My Flesh’s Nature by Jennifer Orhélys

In "My Flesh's Nature", there is an explicitly claimed artistic and romantic approach, for which "beauty comes first" and which leads her to defend a photograph as an Art in its own right, and a tireless commitment to the protection of nature.
My Flesh's Nature | Jennifer Orhélys

In “My Flesh’s Nature”, there is an explicitly claimed artistic and romantic approach, for which “beauty comes first” and which leads her to defend a photograph as an Art in its own right, and a tireless commitment to the protection of nature.

It is simply the conjunction and worship of photographic art and that of natural beauty feeding each other. To Jennifer, her will is to cultivate a pictorial, no-documentary conception of self-portrait and landscape photography. Indeed, she is monopolised by her action in favor of “creative” photography, inspired by the emotion felt through the romantic pictorial works among others and the photographer Alfred Stieglitz. These are photographs, whose eyes are focused on lines, colour, light and emotion. 

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

Capture the beauty of Creation; explore this nature in its simplest appearance. This fragile universe that requires our attention, moreover, may not be taken into account by the powerful and then, unfortunately, before having granted the legitimacy of the living world. Things, elements, circumstances, apparently the simplest can seem to the eyes of a most attractive artist at the sensory and emotional level. The photographer’s gaze feeds, preferring to show what we no longer see, before being precipitated into contradictions of conscience previously forgotten, distorted or even obscured. Just lean over and watch, what nature still has to discover. 

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

“My oldest and most living children’s memories are those of being perched in a tree or at the top of a fir in my garden. Little girl, I loved climbing trees and admiring the view from above, perhaps because it made me feel like an adventurer. Yes, that’s it – being in a space that was out of the ordinary, and this feeling in adulthood allows me to free my imagination. I have an indescribable love when I am in nature. I observe it, and it’s a pleasant sensation to be one with it. In my eyes, it’s with joy that I create it in photography or even in storytelling. It’s alive.” 

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

About Jennifer Orhélys

Jennifer Orhélys has been sailing since childhood in a broth of culture, languages and art. She has always drawn to writing, poetry, music and fashion; and lucky to be in contact with the beauty and surrounding wilderness. Strong visual experience, which will feed her years later in her artistic expression: Photography. 

Jennifer also seems to have found a delicate way of exposing her relationship to nature in grandiose landscapes. By the emotion that carries her, Jennifer creates an imaginary world, coloured and with the subtle messages, of solitary heroines. Because she grew up in a picturesque environment with mountains, trees and fields; The result is a force common to all her images, even if at times they may seem to overlap between peace and wild melancholy. 

In parallel, she reinforces her experience by training on animal behaviour and the degree of their well-being at the University of Edinburgh, UK, (2016) and in botany with French universities (Agrocampus Ouest, Angers/National Museum of History Paris, 2018.) In 2019, Jennifer will study medicine and botany in a renowned school of herbalists. [Official Website]

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

My Flesh's Nature | Jennifer Orhélys
My Flesh’s Nature | Jennifer Orhélys

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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