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During my recent trip to South Asia, I was fortunate to shoot more than 15K photographs. Of them, many cover peoples, mostly working women. What amazes me is that more women are working, besides men, to support their families than before and in varieties of sectors, not only in garments but rather everywhere.
When there is diversity, there is variety. Often this word is used to indicate differences in race, social class or gender. To have diversity, there needs to be a mixture of everything you are talking about.
The all blue photos are inspired by the colour blue of the the aether, represented by a Stupa in the Buddhist cemetery of Koyasan, Japan. The top of it is blue : the invisible ocean of pure consciousness.
The aim of the "Uno scoglio chiamato Lampedusa/A rock called Lampedusa" photographic book with text in both Italian and English, published in June 2022 by San Marco Edizioni (Italy), is a tribute to the beauty of Lampedusa, "o scogghiu", the rock, as its inhabitants affectionately call it, and a thank you for the welcome the two authors, Sonia Fattori (photographs) and Marta Daneluzzi (texts) received.
Within the development framework of a project for the renewal and redefinition of our current democratic system, it is essential to tackle the problem of historical memory, especially in relation to the Spanish Civil War, by questioning the past and the present with a critical eye.
This conceptual portrait series was inspired by the lyrics of the song Mercury by Steve Lacy: "You think I'm two-faced, I can name twenty-three / My layers, all these sides". This work represents a metaphor for personality traits conveyed through my longest and still ongoing project My Plastic People.
The invisible man was selected and published in our print edition 22. Unexpressed emotions, hidden from the eye of the crowd, waiting to be found, like a gold nugget in the mud, sitting, unattended but pulsing, pumping every second until someone could sense that vibe.
Nadezhda Krylova (Areshina) was born in 1986 in St. Petersburg. She studied Documentary Photography at the School of Modern Photography Docdocdoc in St. Petersburg between 2019 and 2021.
The ephemeral geometries of the shadows, sometimes complex, sometimes simple, exert a great fascination on me such as to push me to deepen this topic and create a project (started in 2019) where the shadows are in a sort of dialogue with the scene, able to free the imagination and create surreal and intangible images.
After dedicating his last book to pay homage to the Lion, Laurent Baheux invites us to journey through nearly 20 years of unforgettable encounters with the emblematic animal from Africa, the Elephant.
When in 2000, the palaeontologist Paul Sereno went to look for new dinosaur bones in the Sahara Desert, he did not expect that he would return from there as an archaeologist. Arriving in the northeast of Niger, Sereno and his colleague’s day after day sifted through the sand of Tener, one of the most inhospitable deserts in the world, which even the nomadic inhabitants of the Sahara call “desert in the desert”.
The Still Life series was selected and published in our print edition 21. Daniela Constantini is a Mexican photographer living in Bern, Switzerland. She graduated Visual Journalism and Documentary Practice program at the International Center of Photography in New York.
Ann Prochilo brings extraordinary dreams of mixed elements, and thoughtful reflections to her images, being in the intersection of different worlds but still connected to her roots. Her surprising works are the result of a striking and complex process of work and way of thinking while trying to have her feet on the ground with everyday questioning about which is her place in the universe.
A photographer passionate about art, for a long time she has combined this interest with the spontaneity of visual storytelling, conceived not only as a classic account of experiences but as a combination of personal and creative shots conveys the secret appeal of urban places and museums, revealed through images and words like a “photographer narrator”.
We had the honor to interview exclusively with the photographer Demi Cauwenbergh, winner of the Rotterdam Photo Best Exhibition Award. A collection of self-portraits that she have made over the course of 5 years, and it is still ongoing. she started making self-portraits in 2017 as a way to be really personal.
Enhanced Human, Artificial Intelligence, Transhumanism, Robotics. Faced with these new technologies announced and fantasized, which bends will our societies take? Will we be able to distinguish between humans, augmented humans and robots?
After World War II, the whole industry changed. The city of Monza has a rich history of producing this wearable art by hand, but unfortunately, they are the only ones left. The modernization that happened in the '50s led to a decrease in production and by the 70s most of the factories shut down.
Met-esthisis (Μεταίσθηση) in greek means aftersensation. An image (usually a negative image) that persists after stimulation has ceased / a mental image of something previously experienced / an afterimage of a taste / of an experience.
Teresa Bandettini was one of the most talented eclectic woman of the XIX century. She was well known as the intellectual dancer due to her captivating and touching extemporization performances.
This is Water project was selected and published in our print edition 20. This is Water is inspired by a commencement speech by the writer, David Foster Wallace. He shared the story of two fish swimming along who meet an older fish swimming in the opposite direction.
Ad (65) was born in Rotterdam with his parents and two brothers. When he was around 20 years old, he started hanging out with the 'tough boys'. There was heroin. He thought: if I get addicted, I'll just stop. But it was good, oh so good.
This story is dedicated to my father: for 40 years he lived in two houses - in Russia and the USA. He migrated when he was very young, received US citizenship and was practically unable to return to Russia (due to legal, political and other circumstances).
In this recent work I have documented some episodes of street art in Naples which in recent years has been enriched with a lot of creations by Italian and foreign artists starting from the works of the French artist Ernest Pignon-Ernest
The main focus in my work was to make women look and feel beautiful. I see all women that way so it was easy for me. The harder part - even for the pictured women - was the comments that men sometimes have for the image
Inspired by unpredictable is because something unexpected happened and pushed me to make this project. My own life showed me in recent years how unexpected events and coincidences turned out to be like windows opened to new opportunities.
“Släpstick” gives an insight into the process of making a theatre show. The photo series follows five seasoned performers who make up Släpstick, an internationally acclaimed musical theatre group who specialise in a blend of physical humour, musical virtuosity and anarchy, as they created a new show in the midst of the pandemic.
The series takes us to one of the most remote destinations on the planet – Antarctica. Besides their artistic value, the photographs demonstrate an amazing man-made infrastructure consisting of camps of varying comfort, touristic destinations and research institutions.
In this photo project I wanted to convey the ambiguity of human nature and the beauty of the unity of its opposite parts. In each of us there are such parts of the personality that we do not accept
That is when I developed an affinity for wildlife photography: walking by itself is not much fun, but I am lucky that my little suburban island of Alameda is a haven for wildlife (especially birds), and it kept popping at me in the most beautiful ways.
Like in many other nomadic countries, the horse in Kyrgyzstan has a very important place in rural life. It used to be the only way to travel in the high mountains of the Tian Shan, the sole companion of many shepherds and an ally in various horse games.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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