My personal journey; Generation 1.75 by Rohina Hoffman

On the day I was born in India, my father flew to Queens, N.Y. to finish his medical education. My mother followed three months later and I was left to be raised by my grandparents.

On the day I was born in India, my father flew to Queens, N.Y. to finish his medical education. My mother followed three months later and I was left to be raised by my grandparents.

As a young child I knew that my parents lived elsewhere, and that I was in a temporary habitat. I felt special but also felt like an outsider in my own homeland. I would often stand on the roof of the house I grew up in and look at the moon and see if I could find my parents. 

I came to the United States at the age of 5, reunited with my parents and began a new life in suburban New Jersey. I lived a life filled with expectations: my parents, society’s, my own and what it means to be Indian American growing up in NJ.  My project, Generation 1.75 is a metaphorical and lyrical look at themes of loss, unrootedness, and gained perspective in my personal journey of migration, identity, and the emotions that accompany the lifelong exploration of where I belong and who I am.

I often feel of two worlds, sometimes not quite settled, not fully rooted. I am part of Generation 1.5/1.75, a termed coined by Professor Ruben Rumbaut in 1969 to distinguish those who immigrate as children from their parents who immigrate as adults. As immigrant children, there is a discontinuity with our origins due to inherited circumstance beyond our control. This exploration of self, often using the narrative of the natural world, helps me understand the precarious balance of integration and alienation, neither here nor there and then sometimes also both here and there. I am sometimes the alienated insider, sometimes the Other, and at times, fully and easily assimilated. Growing up multicultural can be conflicting and is a constant balancing act, a gift and a burden all at the same time.

About Rohina Hoffman

Rohina is a fine art photographer whose practice uses portraiture and the natural world to investigate themes of identity, home, women’s issues, and adolescence.Born in India and raised in New Jersey, Rohina grew up in a family of doctors spanning three generations. While an undergraduate at Brown University, Rohina also studied photography at the Rhode Island School of Design and she was a staff photographer for the Brown Daily Herald. A graduate of Brown University Medical School and resident at UCLA Medical Center, her training led to a career as a neurologist.

A skilled observer of her patients, Rohina was instilled with a deep and unique appreciation of the human experience. Her ability to forge the sacred trust between doctor and patient has been instrumental in fostering a parallel connection between photographer and subject.Rohina published her first monograph Hair Stories with Damiani Editore (February 2019) accompanied by a solo exhibition at Brown University’s Alpert Medical School. Her monograph, Hair Stories, is held in many public collections and university libraries.

Her photographs have been exhibited in juried group shows both nationally and internationally in venues such as The Center for Fine Art Photography, Griffin Museum, Colorado Photographic Arts Center, Los Angeles Center for Photography, Photo LA,  and A. Smith Gallery. She has received numerous awards and has been published in Marie Claire Italia, F-Stop Magazine, The Daily Beast, Lenscratch, Shots Magazine, and Edge of Humanityamong others. She lives with her husband, three children and two golden retrievers in Los Angeles. [Official Website]

More Stories

Interview with Ann Prochilo; published in our print edition #20

Interview with Ann Prochilo; published in our print edition #20

Ann Prochilo brings extraordinary dreams of mixed elements, and thoughtful reflections to her images, being in the intersection of different worlds but still connected to her roots. Her surprising works are the result of a striking and complex process of work and way of thinking while trying to have her feet on the ground with everyday questioning about which is her place in the universe.
Interview with Sara Camporesi; published in our print edition #20

Interview with Sara Camporesi; published in our print edition #20

A photographer passionate about art, for a long time she has combined this interest with the spontaneity of visual storytelling, conceived not only as a classic account of experiences but as a combination of personal and creative shots conveys the secret appeal of urban places and museums, revealed through images and words like a “photographer narrator”.
As I See It by Lori Pond

As I See It by Lori Pond

"As I See It” is a series that examines and reproduces the fact (according to neurological studies I've read) that our brains, as a survival mechanism, can only process a few things at a time.

