Some years after losing my husband I decided to reinvent my life, so I purchased a small ranch in Montana and a camera, neither of which I knew how to operate. I began visiting small towns at night. A woman standing alone on the streets after dark with a camera naturally aroused suspicion and distrust in these old Montana towns.
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Robert Koch Gallery presents Matt Black: American Geography, the gallery’s inaugural exhibition by American photographer Matt Black. Based in California’s Central Valley, Black produces enigmatic narrative works in his native region and in related places that are deeply grounded in societal and environmental concerns.
Working in New York City it is impossible to miss the homeless. They are everywhere ,on the street, in doorways, and in the train stations all over the city.
New York City is considered as one of the best places to practice street photography. It has a history of being the breeding grounds of many of the finest street photographers over the years.
The Embarrassment of Being Human considers mortality by examining our private discomforts and the detachment that humans have with their most primal self.
[Boston; 19 Mar 2022) Robert Klein Gallery is pleased to present an exhibition of some of the most iconic race photographs created by the photographer in the golden age of motor sports.
Conversations project was selected and published in our print edition 19. Food provides nourishment, supports social ritual, and expresses environment. A shared meal reveals tradition and offers opportunity for discourse.
This project was selected and published in our print edition 19. Deserts of the American West and their poetic and chaotic processions of motorway interchanges, cities without centers, residential zones without inhabitants.
The artworks are just objects out of daily life, such as glassware, fruit, and nature. I notice them and create an image in my head. This happens during the day or I create when I am sleeping.
Meynier’s work has won multiple awards, has been exhibited nationally and internationally and her photographs are in the permanent collection of the Fort Wayne Museum of Art, and the Kinsey Institute for Research in Sex, Gender, and Reproduction
Covid had struck planet earth and I was literally lost in all of my thoughts. I had these visions of the world ending and I felt like I was in a prison in my mind with all of this.
Matthew ventured into photography in 2017, focusing on fashion. However, when the Covid-19 pandemic started, he was compelled to explore concepts such as mental health, politics, race, and themes regarding the LGBTQ+ community.
Once upon a time, when wheels were made of stone and phones had no cameras, lived my grandma. I loved my grandma and loved her stories about people and places she remembered. There was one story about a photographer grandma was telling in her photo lab.
Tenure project was selected and published in our print edition 18. Tenure describes the act of holding or possessing, as well as the status granted after a probationary period that protects one from dismissal.
Made in the shade project was selected and published in our print edition 18. Through a mise-en-scene self-portraiture series, Made in the Shade depicts characters in Mid Century Modern settings, mirroring an era that was aspiring for change.
Behind the chute project was selected and published in our print edition 18. The connection and reliance between humans and their livestock had me fully embracing the deep- rooted traditions of the rodeo and the people involved.
Klompching Gallery is delighted to present an exhibition, curated around the theme of art and technology. The exhibition brings together artworks by two gallery artists—Jeanette May and Max de Esteban—together with guest artist, Rebecca Hackemann.
Looking up into the sky, the girl immediately realized the puffy clouds. Cotton balls in the blue sky. A nice day to live, she thought - if it wasnít for the boredom in American Suburbia.
My projects have always been about human perception of and relationship to society, more precisely about the distance between subject and phenomenon based on new technologies, and that's why I develop them based on sensory experiences.
Recently I've spent a lot of time examining the ordinarily overlooked infrastructure of my home city, the stuff we take for granted as part of a functional urban environment.
My images below are views of people who live in the rock bottom’s society. My use of directed reality involvement offers a unique and experimental way of observing miserables people.
There has always been something incredibly haunting to me about the countryside that surrounds Oakdale, California, the small, rural Central Valley town that I grew up in.
In this selection of a larger series I am working on, I have been traveling alone due to the pandemic, and creating large panoramic formats of landscapes while altering the scene in front of me with a variety of mirrors.
