The project, Room 32, is a pictorial investigation of a relationship that is in a state of agitation due to years of a lack of communication and misunderstandings.
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This continuous project started a couple of years ago when I discovered an immense amount of discarded food which was too old to be sold at the local supermarket.
We shot Suburbia in a smaller town in the Chicago Metropolitan area’s Western Suburbs. Pretty much the opposite of what you would expect doing a streetstyle shoot downtown Chicago.
From spirit animals to archetypes, ANIMAL MYTHOS is a collection of visual stories about our ancient connection to our animal kin — and the animal within us all. From the shared lore that connects our disparate cultures to the place animalistic imagery occupies in our dreams
Deep in the winter, after the water has lost its summer heat, the river that flows through the center of Chicago freezes. Not the whole river, just the top layer which becomes decorated with broken ice.
In the volcanic mountain of Kawah Ijen on the Island of Java in Indonesia, toxic smoke billows onto the surface of the volcanic mountain through tentacle like tunnels.
President Jackson declared that Indian removal would "…Incalculably strengthen the southwestern frontier. Clearing Alabama, Georgia and Mississippi of their Indian populations would enable those states to advance rapidly in population, wealth, and power."
Back in Germany in the 1960's and early 70's, and I believe I was 3 or 4 when my dad started to take photography to a more serious level.
Traditional gender roles are common within the Traveler community. It is expected and en- couraged for Traveler girls to marry young and have many children.
The presence of signs is the revelation of the trace of men in the American landscape, and, of the endless expansion of urbanism with the sensation that there is no going back.
This is a selection from an ongoing (as yet) untitled work on museum guards. The work explores the formal relation between museum guards and the aesthetic space that they inhabit.
Everything that I think and desire has the single aim of thinking about the unifying these fragments, these enigmas and these frightful randomnesses. How would I support my own humanity if man were not at the same time a poet, a decoder of enigmas and redeemer of randomness?
As a photographer and biochemist, I am fascinated by the origins of life – that moment in Earth’s history when amorphous organic matter transformed into complex structures that evolved into living organisms.
Dina began her career over 25 years ago as a photojournalist, evolving from a documentary and editorial photographer into an independent artist focusing on large-scale productions of nuanced photographic tableaux.
I moved to the South Shore of Nova Scotia in 2004 and have walked my dogs along the shoreline ever since. There is a special quality of light here. It sinks into your soul and becomes a part of how you view the world. I watch the shore as a flâneur of light.
I think my work touches on the relationship between all of these elements; the imagined, death and the landscape. The theme of death is something which has come about indirectly, as a result of my interest in other ideas such as dystopia, memory and the uncanny.
My first go-to boneyard was Johnnie Monroe's in South Thomaston, Maine where I sourced parts for the Pontiac as well as a '29 Essex, a '41 Packard and a '54 Nash.
Ralph Gibson is one of the most celebrated American photographers, having achieved worldwide recognition in his career for more than four decades.
My grandparents' house, set back from the street, right in the middle of town, stood on a couple of acres. A vegetable garden in the back, pecan trees in the front, and fruit trees all around seemed commonplace.
Patricia Fortlage is best known for her photography empowering women and children. From her core belief that if you invest in women and girls, entire communities will be raised
Protest is a compilation of images taken at the Women’s March in Washington D.C. the day after the 2017 presidential. These pieces represent one of the most meaningful and spiritual experiences of my artistic life.
Today my subject matter features floral, mushroom and pear studies. My mission is to capture and present a unique perspective that engages the viewer and embodies a concept or tells a story.
I am a humanitarian photographer. The camera is my tool. I give voice to marginalized communities and witness to the human experience. My work celebrates the individual’s strength and beauty, as well as their vulnerability and spirit, going beyond how one presents oneself to the world.
Over eons, glaciers travel from mountain tops in their slow, unrelenting march to the seas. Grinding rock to powder and carving valleys in their wake, they create the landscapes we see today
My work is rooted in the serenity I find in the sinuous elegance of organic forms. I’m transfixed and transformed in the art of capturing the stillness of the suspended movement of light and compelled to preserve the visual poetry of these fleeting moments of vanishing beauty in our vulnerable environment.
