ConceptEuropeConceptual photography; Paradise Island by Alice de Kruijs

Due to colonial neglect and historical isolation, the Pacific Islands, home to the world's most diverse range of indigenous cultures, continue to sustain many ancestral life-ways.

Due to colonial neglect and historical isolation, the Pacific Islands, home to the world’s most diverse range of indigenous cultures, continue to sustain many ancestral life-ways.

Fewer than 6.5 million in all, the peoples of Oceania possess a vast repository of cultural traditions and ecological adaptations. Oceania thus has the most to lose, culturally speaking, from the pressures of global political and economic change.

Most Islands in the Pacific Ocean are isolated and very rarely have contact with the outer world. In combination with their ethical beliefs they are isolated from the rest. The paradise islands are laying in the middle of the ocean. Through the years, many islands remained their unique cultures.

Despite diversity, all Pacific societies are small and vulnerable. A typical linguistic group consists of only a few thousand people, for example, can have drastic consequences for cultural survival. Indeed, many cases of “language death” – the disappearance of not only a spoken language, but the cultural memory that goes with it – are on record.

“Tuvalu is sinking” is the local catchall phrase for the effects of climate change on this tiny island archipelago on the frontline of global warming. A Polynesian country situated in Oceania, Tuvalu is no more than a speck in the Pacific ocean, midway between Hawaii and Australia.

Already, two of Tuvalu’s nine islands are on the verge of going under, the government says, swallowed by sea-rise and coastal erosion. Most of the islands sit barely three metres above sea level, and at its narrowest point, Fongafale stretches just 20m across.

Countries such as Tuvalu, Kiribati and the Marshal Islands are already experiencing sea level rise where ocean flooding has washed saltwater onto agricultural lands and inundated sources of drinking water. These low-lying islands do not have forest cover therefore ocean level is rising at a much faster rate.

About Alice de Kruijs

Alice de Kruijs is a fine-art photographer based in The Netherlands. She frequently touches the subject of identity and diversity and aims to go against the standard ideals and showcase stories through culture and different ethnic backgrounds, her work is a celebration of these differences in culture. As her way of life, she loves to conceptually and symbolically tell stories. Usually by showing a different perspective on personal daily life struggles.

Born in 1981 in the east of The Netherlands she grew up in an artistic family. Nevertheless, her true artistic passion in photography started in her late twenties. After graduating from the International Fashion Design and later on from Applied Photography, Design with a specialisation in Fine-art portraits she dedicated her life to conceptual photography. In her early thirties, she gradually moved to fine-art photography in combination with story telling photography.

Her work have been exhibited in different galleries around the world like Menier Gallery London, Gehsucht Gallery Rotterdam, Life Framer gallery in  Zurich Switserland and PH21 Gallery Budapest. In 2017 she’s been named New Dutch Photography talent. From 2017 onwards her work has been featured in L’oeil de la Photographie, Dodho Magazine, Lenscuture, PHMuseum, Burm Magazine and so forth. [Official Website]

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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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