In my series Hold Me Tight, I explore moments of intimacy and vulnerability between my husband and two teenage sons, often while on family vacations in nature.
My photographs explore the liminal space between clarity and ambiguity, a boundless transcendent essence that is both settled and unfathomable.
This photography portfolio titled “The Shape of Things” aims to open and expand your awareness of your urban environs. Living constantly busier lives, we as urbanites forget to look around or observe the most basic fundamental element of our cities
During the Covid pandemic, the momentum of the daily life slowed down. Outside for solitary expeditions, the familiar transformed into a new kind of magical discovery, as if witnessed for the first time.
From the frigid thin-air mountains to the sultry moist valleys of Nepal, human life is deeply bonded to nature. It is where they find resources for their survival and opportunities to generate income.
These images aim to capture the vibrant spirit of the Cuban people. While many of them face numerous hardships on a daily basis, including finding food to put on their tables, they are a kind, generous and resilient people.
If you drive south from Los Angeles on Interstate CA-111 along the eastern shore of the Salton Sea, past Bombay Beach, Frink, Wister, Mundo, and around the migrating geyser, you’ll reach Niland, one of the poorest counties in California.
Conversations with Myself was selected and published in our print edition 17. This work represents a coalescence, of becoming. In looking at myself channel my mother, and every woman who came before me.
Coney Island was shuttered and deserted. The Atlantic was frothing angrily, beating the shoreline and throwing walls of stinging spray at the beach and boardwalk, as if trying to topple the old Parachute Drop, standing watch over the Riegellman Boardwalk.
In this fusion of my two series, Out of the Darkness and Enlightenment, I explore a common theme: the transformative power of light displacing the darkness. Light embodies wisdom, healing, and growth in humanity’s passage from the dark to light ages.
As a photographer, my goal with this project was to capture the essence of the unique and ever-changing New Orleans cultural landscape and preserve it for others not fortunate enough to witness these colorful events first hand.
The American South has an essence that sparingly reveals itself, thus requiring unprecedented determination and patience to photograph all its splendor.
During the isolation resulting from the pandemic, family has taken on a new centrality. Our connections to our ancestors and our descendants often feel stronger than connections to those around us.
I like to take long walks in Chicago, the city in which I live. Even though I’ve walked the same streets many times there are always new things to see.
Change in uncertain times as one seeks the creative pulse in what seems disarray: The Pandemic; an emotionality all can relate, to the tune of unity and sympathetic understanding and curious, creative leanings into the uncertainty.
Parallel Pictures Press proudly presents New York PARADISE LOST Bushwick Era Disco, Meryl Meisler’s scintillating new book that will launch with exhibits at ClampArt and The Center for Photography at Woodstock.
Arcadia is an idyllic and pastoral vision of the landscape as an unspoiled wilderness. This image of natural perfection first gained popularity in the18th century during the rise of Romanticism, where artists, poets, and musicians sought to transport us there.
G.B. Smith’s photography journey began over 40 years ago as a teenager learning the fundamentals of the craft in the darkroom and with large plate cameras. This enthusiasm evolved into a first career as an industrial photographer in England.
Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
The series I am presenting is of a photojournalistic nature. I used typical photojournalistic framing and imagery sometimes out of necessity, other times to get a certain aesthetic, and when the time allowed some of the images were created stand out visually.
His dramatic approach to street photography takes on a new life as the series delves deep into exploring psychological and emotional states of mind.
When George Floyd was murdered by a policeman here in Minneapolis, my initial thoughts were: “Not again. Why does this keep happening?” What followed after were days and nights of protest, unrest and destruction.
Kazakh Childhood; France Leclerc’s project was selected and published in our print edition 16. Though the daily activities may vary quite dramatically from one part of the world to the next, children can thrive if provided with a nurturing caregiver and a safe place to play and explore.
Deb Achak’s Aquatic Street series documents life by the ocean as a silent observer. She swims within crowds of people, looking below the surface, both literally and figuratively.
