Exclusive Interview with Demi Cauwenbergh

We had the honor to interview exclusively with the photographer Demi Cauwenbergh, winner of the Rotterdam Photo Best Exhibition Award. A collection of self-portraits that she have made over the course of 5 years, and it is still ongoing. she started making self-portraits in 2017 as a way to be really personal.

We had the honor to interview exclusively with the photographer Demi Cauwenbergh, winner of the Rotterdam Photo Best Exhibition Award.

A collection of self-portraits that she have made over the course of 5 years, and it is still ongoing. she started making self-portraits in 2017 as a way to be really personal.

Can you tell us a little more about yourself? How did you get interested in photography?

My name is Demi Cauwenbergh, I was born in Mechelen, Belgium on the 26th of June, making me 24 years old today. I currently am a full-time photographer, simultaneously taking professional commissions and working on my art. Next to this I’m also occupied with getting to know graphic design and I recently finished a yoga teacher training, I hope to be a part-time teacher soon.

As a child I was already very infatuated with everything creative: drawing, painting, theatre, music… and finally: photography. I got interested in photography when I was about 12 years old. My parents bought a new compact camera for themselves and gave me their old one. I took this compact camera with me everywhere I went. I started arranging little “photoshoots” with my friends from school. My mom had PhotoShop Elements on her computer at the time, which I already used to edit the photo’s I made. When my grandfather noticed how much I loved taking photos with this little compact camera, he gave me my first DSLR, which only boosted my interest in photography. So much that at 15 years old, I started studying photography in high school at ColomaPLUS in Mechelen, Belgium, near my hometown. I had great teachers who really helped me on my way of finding my own voice. After graduating from high school I had my first exhibition. I was (very proud to be) part of a project called “Night Watch”, a project for young artist in which the selected group of artists could take over the museum FOMU Antwerp for a night. In the weeks leading up to the actual exhibition we were coached and challenged. Being a part of this project really made me realize that my heart was at art photography and that this was what I wanted to do. At the same time I also started on a Bachelors degree at art school Sint-Lukas Brussels, but I decided to drop out after a mere 6 months, when an emerging depression stood between me and my studies. I never returned to college to finish my studies. Instead, after a break from photography mainly caused by my depression and how insecure this made me feel about my work, I started to follow my own path, experimenting with and further discovering photography on my own terms. I rediscovered my love for photography. I started making self-portraits in which I express myself.

Your project is purely introspective? What was the reason for taking the decision to start this project?

I never made a conscious decision to start this project and carry it on for a long time. It’s something that just sort of overcame me, it all happened in a very natural way. Nevertheless there are a few key moments and themes that influenced the direction of the project. I started making self-portraits in 2017, I discovered that self-portraits allowed me to be really personal. Carefully I started experimenting with how I could use self-portraits to channel my own thoughts and emotions. I now see this as the start of the project. In 2019 lies another key moment of the project. In 2018 I had a relapse of depression that I had overcome a year before that. I was so ashamed of my relapse, I decided to keep it a secret. I was doing so well before and I was afraid that I’d disappoint the people most important to me, so I didn’t tell anyone that I relapsed. I kept this up until August 2019, in this month I tried to overdose and ended up on the ER. The day after I tried overdosing, is when I started taking pictures again after a long time of barely making anything. A series I call “Hartenleed” came to existence, out of the realization that I should open up about what I was experiencing, but it was too painful to do it in words, so my first step was making photographs. Doing this ultimately helped me on my way of opening up and fully recovering as a result. Photography had a big part in my recovery, and my depression and the recovery was the main theme of my work for a long time. Naturally, my recovery also became a key moment for my photography. I felt like it was time to also shift the focus of my work, but one thing was certain: I did not want to stop making self-portraits and being personal. I started to work around several themes, but the most important one is femininity; the way I experience my femininity, as I believe that every person has a different interpretation of what femininity means, and next to that I also play with my feminine innocence while simultaneously portraying the discovery of my own sensuality. I look for the limits of sensuality; can I make sensual photographs without nudity and can I make photographs where I’m (partly) nude without them being sensual? At times I combine these themes with a sense of absurdity or surrealism, I look to raise slight confusion, for example: biting into an orange in an unconventional way while staring into the camera dead serious (Triptych “Eating an Orange”). I also sometimes still reach for the darker parts of my existence, as I still bear a certain fragility as a result of the things that I’ve been through and this still affects me at times. Other themes are fleeting thoughts that I want to delve into. When you put my self-portraits from over the years together, it becomes a story; you can see the changes in not only my appearance, but also in my mindset. I don’t plan to stop making self-portraits anytime soon, and I’m curious to see what I and my work will evolve to. I think it will be interesting to one day have a ton of self-portraits, all portraying different parts of my life.

