I honestly have been feeling a little lost post show. I spent so much time preparing for it and now that it’s over I feel a little sad, which really caught me off guard.
Looking back over a year of the global pandemic, a recurring issue that I hear from almost everyone around me has been the debilitating effects of long-term anxiety and stress.
It’s 5am in the morning, before the smothering heat of Delhi kicks in, and the pupils of one of the wrestling schools are already in a fierce training.
This project focuses on the other side of the tragedy: how does it traumatize the family. After Yang’s death, the whole family has suffered from the loss of loved ones but still have to stand up and face everything, they’re also victims.
This photographic series evokes a sense of escapism, passages and changing ideals through the use of female dancers and imposing doorways. In each image a woman interacts with the frame - emerging from it, departing into it or otherwise moving inside of this space.
I’ve got a lot of 35mm negatives, which have suffered quite a bit of damage over the years. My ex had a penchant for purchasing houses that were prone to basement flooding.
My work addresses themes of race, culture, family, and Legacy and these images are a kind of family album, filled with friends and family, birthdays, vacations, and everyday life.
I was interested in how cultural and social values are expressed within ethnically diverse communities living there and how the emphasis on body image, performance and dress are a means of personal expression.
On my first trip to Doug’s Gym in downtown Dallas, I climbed a sagging wooden staircase to find a rundown old gym with peeling paint, sagging tin ceiling, and ancient equipment.
In Gratitude is an homage to food and family. Created during the pandemic, it is a series of portraits of myself, my husband, and my three children showcasing the items that we use to produce our daily meals.
I am standing with my fingers knitted together, resting on the top of my head. A few feet away, there is a gun pointed at my face, and I'm trying like I've never tried anything to not pee on myself.
I have been suffering from panic attacks for a long time. Four years ago I decided to track and chase the footsteps of the monster, trying to face the fear, therefore the monster itself. I met people suffering from panic attacks, sometimes friends, sometimes strangers.
I wanted to create a series about some of the great parts of the Netherlands. The general idea being: If it is not possible to travel to the Netherlands and enjoy some of the highlights of our country, I want to bring some of the highlights of the Netherlands to the world.
You are my Father series was a natural evolution and expansion of the preceding You are my Mother series and started unfolding in the second half of 2020.
I was a single mom with two boys at the time, they were 1 and 3. I used to work for a company in the city as a recruiter. As a single mom my kids didn’t have a parent that would be there at performances and such.
When Covid-19 first pushed us in to lock down in March 2020 people shared their experience of isolation and it resonated deeply with so much of what I had experienced in moving here. I knew the bubble world they were now living and all the emotional highs and lows so well.
Ladakh, heaven on earth, known by many names reflecting both the natural beauty and close relationship with Tibet, Ladakh is called the "Land of High Passes," in the Tibetan and Ladakhi language, the "Great Tibet" in Medieval Islamic literature, or as "Little Tibet" in trans-Himalayan states in Kashmir.
Before moving to Italy, my wife and I worked in the television and film industries of Hollywood. My wife produced television programs for the major studios and I worked as a photographer on films and for various international magazines.
As an old saying about Ladakh goes, "a land is so barren and the passes so high that only the best friends or fiercest enemies would want to visit us.”
A follow up to Jack Savages critically acclaimed series “Definitive Ambiguities”. This series is again indebted to the ghosts of our shared cinematic past, and the cinema of Film Noir (1920-50).
Ten photographs, each independent of the other gathered together into a ongoing series, explore small yet unsettling and familiar dramas of loss and isolation.
On the day I was born in India, my father flew to Queens, N.Y. to finish his medical education. My mother followed three months later and I was left to be raised by my grandparents.
An Ambiguous Journey Through the Beauty, Benevolence and the In-between - Cinematic, dream-like shots of Russia.“Fairy Tales” is a work about the mystery and myth of the largest country in the world.
I want this poetic-philosophical reflection to speak through my images in these corona times. In my series “Losing our minds” I consciously show only young people who are looking for themselves, for the meaning of life and the relationship between man and nature.
The trucks continually roll past the roads that lead to their villages, spitting out so much dust that people living in the villages can no longer breathe.
The original inspiration was the beautiful emotional healing and act of acceptance of the past that she witnessed between a mother and her adult daughter. Due to covid restrictions, once again, they found themselves living together and subsequently standing face to face with old unresolved problems.
The vibrant colors, the deep contrast, and the imposing shadows, all of it meshes together to create an image that you feel like you’re a part of. This is a good introductory example of how people use high dynamic range (HDR) to emphasize their landscape photography.
With this work I want the viewer to get a good look at what it is like living in America as a Black man. I use the wet-plate collodion process to connect the past to the present and explore the atrocities of slavery and Jim Crow
Photographer and life-long Tottenham Hotspur fan, Martin Andersen has turned his camera on his fellow fans to create ‘Can’t Smile Without You’, an intimate and often visceral collection of photographs taken at home, away, and across Europe from 2013 until 2017 with the last game played at the White Hart Lane stadium.
Army complex from the time of the Austro-Hungarian Empire. It lies by Metelkova Street in the center of Ljubljana, Slovenia. It was abandoned in the early 1990s, when Yugoslavia collapsed.
One of the current most popular Greek myths is the tragic story of Orpheus and Eurydice. Usually the most known version is the one narrated by Ovide and Virgile in the Metamorphosis and Georgica respectively.
It’s another beautiful day in paradise. Dark, and rainy. It’s one of those days that suggest the beauty of film. F-stop wide open, the darkness and grain, the feeling of an impressionist painting.
In the famous museum, at the largest art festival or in the small gallery today most of the people being in front of the art objects do three things – taking out the mobile phone to shoot the painting, sculpture, or installation as itself, making selfie on the background or posing with friends near the art object.
"225 Days and counting" is an essay composed by images produced during quarantine due to Covid-19. Most of them were taken at my apartment in the city, some at a weekend retreat, both in São Paulo, Brazil, and reflect this period of a contemplative mood when time seemed suspended.
These images are part of what I’ve called an “alternative family album.” With one exception, I constructed each work using vernacular photographs from archives discovered after my parents’ deaths.
After 16 solo exhibitions in Romania, this is my first Photobook. Self published, handmade, deluxe edition. There are black and white pictures, took between 2015-2018, on a 6x6 film camera.
There are two things that human beings have seemingly been captivated by for centuries: the stars in the sky and being able to capture the beauty of nature.
In my photography, my personal experiences often motivate me to start creating works. Eventually, it leads me to the fundamental theme of our life and I want to express what I think and get from there.
Due to colonial neglect and historical isolation, the Pacific Islands, home to the world's most diverse range of indigenous cultures, continue to sustain many ancestral life-ways.
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