New York; Sole Harlem by Louise Amelie & Aljaž Fuis

The one and only, unique and pure – just Harlem, and nothing else. The title introduces Harlem as a magical place of longing that only works and lives within, and cannot carry its characteristics to the outside world.

The one and only, unique and pure – just Harlem, and nothing else. The title introduces Harlem as a magical place of longing that only works and lives within, and cannot carry its characteristics to the outside world.

The words do not only convey the uniqueness of this place, but also the ambiguity of the word as in sole or bottom. The sole, meaning the streets of Harlem, is defined as the setting of the photographic staging. It is staged because a place like Harlem cannot be regarded independently from everyone’s abstract ideas about it, disregarding whether or not they have been there. That is why Harlem has to fight with and try to combine our anticipations and clichés with what is at bottom of the streets – which, in the first place, is home. Harlem is home for people with their own individual perspective on their district of New York. Sole Harlem portrays the people and their home, their soul, and thus visualizes Harlem’s sound.

The photographs show that Harlem and its people form a relationship that cannot be told as an objective narrative. SOLE HARLEM reveals a personal perspective: the moment that portrays what is found, what has been there.

About Louise Amelie & Aljaž Fuis

Louise Amelie & Aljaž Fuis are two Berlin based photojournalists with a focus on documentary and street photography.Awards such as the “Lens Culture Emerging Talent Award 2018”, “Portrait Of Humanity 2019” and the “German Photo Book Prize 2018/19” as well as exhibitions in New York, Paris, Tokyo and Berlin, made the two young artists known to an international audience. [Louise Amelie][Aljaž Fuis]

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Color Awards

We invite you to participate in the first edition
of the Color Awards. We are looking
for the best color picture for this year, 2022.

The competition is open to any interpretation of color photography
in all its dimensions, from everyday reality
to pure abstraction

DEADLINE | FRIDAY, SEPTEMBER 30, 2022

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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