I interpret that for you photography is something else. Let me ask you what photography is for you?

Photography for me is rooted deeply in communication. I find photography is particularly useful when you aren’t able to bring certain feelings into words. I often feel that I struggle to explain things that I’m feeling, and that is when I like to use photography. I try to create an atmosphere that when I look at the final picture, the feeling I get from looking at it mirrors the emotion that I’m trying to capture.

How would you define your general style photography? How do you get such a personal style?

I don’t really know how I would call my style, and it also fluctuates. Melancholic vintage surrealism, maybe? My style came to be out of the experiences I’ve told you about earlier, so out of a lot of misery at a young age. That may sound a little tragic, but I’m not sad about it. I see it as a positive thing now, because I’m happy with my style. Might as well turn that tragedy into something good! As for the absurdism in some of my photo’s, I like to confuse and make you think about the image a bit longer.

Describe your ideal photographic situation. Why and when do you decide to do a self-portrait?

Ideas mostly come to me in the moment. I seldom have a plan that I came up with days or weeks beforehand. Sometimes something just comes to me and when that happens I also have to work it out immediately, so the initial spark of the idea doesn’t fade away. There are a lot of things that can inspire me. Sometimes it’s an emotion that I’m feeling at that moment, other times it could be something (a flower, a song, a quote, a person…) that reminds me of past experiences. Other times a picture just comes to mind and I have to try it out, sometimes the result is something really close to what I had in mind and sometimes I end up with something completely different. But also the way the light looks on particular days may inspire me. I like soft, dreamy lighting, so when I notice that the light is the way that I prefer, I do make a special effort to get inspiration flowing by walking, reading, thinking about my current life situation, looking at art of all sorts…

Your portraits are deeply personal. When and how did you first begin using photography to process your life experiences?

In 2017 I first started making self-portraits. At the time, I was just experimenting with how I could use self-portraits. I already had a history of depression then, so I did already implement my bad mental health experiences in my photography, making melancholic, dark black-and-white photographs. But it was in 2019, after the suicide attempt that I’ve mentioned earlier, that I made the conscious decision to start documenting my emotions through photography for a longer time. I thought I would stop after I’d recovered, but I enjoyed making self-portraits so much that I kept making self-portraits about my own experiences and thoughts, just with other themes.

What, in your opinion, is the most important to consider while shooting self-portrait pictures?

For me it is important that the final images invoke a certain feeling. That it tells some sort of story, even though the story may not be directly visible on the image. So I’m considerate about the atmosphere when I’m shooting. Color and lighting contribute to the atmosphere a lot so I pay extra attention to these factors.

Would you please tell us anything about your technique and creating process?

I like dreamy images. To achieve this look, I pick out times of day where the daylight is really soft but still relatively sunny and warm. I try to avoid harsh daylight, but I also try to avoid grey skies. The sunrise or sunset on a sunny day is my ideal lighting situation. Sometimes I want to take the soft look to a higher level. To do this, I use all kinds of stuff to make the image the way that I like. I use see-through fabrics, transparent stockings and plastic bags and drape those over my lens. This creates the soft focus that you can see in some of my images. I also like to use wide apertures, anywhere between f/1.8 and f/5, to achieve more blur.

Would you please tell us anything about your technique and creating process? Talking about postproduction process. How do you get to the final result?

For postproduction I rely fully on PhotoShop. I edit the global image (lighting, color, contrast…) in PhotoShop Camera RAW first, and after I go into the details in PhotoShop itself. What I do in PhotoShop depends on the image I’ve shot. If it’s a portrait of just the face, I’ll start out with a frequency separation PHP method to retouch blemishes on the face. This I don’t do, or don’t do as much, when I take a full body shot, or a portrait where the face can’t even be seen. What I always do is to go deeper into the details of the colors. Matching skin tones, making some colors (like background or clothing) more vivid, playing with the overall colors of the photo. I also dodge and burn to make certain areas pop a little more. Sometimes I add a little more blur when I’m not happy with the already present blur. When I’m content with my edits, I end with adding (extra) noise to the picture. I like to add noise to my picture because I have a condition called ‘visual snow’. Because of this, I always have noise in my vision. Visual snow is often described as the ‘tinnitus for eyes’. So, seeing noise is a normal occurrence for me, and I’ve chosen to implement this in my photographs. Taking ‘seeing things through my eyes’ to the next level. I choose to add noise in postproduction instead of in camera because I feel it gives me more control over the amount of noise, I can change my mind about how much noise I think an image needs.

