography. When exploring this problem it is often easier to answer the question “what is not photography?” than to accurately state what photography really is.
My photography is characterized for simplicity and a treatment where the grays tones are very important. I try to remove all superficial elements and isolate the principal component.
