The Rug’s Topography began with me photographing my intimate partner of six years. Simultaneously, we were facing an internal conflict: how we identified as individuals differed from the roles we occupied in our partnership.
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Isolated in the countryside of the island, Ι was constantly confronted with my traumatic past, my memories and myself. Gradually, through wandering in nature, a conceivable field of action was created within me, an intermediate space full of transformative dynamics, a place of becoming.
I was diagnosed with bipolar disorder. For a long time, I didn’t want to put up with this diagnosis. I took it as a cruel joke. "Do all people feel the same as me? All people change their mood.
I can clearly remember from my childhood that even the storey with empty, „haunted” rooms in our family house was full of life in summer, even though it was a rather creepy place all year round (at least for a little girl).
The Garage Project began in 2011 when, each morning, I would take my two small children and two large dogs on a long walk, exploring the alleys, streets and beach front of our town.
Night after night, I take my compact camera, I hold it at arm's length and I sink in the dark bars, in the infamous perfumes of the street, I seek the fragments of the bodies, the frailties, the hopes, the sounds of the glasses that we drink.
I can not recall who said it, or what the exact quote is, but it is something like “I photograph things to see what they look like photographed.” I quite like this approach to photography.
In this series I am interested in gold as an element that is dense with symbolism. Gold as a symbol of gold. Gold, the most precious metal. Gold of more light than that with which it simmers.
I grew up on a small farm thirty miles outside of New York City. The forest that bordered the farm was my childhood wilderness, a safe and wild place to play that was ignored by our neighbors who commuted to Manhattan.
My concepts of femininity were being developed in my childhood when I was observing my mother. My mother is a large wardrobe with an infinite number of underwear, clothes, jewellery.
The short movie, Fly in the ointment, directed by Peter Collins engaged me to make a series of photographs in which questions raise regarding the presence or absence of human touch in our lives.
Slavic Bestiary project deals with decoding specific polish folk traditions using original folk garments and technique of wet plate collodion.
Lenghi Teng is a Dutch photographer based in Rotterdam. She was born in 1976 in Vietnam and grew up in a Chinese family. At the age of three she moved to the Netherlands.
I started working on this project six years ago when I first started my undergrad degree. At the time my youngest sisters were thirteen.My sisters were around me all the time and I figured if they were there I should start photographing them.
The most compelling lies we tell ourselves are made up almost entirely of the truth.This is the third in an ongoing series of photographic short stories that explore the deeply personal space between what is known and what is felt
While his field of study was journalism, Ben Zank found a more direct means of expression in photography, after he discovered a Pentax ME Super in his grandmother´s attic.
‘Liminality’ series was taken during the ‘Integral Lens’ 5-month photographic journey in United States sponsored by the Fulbright Artist Scholarship for a multi-perspectival study of architectural photography.
The Statesman Vintage & Classic Car Rally is an annual vintage car rally in New Delhi and Kolkata and the oldest, continuously-run such event in India and the sub-continent. It started in the year 1964 in New Delhi, and was brought to Kolkata in the year 1968 as The Statesman Vintage Car Rally.
According to statistics, about 20% of the population in Russia have an anxiety-depressive disorder, and the same percentage of the population - all the prerequisites for its development. The reasons are stress, changes in society, problems of Internet dependency and other factors.
The cold air is unmoving, except for when the wind thrusts it violently making me bend in its wake. Trees mockingly bloom with snowball cotton tops. Gale force winds throw the storm door off its hinges as I make my way outside. I hear the birds who have come back to our yard to sing, though the snow clings, swaddling the muddy earth.
The series ‘Interstellar’ was created to portray the social media bubble that most of us have been immersed in that we don’t realise the real life issues that are occurring beneath our feet.
In the same way my profession of Architect allows me to plunge the visitors by confronting them with powerful, thick, high walls, or with heavy, dark atmospheres; I like images that transport people, which open the doors of another world.
The Weight of Water is a serie of self-portraits contrasting and colourful of modern-day sirens and nymphs. After seizing the telluric forces of the series My Wild Tales, as a metaphor for an inner emotional tremor.
