Visual emotions; Innocence by Claudio Allia

Since a long time tried to imagine how to create a series of images expressing in a provocative way the childhood's innocence in contrapposition with life brutality inspired by the lovely passage from Arthur Schopenauer.

I love to feed my mind and my soul with audio/visual emotions and synesthetic perceptions and my favourite aspiration is to be able to solicit the viewer in my photographs through a personal imaginative and/or meditative journey, which may reveal sometimes the sad awareness of our innumerable weaknesses and imperfections.

I experiment a mental and emotional involvement that sometimes ends up revealing within a few hours or even after months of research; that’s why my approach with photographic works, can provide various levels of interpretation and transfiguration, levels of expression and communication which in my views may evolve through the use of simple symbolisms up to a complex plot of metaphors and surreal paroxysms. As well sometimes the surrounding reality is capturing me in a simple but intriguing way. I love to imagine myself as a tipsy tightrope walker, who staggering travels on the thin line which separates the real from surreal.” [Official Website]

Innocence-1

INNOCENCE

Since a long time tried to imagine how to create a series of images expressing in a provocative way the childhood’s innocence in contrapposition with life brutality inspired by the lovely passage from Arthur Schopenauer

“…there are times when children might seem like innocent prisoners , condemned, not to death, but to life and as yet all unconscious of what their sentence means…”

One day this dream became real thanks to a new friend of mine working as mining engineer in one of the biggest basalt’s caves here in Sicily. I scheduled a day time in the main large area in front of the basalt wall to shoot some children and the “dust cleaner” of the final shot as in my original idea had to be the foregrounds of the photos and after a couple of weeks I came back to the cave at the same day time to capture in a sequence of images the wall explosion and collapsing After that I worked on the photomontage of the two steps of my project.

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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