No Memory is Ever Alone is a visual conversation between my dad and I. He used to bring out a box of slides that he photographed in his late teens and early 20s every Christmas and made us view them on an old projector on our living room wall telling the same stories every year.
El Rocío is a small town in the country side of Andalucia which is home to the Virgen del Rocío, a wooden Madonna richly ornate who normally can be found near the altar of the town’s beautiful church.
The Sideshow is the unique new series from The International Collaboration Project duo Deb Young of New Zealand and Francisco Diaz of the United States. Diaz and Young designed their new series to usher the viewer into a fictitious seaside carnival.
The actual idea for the series started after visiting the International UFO Congress in Phoenix. I was impressed by the multitude of people attracted to this event and the secrecy surrounding the theme.
My work is about entangling women and home, leading to the phrase “housewife.” All of the photographs are reimagined interior spaces of rooms filled with décor and objects, engulfing a lone figure of a woman, camouflaged, often with only bits of her visible.
My artwork explores candid moments and unfiltered interactions humanizing the subject, place or space. I capture different cultures and walks of life to document the other and uncover the common thread that ties us together.
"Beyond the 60th Sense" is a photo essay done over the course of two years on which I photographed and interviewed females over 50s and listened to their opinions and experiences on relevant topics such as body empowerment
Fine Art Photography is a fertile field that allows the cultivation of reflections and dialogues, so I chose it as language, to be the home of my yearnings.
The essential feature of photography is to capture and reflect a reality in which the dimensions of space, time, authentic being, of mind and feelings are equally prominent, linking in an easily discernible way all those in the area: photographer, viewer, environment, its it’s details and other members involved in it.
Photography is the art that is present in my view and so I am inspired by the search for the shapes, colors and textures of the seeds, leaves, flowers, trees and fruits.
When I speak of attempting to photograph with a mind not preoccupied with emotions or thought, I am speaking of simply photographing whatever I photograph whenever I photograph it and however I photograph it.
Depicting art in its raw form, Dodho Magazine is renowned to be the platform that presents the different versions of life and reality. Contributing its creativity in expanding the photography industry, Dodho Magazine will soon be attending the Miami Photo Fest 2019 that will be organized at the historic Moore Building.
The world is amazing; photography is an experiences and sensations path. I found through it I have been able to share moments with wonderful people, from different cultures
In an aesthetic supported by emotion, my work testify to a particular desire to explore human nature. I take a look at the fragile figures of humanity drowned in a melancholy speech.
All of these images share a sense of positive and negative space through clear blue skies or dark shadowed area. They show form over function. That was my goal with this series.
Rituals : Over the past few years, spiritual pilgrimages, rituals and ceremonies have begun to interest me. The spectacle of seeing tens of thousands of the faithful marching hundreds of kilometers on foot
This project explores the colorful world of Japanese vending machines. Japan has 5.52 million vending machines spread across the country.
Synchronicity is a concept which holds that events are "meaningful coincidences" if they occur with no causal relationship yet seem to be meaningfully related.
My silent stages are platforms specifically constructed as settings for narratives; they are akin to theatrical stages or movie sets. At the same time, they are artifacts from various stages of my life
The 43 artworks in the exhibition are being shown to coincide with the 30th anniversary of the fall of the Berlin Wall, including artworks never before shown.
At the same time he tells a personal narrative of the microcosm in which he and his children were born and live every day. We are presented with a timeless story, both sensory and evanescent, in which the main characters are the trees and their greatness.
Growing Up Travelling The experience I had photographing the grit and beauty, that is the everyday life of a Irish Traveller child, is one that inspires me everyday.
The essay photograpy with which Edu Monteiro presents Ladja is simple. In it, an African descendant man partially immersed in water holds a drum. The grip tension seems to be aimed less at protecting the drum from encountering water and more at bringing it along, connecting it to oneself.