Color Awards

We invite you to participate in the first edition
of the Color Awards. We are looking
for the best color picture for this year, 2022.

The competition is open to any interpretation of color photography
in all its dimensions, from everyday reality
to pure abstraction

DEADLINE | FRIDAY, SEPTEMBER 30, 2022

PHOTO BY © DANIIL KONTOROVICH
Exclusive Interview with Demi Cauwenbergh

Exclusive Interview with Demi Cauwenbergh

We had the honor to interview exclusively with the photographer Demi Cauwenbergh, winner of the Rotterdam Photo Best Exhibition Award. A collection of self-portraits that she have made over the course of 5 years, and it is still ongoing. she started making self-portraits in 2017 as a way to be really personal.
Paddy drying processes in manual mode by Shaibal Nandi

Paddy drying processes in manual mode by Shaibal Nandi

The drying of paddy is the most important part of making rice from raw paddy. In rural India, poor people still follow the manual process of drying raw paddy before taking those dried paddy into husking mill for milling.
Indigenous communities; Jaguar by Camila Berrio

Indigenous communities; Jaguar by Camila Berrio

Getting into the jungle takes several days; understanding the rhythm of life of the indigenous communities that live there requires much more. During the months that I spent with them, I had the opportunity to contemplate how life is being woven by the skillful hands of indigenous women who, in each backpack and in each seam, express their sadness, joy, hope and frustration.

Featured Stories

The last tide by Marco Campi

The last tide by Marco Campi

Last November Venice experienced the second highest tide in recorded history. Looking at the top 10 tides, we see that five have occurred in the past 20 years and the frequency of exceptional tidal flooding above 110 cm have ramped up dramatically through the years.
New York City; Street Scenes by Paul Kessel

New York City; Street Scenes by Paul Kessel

New York City is considered as one of the best places to practice street photography. It has a history of being the breeding grounds of many of the finest street photographers over the years.
Transylvania by Javier Arcenillas

Transylvania by Javier Arcenillas

I think it all comes from being the north but nobody knows, originally from colder climates that make my thoughts and ways of working a solid foundation and ideology in forms. I guess that's why I like to do certain kinds of stories.
Why Drag? by Magnus Hastings

Why Drag? by Magnus Hastings

Magnus Hastings is a portrait photographer whose current series of large-scale photographs, and accompanying book, Why Drag?, focuses on the phenomenal artistry and counter-cultural spirit of the international drag scene.
Still lifes by Belén Argüeso

Still lifes by Belén Argüeso

More or less three years gave me my first camera ...... I'm not a professional photographer ... just a simple fan trying learn and improve every day,. I started taking pictures of my dog, and uploading them to a pet forum
The Last Nomadic Hunter-Gatherers of the Himalayas by Jan Møller Hansen

The Last Nomadic Hunter-Gatherers of the Himalayas by Jan Møller Hansen

The nomadic Rautes are the last hunter-gatherers of the Himalayas. The Rautes, who call themselves Kings of Forests, subsist on langur and macaque monkeys, wild yams, rice and a few kinds of vegetables traded from local farmers.
https://www.dodho.com/wp-content/uploads/2022/07/color-banner.jpg

We invite you to participate in the first edition of the Color Awards. We are eager to see photograhs with new focus points and innovative approaches

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

https://www.dodho.com/wp-content/uploads/2022/05/banner.jpg

The book where words and images meet to never leave each other, The book contains 20 evocative paintings; each of them is a double page. 56 printed pages | 235x165mm

https://www.dodho.com/wp-content/uploads/2022/06/banner22.jpg

Call For Entries #21 | After 20 editions and more than 100 published photographers, our print edition has proven to be a simply effective promotional channel.