What future plans do you have? What projects would you like to accomplish?

I’m certainly going to continue doing self-portraits. I hope that in a few years, I can make a big book, or exhibition even, full of self-portraits over the years, showing how me and my vision, emotional state, the way I think, everything… have changed. I think it will be interesting to see that evolution. For the rest, I’ll just take it as it comes.

More Stories

Marco Tenaglia : Black & white fashion portraiture

Marco Tenaglia : Black & white fashion portraiture

His bold and intriguing photographic vision is the result of a mixture of both contemporary and classic styles, inspired by masters like Helmut Newton.
The 50+ generation; Out of work by Peter van der Heyden

The 50+ generation; Out of work by Peter van der Heyden

Due to the ongoing economic crisis a lot of people have lost their jobs. The 50+ generation has been hit exceptionally hard.
Straight and still life photography; Cache by Dana Stirling

Straight and still life photography; Cache by Dana Stirling

My family roots back to England, but I was born in Israel. I was a child on a fence; a daughter to a migrating family. The house within culturally stayed European but outside was the Israeli controversial culture.
https://www.dodho.com/wp-content/uploads/2023/01/bannerpr.jpg

We invite you to participate in the first edition of the Portrait Photography Awards. Our call is open to any artistic interpretation of portrait photography.

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

https://www.dodho.com/wp-content/uploads/2022/09/mono2022.jpg

The best 100 images along with the winning images published in the yearly book “Monochromatic – Best Photographers of 2022”

https://www.dodho.com/wp-content/uploads/2022/12/banner24.jpg

Call For Entries #24 | After 23 editions and more than 100 published photographers, our print edition has proven to be a simply effective promotional channel.

Wake Me Up by Suvobroto Ray Chaudhuri

Wake Me Up by Suvobroto Ray Chaudhuri

Some people wake up in the morning full of energy and some find themselves fumbling for the snooze button. How you begin a day goes a long way towards how your day would end. So it is important to find ways to get off to a good start.
Trains and photography; The Iron Way by Ahmed Ashraf

Trains and photography; The Iron Way by Ahmed Ashraf

Two years ago, I took a ride using the train. After experiencing such world, all I wanted to reach is the human inside the train, not the one taking the train every now and again. My aim was the one who permanently and constantly using it.
Drawn into isolation – Lockdown diaries by Jai Thakur

Drawn into isolation – Lockdown diaries by Jai Thakur

As a part of my job responsibilities as an Analyst, I have been working on a few research white papers on "Risks and Impact of Coronavirus Globally in coming times".
Elements by Katherine Young

Elements by Katherine Young

‘Elements’ is a special project for me bringing together my passion for contemporary architecture and black-and-white photography. The idea behind it was to showcase the ingenuity and multiplicity of contemporary façades.
Necropolis- A City dying of Pollution by Zahir Abbas

Necropolis- A City dying of Pollution by Zahir Abbas

India is facing a severe pollution threat with daily average figure crossing the “severe” or even “Hazardous” marks a set by WHO. Unfortunately, no one seems to care as this ghostly poisonous air engulfs us in a deathly hug. Every day a bit tighter.
Cancer survivor conquers fear with photography

Cancer survivor conquers fear with photography

“It took a catalytic moment in my life to take my photography from a hobby to something I do every day,” Robin Macmillan says. The Canadian photographer was just 39 years old when she received the life-changing diagnosis of stage-2 breast cancer.
Displaced by Jashim Salam

Displaced by Jashim Salam

Myanmar Army’s campaign of killing, rape and arson in Rakhine, which has driven more than half a million Rohingya out of the country since late August. The UN is calling it the fastest displacement of a people since the Rwanda genocide.
Bhandara Festival of Pattankodoli by Arun Saha

Bhandara Festival of Pattankodoli by Arun Saha

Rural Maharashtra is widely known to its people as the abode of its various regional gods and the colorful vivid celebration related to them.
Surreal Architecture by Matthias Jung

Surreal Architecture by Matthias Jung

Collages have fascinated Matthias Jung ever since he was a child. It all began in the photo lab of his father. With scissors and glue, the rst fantastic build- ings were made. Basically, he doesn’t do anything differently nowadays.
Gaia by Jérémy Clausse

Gaia by Jérémy Clausse

Welcome in the geography of the variable-geometry exile. He will not tell you where from he goes, he will not tell you where he goes... Difficult in these cases there to present he.
Chronesthesia by Hsuan Chung

