The land is empty, but not abandoned. The people mind their own business, but don’t hide. The land over the IJssel has its own laws for beauty and peace.
Once a person, a holy man, as most people would define him, told me that animals absorb our illnesses and take it on themselves, that's why in dogs the occurrence of cancer is very high.
My project on the Brick Kiln Workers was an off-shoot from my bigger project on Women Workers in the informal sector. It came about while travelling to document women workers when I got drawn by black plumes billowing from large chimneys across from a farm.
Pai Mar photographs were taken as member of APCM - Portuguese Association for Marine Sciences, from July 24, 2019 to August 2, in the city of Mindelo, São Vicente island and from August 2 to August 14, on the island of Santiago as part of the project EU MSCA-RISE-777998 CONCHA
Mark Connelly is a designer, programmer, and photographer currently living in Southern California. Mark has a diverse background with influences from many areas.
There is beauty in death. Nature teaches us this. Just as Butterflies live for one dance before they part ways with one another and life, flowers grow more beautiful as they die.
Thousands of Parisians protested France’s proposed ‘Global Security Law’ at Place de La République on January 30, together with other restrictive government measures in the face of Covid-19
I called this set “Another pandemic Easter (2021)”. Something that came into my mind while editing, and not really during the shoot. So besides the Easter theme, the photos may not have a lot of drama, narrative one may think.
Ceremony of the funeral of god’s son Jesus. With the arrival of spring comes Easter week. It has centuries of history behind it and is one of Spain’s most authentic and emotive celebrations.
The theme appealed to him since his aim in photography is to reveal another reality within the reality surrounding us. As a matter of fact on that moment his project « Dancing in the Emptiness » has been born.
Road Trip With Marilyn (RTWM) is the second photo essay (out of three) of a body of work that was created over a ten year period. This portfolio is entitled Endangered Icons.
Time wears upon everything. I photograph discarded, broken and decaying store mannequins. The signs of aging on these once beautiful objects are significant, yet their realistic faces and their peculiar dilapidation trigger my empathy.
I honestly have been feeling a little lost post show. I spent so much time preparing for it and now that it’s over I feel a little sad, which really caught me off guard.
Looking back over a year of the global pandemic, a recurring issue that I hear from almost everyone around me has been the debilitating effects of long-term anxiety and stress.
It’s 5am in the morning, before the smothering heat of Delhi kicks in, and the pupils of one of the wrestling schools are already in a fierce training.
This project focuses on the other side of the tragedy: how does it traumatize the family. After Yang’s death, the whole family has suffered from the loss of loved ones but still have to stand up and face everything, they’re also victims.
This photographic series evokes a sense of escapism, passages and changing ideals through the use of female dancers and imposing doorways. In each image a woman interacts with the frame - emerging from it, departing into it or otherwise moving inside of this space.
I’ve got a lot of 35mm negatives, which have suffered quite a bit of damage over the years. My ex had a penchant for purchasing houses that were prone to basement flooding.
My work addresses themes of race, culture, family, and Legacy and these images are a kind of family album, filled with friends and family, birthdays, vacations, and everyday life.
I was interested in how cultural and social values are expressed within ethnically diverse communities living there and how the emphasis on body image, performance and dress are a means of personal expression.
On my first trip to Doug’s Gym in downtown Dallas, I climbed a sagging wooden staircase to find a rundown old gym with peeling paint, sagging tin ceiling, and ancient equipment.
In Gratitude is an homage to food and family. Created during the pandemic, it is a series of portraits of myself, my husband, and my three children showcasing the items that we use to produce our daily meals.
I am standing with my fingers knitted together, resting on the top of my head. A few feet away, there is a gun pointed at my face, and I'm trying like I've never tried anything to not pee on myself.
I have been suffering from panic attacks for a long time. Four years ago I decided to track and chase the footsteps of the monster, trying to face the fear, therefore the monster itself. I met people suffering from panic attacks, sometimes friends, sometimes strangers.
I wanted to create a series about some of the great parts of the Netherlands. The general idea being: If it is not possible to travel to the Netherlands and enjoy some of the highlights of our country, I want to bring some of the highlights of the Netherlands to the world.
You are my Father series was a natural evolution and expansion of the preceding You are my Mother series and started unfolding in the second half of 2020.
I was a single mom with two boys at the time, they were 1 and 3. I used to work for a company in the city as a recruiter. As a single mom my kids didn’t have a parent that would be there at performances and such.
When Covid-19 first pushed us in to lock down in March 2020 people shared their experience of isolation and it resonated deeply with so much of what I had experienced in moving here. I knew the bubble world they were now living and all the emotional highs and lows so well.
Ladakh, heaven on earth, known by many names reflecting both the natural beauty and close relationship with Tibet, Ladakh is called the "Land of High Passes," in the Tibetan and Ladakhi language, the "Great Tibet" in Medieval Islamic literature, or as "Little Tibet" in trans-Himalayan states in Kashmir.
Before moving to Italy, my wife and I worked in the television and film industries of Hollywood. My wife produced television programs for the major studios and I worked as a photographer on films and for various international magazines.
As an old saying about Ladakh goes, "a land is so barren and the passes so high that only the best friends or fiercest enemies would want to visit us.”
A follow up to Jack Savages critically acclaimed series “Definitive Ambiguities”. This series is again indebted to the ghosts of our shared cinematic past, and the cinema of Film Noir (1920-50).
Ten photographs, each independent of the other gathered together into a ongoing series, explore small yet unsettling and familiar dramas of loss and isolation.
On the day I was born in India, my father flew to Queens, N.Y. to finish his medical education. My mother followed three months later and I was left to be raised by my grandparents.
An Ambiguous Journey Through the Beauty, Benevolence and the In-between - Cinematic, dream-like shots of Russia.“Fairy Tales” is a work about the mystery and myth of the largest country in the world.
I want this poetic-philosophical reflection to speak through my images in these corona times. In my series “Losing our minds” I consciously show only young people who are looking for themselves, for the meaning of life and the relationship between man and nature.
The trucks continually roll past the roads that lead to their villages, spitting out so much dust that people living in the villages can no longer breathe.
The original inspiration was the beautiful emotional healing and act of acceptance of the past that she witnessed between a mother and her adult daughter. Due to covid restrictions, once again, they found themselves living together and subsequently standing face to face with old unresolved problems.
The vibrant colors, the deep contrast, and the imposing shadows, all of it meshes together to create an image that you feel like you’re a part of. This is a good introductory example of how people use high dynamic range (HDR) to emphasize their landscape photography.
With this work I want the viewer to get a good look at what it is like living in America as a Black man. I use the wet-plate collodion process to connect the past to the present and explore the atrocities of slavery and Jim Crow
Photographer and life-long Tottenham Hotspur fan, Martin Andersen has turned his camera on his fellow fans to create ‘Can’t Smile Without You’, an intimate and often visceral collection of photographs taken at home, away, and across Europe from 2013 until 2017 with the last game played at the White Hart Lane stadium.
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