It is a deep trip done to closed eyes, building internal images across the skin, for secondary and deep ways of the Toscana, in a place of Siena's province
Not In Kansas is a staged series of photographs inspired by the tenacious, self- reliant character Dorothy from the story The Wizard of Oz.
Artasura, is a concept series that started back in 2012 with the picture Roots. Back then I had an incipient idea of raw primitive imagery that would depict humans in all sorts of nature landscapes, but it was never explored enough. In 2018 the inspiration struck, everything connected and a series of shots started to slowly emerge and take shape and color. The gods always had a powerful grip and exerted a great fascination on...
As the contemporary photographic world moves as if in fast forward, this photographic series by London-based Jack Savage is committed to the power of memory and its often haunted shadows.
The nocturnal wandering in the borderland of the city and in the far away fields is characterised by darkness and danger. However, the fear that the night ignites is tempered by the freedom it entails.
There are several spaces formed by concrete walls and staircases, which is characteristic of Ando architecture, in the park beside the art museum, which was designed after the Great Hanshin Awaji earthquake by Tadao Ando.
'Unnatural' is the extended and more elaborate project of 'The ghosts among us' series by Anirban. Questions about the existence of life after death, spirits and unknown entities in our well known environment have been raised since long.
To be honest, I get no satisfaction from my finished images. The image itself means nothing to me; it is the process of obtaining the image that provides me with the satisfaction that keeps me looking for more- along the streets and in the pavement, in the chipped paint, in the mad colors and fleeting shapes, always looking.
The cult of success and personal growth, working in an always-connected environment, the virtualization of private life, the importunate and imposed needs to demonstrate our successes, both real or imaginary, in social networks
Initially during our travel to Puskar Mela, Rajasthan. I photographed one of my friend's different perspectives by covering him with clothes.Later I sent two/three images with some modifications for salons competition.
Transfiguration revolves around a little girl named Maria - a survivor of the 1932-1933 famine in my homeland of Ukraine. Her parents and 4 million others died because of Stalin’s policy of artificial starvation.
Waking Life is a homage to the disappearing monochrome dream world. Some researchers suppose that it was the childhood exposure to black-and-white photography, movies and later television
This work is realized with stenopeic camera in 2 formats 120mm and 4x5 film. It ‘s about a personal process of involuntary memory, following the steps of Marcel Proust in La Recherche du temps perdu.
Diving deeply within oneself to get rid of the limits formed by our education, our culture, our conditioning and our fears that oppress us until suffocation.
This work is part of my wider engagement focused on abandoned places and the connection between space and historical memory. "Nicosia International Airport" is such a place.
The skyline of Buffalo, NY, is dominated by rows of 125 feet tall grain silos and elevators along the Buffalo River. Built over 100 years ago using the then newly-invented reinforced concrete.
This portfolio is about how I find ways to recover from my PTSD; a fire demolished most of my art photography archive - my entire house and all my belongings in New Jersey went up in flames and my left hand badly burned.
Felix had photography in his blood.Felix’s father, Franz Triard de Laforest, was one of the pioneering photographers of Eastern Europe.
Beginning in 1980 I trained enthusiastically in gelatin silver printing with several master printers. Today, in making an archival monochromatic pigment print
Venus Without Mars Without Venus is an ongoing personal project that is loosely inspired by Italian Renaissance painter Sandro Boticelli’s painting of “Venus and Mars.”
The history of wine and wine is so ancient that it merges with the history of humanity. For a long time the transformation of grapes into wine appeared as a supernatural manifestation
I'm a fine art photographer living in Bucharest (Romania) and taking advantage of my wanderings through the world to freeze moments and capture stories. I enjoy using minimal or abstract themes in my works
She surely memorized every bush, shrub and berry by now. Her mom spent the past two hours explaining in detail how to get to grandma's house and she had to recite everything she said.
This body of work symbolise the artificial world of beauty and plastic fashion standards. The images express the absurd high standard of beauty that the fashion and advertisement world show us.
Through authentic artistic images created by my imagination in this new fine art cycle, I touch upon the theme of human essence. In Fairy-tale and from a part of surrealistic manner