Himalaya; Sound of silence by Jagdev Singh

Himalaya; Sound of silence by Jagdev Singh

The land of high passes in Ladakh, India in the shadow of the Himalayas impregnates nature in its most immaculate form. The boundless beauty of the mystic peaks, fathomless vastness, cloud shadows playing hide n seek on mountains all during the day
A Show of Hands by Tim Booth

A Show of Hands by Tim Booth

A Show of Hands is an extensive photographic study of the hands of Britain by the photographer Tim Booth, who has turned images of people’s hands into an alternative form of portraiture.
MiRelLA by Fausto Podavini

MiRelLA by Fausto Podavini

MiRelLa is the story of a woman, a mother, a wife, a grandmother. Mirella is 71 years old, she spent 43 years of her life with the only person loved. 43 years of sharing, difficulties, laughs and beautiful moments
Planet Earth; The Elements by Paul Bride

Planet Earth; The Elements by Paul Bride

Trying to explain the concept behind my photography is never as fun as actually pressing the shutter button. Why do I try so hard to create the images I dream about? Why developed a style over the years in an attempt to define how I see the world?
Golden Gate; The Bridge, Reconstructed by Michael Yuan

Golden Gate; The Bridge, Reconstructed by Michael Yuan

I wanted to challenge the perceptions of the Golden Gate Bridge. In solid red-orange and spanning 1.7 miles long, the Golden Gate Bridge is an icon of San Francisco.
Iceland by Ignacio Heras Castan

Iceland by Ignacio Heras Castan

The script of this sequence tries to convey the isolated way of life of many of the inhabitants of the Island, the different structures of houses, ships, churches that mix with the nature so characteristic of Iceland

Trending Stories

Men at work by Amlan Sanyal

Men at work by Amlan Sanyal

Add to that the damage caused by ‘extreme and treacherous’ weather. We all know how we get when the work isn’t carried out, moaning about tyre damage due to pot holes, potential crashes due to unclear road markings.
Photography and painting; The fantasy of Chiara Fersini

Photography and painting; The fantasy of Chiara Fersini

Fantasy is my drug. The world today is so grey and sad, and fantasy is the only thing that makes me see something different and good.
Japanese Vending Machines by Douglas Edward Caplan

Japanese Vending Machines by Douglas Edward Caplan

This project explores the colorful world of Japanese vending machines. Japan has 5.52 million vending machines spread across the country.
Impressions of India by Marco Campi

Impressions of India by Marco Campi

I first visited India in 1997 when my work as a scientific researcher brought me to Bangalore. I had the fortune to be there on my own, … with more than 1 billion Indians around me, of course.
The missing forest by Patricia Ackerman

The missing forest by Patricia Ackerman

The missing forest It is not the forest of milk of Dylan Thomas nor the mysterious jungle of Emilio Salgari. It is – just and nothing less – a handful of twigs that the time dried and the eye finished to dissect and isolate, until they float in black chamber, turning them into ideograms of an underground pondering.
Five minutes with Ruedi Beckmann

Five minutes with Ruedi Beckmann

This is why I have always taken a particular liking to Diane Arbus and her statement »A photograph is a secret about a secret.« I don't see a picture, I see a story. Often some different opinions. And sometimes a development.
Portals (Passages) by Nikki Raitz

Portals (Passages) by Nikki Raitz

This photographic series evokes a sense of escapism, passages and changing ideals through the use of female dancers and imposing doorways. In each image a woman interacts with the frame - emerging from it, departing into it or otherwise moving inside of this space.
Asian megacities; Mass Culture by Laurent Baillet

Asian megacities; Mass Culture by Laurent Baillet

The series “Mass Culture” was shot in several Asian megacities. It questions the model of mass culture and its effect on the individuality of each of us.
The South Wind in February by Kazunori Nagashima

The South Wind in February by Kazunori Nagashima

The first heavy south wind of this year roared on that sunny afternoon. The spring-ushering wind did not give room to think about anything, but only a consciousness not to fall down to the ground.

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact hello@dodho.com
Thank You. We will contact you as soon as possible.