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    Sonia Prims

    
    Down in the Dumps by Glenn Sloggett: Photography, Memory, and Melancholy
    Feature

    Down in the Dumps by Glenn Sloggett: Photography, Memory, and Melancholy

    Mar 12, 2026
    I use photography as a way to express my love affair with sadness. When I was young, my parents had a very bitter divorce which had a devastating effect on my soul. For the longest time I found it impossible to express those feelings of loss. My catharsis is that I photograph in the shadow of my father’s absence.
    
    
    
    
    
    
    
    
    
    
    
    
    
    
    Sulfur Light & Fog by Robert Bonk: Moody Adriatic Landscapes from Puglia
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    Sulfur Light & Fog by Robert Bonk: Moody Adriatic Landscapes from Puglia

    Mar 5, 2026
    The photographs from this series were taken in a small windswept seaside town called Castro, which sits on the Adriatic coast in the southernmost part of Puglia, the southernmost region of Italy. Castro lies only 20 miles north of the very tip of Puglia, where the Adriatic Sea and the Ionian Sea converge.
    
    
    Edge – North Atlantic Ocean: Hsuan Chung Explores Memory, Erosion, and Geological Time
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    Edge – North Atlantic Ocean: Hsuan Chung Explores Memory, Erosion, and Geological Time

    Mar 4, 2026
    Since ancient times, human beings have shaped the land, building civilizations and inscribing memory into territory. Yet what appears solid is never stable. Land is constantly weathered, fractured, and reformed. Stability is an illusion sustained by scale. Edge – North Atlantic Ocean begins at the shifting boundary between sea and land. The shoreline is not a fixed line but a site of continual transformation. Stones collide, fragment, and return to the ocean as mineral residue....
    
    
    
    
    
    
    
    Venice by Giacomo Brunelli: A Film-Noir Vision of the Floating City
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    Venice by Giacomo Brunelli: A Film-Noir Vision of the Floating City

    Mar 2, 2026
    Giacomo Brunelli  begins walking before he begins making photographs. “Walking is a part of his photography,” he says. “One needs to walk to create the chance of finding things that are interesting.” Over the past 15 years, he has famously used animals as inspiration in his work, those he encounters in the natural world as well as in the ultimate man-made environment, the city.
    
    
    
    
    
    Kate Robertson: Tracing the Living Image and the Material Dialogue Between Plants and Film
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    Kate Robertson: Tracing the Living Image and the Material Dialogue Between Plants and Film

    Feb 25, 2026
    In this body of work, Australian artist Kate Robertson investigates how ecological systems and photographic processes intersect as sites of transformation. By working with native flora found on Wadawurrung Country, the images become traces of interaction between plants and film, light and chemistry, the artist and the environment, echoing broader networks of interdependence.
    
    
    
    
    
    
    
    
    
    
    
    
    Chiron Duong Explores Space and Society in Don’t Be Afraid to Say Love
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    Chiron Duong Explores Space and Society in Don’t Be Afraid to Say Love

    Feb 19, 2026
    Each country has its own characteristics, shaped by natural conditions such as climate, altitude, and the color of vegetation, all of which influence human life. In addition, artificial factors such as architectural forms, politics, and social structures also affect people’s moods and expressions, along with other elements including religion and culture.
    
    
    Shoal: Danila Tkachenko and the Vanishing Aral Sea
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    Shoal: Danila Tkachenko and the Vanishing Aral Sea

    Feb 18, 2026
    For the project Shoal, he created structures based on representations of the typical post-Soviet landscape and installed them on the silt banks of the Aral Sea. Today, the post-Soviet landscape, constituting a ghost of utopia, epitomizes the current mundanity of the countries of the former Soviet Union.
    
    
    Francesco Mercadante Explores Vision and Color in The Dance of the Kites
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    Francesco Mercadante Explores Vision and Color in The Dance of the Kites

    Feb 18, 2026
    There is a moment, between the breath of the earth and the call of the blue, when reality decides to shed its precision and become vision. In this portfolio, the sky is not a boundary but a liquid canvas. He chooses to look at the world through a veil of glass, crafted and caressed by his own hands, to rediscover that lost carefreeness that belongs only to a child's gaze.
    
    
    Mist as Memory by Frank Verreyken: Visual Reflections on Fascist Architecture
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    Mist as Memory by Frank Verreyken: Visual Reflections on Fascist Architecture

    Feb 17, 2026
    This series of thirteen photographs engages with the Valley of Cuelgamuros not as a static historical site, but as an unstable field of memory, power, and unresolved trauma. Shrouded in mist, stripped of spectacle, and rendered with sober visual restraint, the images appear at first glance almost indifferent—monumental architecture reduced to grey mass, form hovering between presence and disappearance.
    

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