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CityEuropeColors urbans by Victor Enrich

Does the world exist because we perceive it or is it that we perceive the world because it exists instead? What is the ‘a priori’ of all things, the origin, the starting point, if there were any?
13214 min

Does the world exist because we perceive it or is it that we perceive the world because it exists instead? What is the ‘a priori’ of all things, the origin, the starting point, if there were any?

We might not be able to ever answer these questions, we might be forced to accept living in this world knowing just the easy truths that lie at the surface of it, while being commanded and led by the latest philosophical conventions. It is actually there, in the field of conventions, where this new project by Víctor Tarrés, “Architectoid”, tries to interfere, wondering what happens when objects that are familiar to us, such as buildings or faces, show up to us in an unexpected, rather aggressive, way, because of the randomized combination of their shapes and colors.

Do our eyes want to see colorized shapes or do they want to see colors IN shapes instead? Which one of these 2 elements conforms the other? Does the random recombination of these elements help us get closer to an eventual set of answers? If yes, what is the actual power of randomization when it is in fact that our senses are already adapted to the natural randomization of life? Is this artificial randomization just a simple visual artifact that brings nothing to the history of knowledge or is it instead the key into a new world of perception and, thus, understanding?

And if not, why does the artist insist on randommization? Is it because she wants to make a statement about the power of numbers over the rest of things or is it because, to the contrary, wants to help numbers gain that consideration and recognition that she thinks they deserve? In whatever would be the case, the artist knows that it is actually computers who will do the muscle work, so perhaps all these philosophical delusions are just a mere frivolity.

About Victor Enrich

Víctor Tarrés explores the connections between the digital and the non-digital worlds resulting in a body of work that can go from realism to abstract going through impressionism, since the goal itself is not to work on a single style but to enhance all the possibilities available by combining a different set of tools. To generate all his body of work, be it digital or not, Víctor Tarrés uses a state of the art technique that combines digital photography, scripting and algorithmic calculation, resulting in an end format out of total freedom of choice. [Official Website]



Legal Note: The photographer attest that have full authorization to give consent to the publication of these photos or project and have the authorization and permissions of third parties. Guarantees that you have all the necessary communications of property and you have obtained all the necessary authorizations for any property, buildings, architecture, structures or sculptures appearing in your photographs.

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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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FOR ENTRIES
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Deadline: Monday, November 30, 2020
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How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.