Chronesthesia by Hsuan Chung

The individual human memory is an episodic memory. It reflects our experiences, impressions, feelings, as well as specific times and places, all combined together. A smell, a song, a gesture, a dress. Humans rely on memories. They can provide a temporal experience, towards the future or the past.
I hunt wild art by C. E. Morse

I hunt wild art by C. E. Morse

My first go-to boneyard was Johnnie Monroe's in South Thomaston, Maine where I sourced parts for the Pontiac as well as a '29 Essex, a '41 Packard and a '54 Nash.
Hong Kong brutal compressions by Doug Caplan

Hong Kong brutal compressions by Doug Caplan

This portfolio explores the brutal nature of Hong Kong architecture from a street level point of view. Last year Hong Kong captured headlines all over the world with protests primarily against a now suspended extradition bill that would allow Hong Kong to extradite accused criminals to mainland China.
Slovakia Traditional Dresses by Zuzu Valla

Slovakia Traditional Dresses by Zuzu Valla

I was very happy when Julia, one of the three sisters, contacted me, with idea to memorize her and her sisters in the traditional Slovak dresses which not while ago my grand grand mum was wearing like her every day dress. There are also some villages you can still find women wearing those dresses calling “kroj”
Five minutes with Marco Tenaglia

Five minutes with Marco Tenaglia

I guess I’m interested in photography since I was a kid when I got my first camera, a polaroid sx70. I always loved to take photos.
Black and white fine art; Essence series by Pamela Aminou

Black and white fine art; Essence series by Pamela Aminou

This series explores the way we see the world around us. The images that I often create stems how I see and feel about the world around me.

Featured Stories

Le chat noir by Le Turk

Le chat noir by Le Turk

Le Turk was born one night simply when listening by chance to Bach's Saint John Passion, nice and loud in headphones.
Shiny Ghost by Rachel Cox

Shiny Ghost by Rachel Cox

Rachel Cox lives and works in Lansing, Michigan, USA. Prints from Cox’s series have been presented at The Atlanta Contemporary Art Center, Houston Center for Photography, David Weinberg Gallery in Chicago, and the Philadelphia Photo Art Center.
Self-portrait project : Exposure by Jaqueline Vanek

Self-portrait project : Exposure by Jaqueline Vanek

Self-portrait project focused on the transformation of oneself, against the prejudices of the general society towards freedom of expression and to be who one really is without hiding before anything.
Imaginations ;  A Series of Whimsical Nostalgia by Nathan Wirth

Imaginations ; A Series of Whimsical Nostalgia by Nathan Wirth

Robots that serve and protect or destroy; monsters that emerge from the sea; aliens that arrive from faraway solar systems; superheroes that fight crime and unimaginable evils; wizards that orchestrate fellowships; heroes and villains that clash in galaxies far, far, far away
Photo manipulation by Sulaiman Almawash

Photo manipulation by Sulaiman Almawash

Photo manipulation is a mix of photography and graphic design. Combining lot of elements and create an unique image. It requires lot of creative skills, is a great source for inspiration and its always great fun and joy when you work on particular concept.
Kibera by Marcel Kolacek

Kibera by Marcel Kolacek

Kibera. The largest slum in Africa. With absolute certainty can not say it, but it's pretty huge, especially population density. Various sources state different numbers
Greatest jockeys; Fortza Paris by Marco Cheli

Greatest jockeys; Fortza Paris by Marco Cheli

Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
Creating stories; Sweet dreams of Simon McCheung

Creating stories; Sweet dreams of Simon McCheung

I used to draw my inspirations for concepts from my own recent and childhood dreams. Most of which I don’t actually remember the context, sometimes I remember objects, people or locations, however the one thing that always gives me the lasting impression was the last feeling you get during and after the dream.
Haiti – The Ongoing Struggle by Giles Clarke

Haiti – The Ongoing Struggle by Giles Clarke

The last 230 years of Haiti's history, from the days of Napoleonic slavery and the ensuing 'black revolution', is a struggle etched deep into the soul of the Haitian people. In 1804, after years of colonial fighting and over 120,000 slave deaths
Curious Devices by Jeanette May

Curious Devices by Jeanette May

Curious Devices project was selected and published in our print edition 23. Jeanette May’s still lifes reveal our complicated relationship with obsolete technology by juxtaposing the seductive designs and the inner workings of Curious Devices. Her photographs display a reverence for finely crafted merchandise, industrial design, and scientific wonders.
Swee Oh ; Street Photography

Swee Oh ; Street Photography

Swee Oh is an internationally acclaimed fine art photographer, based in San Francisco, California.She is originally from Malaysia.Her work is focused in her two favorite genres of photography.
Afromexican healers by Annick Donkers

