Abstraction at Source by Caroline de Bertodano
Abstraction is all around us in everyday life. It does not depict reality but lives within reality co- existing alongside us. In the empty space between objects and movement. In the texture of materials and light.
Jennifer Orhélys ; Visual recreation of the unconscious
Jennifer Orhélys's work also explores how human interact to natural space and captures the fragility of the natural environment. So she translates her relationship with the nature, in geometry, colors, and stagings of light.
Maiffer by Jonathan Lanza
Besides the incomparable issues that Venezuela faces, the country also has to deal with the upcoming complications in universal problems such as deaths caused by cancer and how they have been increasing ever since the financial crisis began to lash the oil nation in 2014.
Gray zone by Valery Melnikov
First time I visited the Donbass region was at the beginning of summer of 2014, right at the beginning of the military conflict. Nobody knew at that time how long this conflict would last, and how difficult and painful the consequences of this conflict would be.
From Analog to Emotion: Stefania Piccioni’s Polaroid Artworks
For me, Polaroids are not just photographic objects: they are “effects” of personal memory. They have reopened a window to childhood, not so much out of nostalgia, but because of that sense of urgency and immediacy that only certain images possess.
Jack Savage ; Fine art photographer
Jack Savage is a fine art photographer and digital artist and an adobe certified expert in Adobe Photoshop CC and trainer. Winner of honorable mentions at IPA 2016.
Garden of Eden 2525 by Ari Bafalouka
Garden of Eden 2525, is a photo series for a post-apocalyptic dystopian space, where, a “meta” sapiens humanity, faces the debris and the deserted landscapes, as a result of its past decisions and actions.
StoryMay 1, 2014
Ukraine; Euromaydan by Maxim Babenko
The protest started as a gathering of a few thousand students demanding that Ukraine sign an Association Agreement with the European Union
Frozen in Time by Roland Blum
Every month my father gave me one Kodak Tri-X 400 film with which to work. As I only had 36 exposures for the whole month I learned from the beginning to think really hard about the pictures I wanted to take. This has influenced my work up to the present day.