Afromexican healers by Annick Donkers

At the end of last year my attention was drawn to the coastal region of Guerrero known as Costa Chica, located to the south of Acapulco.
Ethnic diversity in the Horn of Africa by Trevor Cole

Ethnic diversity in the Horn of Africa by Trevor Cole

These images are taken in the Horn of Africa where the roots of humankind lie, and arguably is a region of the continent with one of the greatest ethnic diversities. The people are often tribal (Animist) in nature or have recently been converted from animism to Christianity or Islam.
The Wat Phra Kaew’s Guide Book by Artyt

The Wat Phra Kaew’s Guide Book by Artyt

This Project is about “Wat Phra Kaew”. Wat Phra Kaew is regarded as the most sacred buddhist temple in Thailand. Everyday, Wat Phra Kaew is full of tourists from around the world.
Lost America by Matthew Portch

Lost America by Matthew Portch

Lost America examines a quiet stillness in a forgotten landscape that is, in a sense: ‘on-pause'. Backwater towns and rural corners are juxtaposed against the ambiguity of isolated suburbia.
Irish Travellers by Bob Newman

Irish Travellers by Bob Newman

Irish Travellers refer to themselves as Pavees or Minkiers, having lived on the margins of society for many hundreds of years. They number about 40,000 in the Republic of Ireland and Northern Ireland.

Trending Stories

Anatomy of a Photograph by Fang Tong

Anatomy of a Photograph by Fang Tong

This shot is one of a series. There are seven photos in this series, so for doing this kind of work in a series, I need to prepare carefully. I had the idea or theme first, then I tried to find a well-fitting location.
Marta Pareja; Le musée vivant

Marta Pareja; Le musée vivant

When I began to explore the small communites from La Sarthe (a french region), of no more than 3,000 inhabitants each, I took on the attude of a stroller: someone who wanders aimlessly, letng herself be carried away by intuiton.
Harmonies; Refinery Flocks by Massimo Cristaldi

Harmonies; Refinery Flocks by Massimo Cristaldi

Nature is able to adapt. Recently, for instance, great catastrophes, as petrol spills in the sea, did not produce, in some cases, all the predicted effects thanks to the extraordinary resilience of ecological systems.
Underground Moscow – Berlin by Birka Wiedmaier

Underground Moscow – Berlin by Birka Wiedmaier

In my series, Underground Moscow - Berlin I try to capture these two places in a different way, to show the ongoing movement, the business of the places, where you are in a constant crowd – still alone.
Baye Fall by Xavier Ferrer Chust

Baye Fall by Xavier Ferrer Chust

The Baye Fall is a Senegalese Muslim sect that is most easily identifiable by their dreadlocked hair, bright patchwork garbs, spiritual amulets, and well-known tenet of hard work.
Room 322 by Francesco Ridolfi

Room 322 by Francesco Ridolfi

I quickly realized that nowadays, taking a bath, is one of the rare situations completely for yourself, where you can take time and space, thinking, reflecting and maybe let emerge emotions deepen buried in your heart.
Pilot by Mano Svanidze

Pilot by Mano Svanidze

We live in a boom of scripted TV series where watching TV shows take the face of addiction. It has brought many changes in people's behavior and their response to others.
Inner Self by Anne-Sophie Guillet

Inner Self by Anne-Sophie Guillet

Situated at the heart of the series Inner Self, the unfathomable enigma of human identity is one such concern. Everything is fluidity, impermanence or in transition in Anne-Sophie Guillet’s work
Conceptual photography : Ascension by Francisco Diaz

Conceptual photography : Ascension by Francisco Diaz

The “Ascension” works are what I’ve termed a cinematic narrative photomontage series that references the moment of enlightenment or that sense of rising to "full comprehension of a situation.”
A place in the northern part of India by Shuvashis Saha

A place in the northern part of India by Shuvashis Saha

Last year in the month of February 2019, I travelled to a place in the northern part of India namely Munsiyari, a picturesque hamlet situated in the Pithoragarh district of Uttarakhand.
Huang Shan by Olivier Robert

Huang Shan by Olivier Robert

This series of photographs is part of a long-lasting project dedicated to the Yellow Mountain in China. The classical Chinese landscape painting has been an important source of inspiration in my photography
Black and white pictures ; From A to Y by Bart Vos

Black and white pictures ; From A to Y by Bart Vos

Black and white pictures ; Bart Vos is an Amsterdam based autodidact photographer and filmmaker. He studied audiovisual journalism and worked for several TV and online media as an editor and reporter.

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.