Unfiltered Autobiography: Nan Goldin’s Radical Legacy

Nan Goldin never staged a version of herself. Her photographs were not declarations, but confessions, raw, bruised, trembling. She used the camera not to construct identity but to survive it. In a world obsessed with curating imperfections for aesthetic effect, Goldin exposed the cost of real intimacy.

Art Without an Audience: Lessons from Vivian Maier’s Legacy

Vivian Maier spent her life creating in silence, walking the streets with a camera but no desire for recognition. In an age that equates visibility with value, her refusal to share feels almost radical. What if she was right? What if the true act of creative freedom is not to be seen, not to perform, but to observe quietly and trust the work to speak for itself, eventually, or maybe never?

What Henri Cartier-Bresson Would Not Shoot Today

Henri Cartier-Bresson taught us to wait for the decisive moment, but in today’s image deluge that quiet fraction of a second risks drowning in algorithms and selfie rituals. This piece argues that the French master would decline to photograph the polished influencer latte, the staged disaster clip, the AI-fabricated sunset and the disposable story that vanishes after a day.

The Aesthetics of Error: How Glitches Are Redefining Contemporary Photography

The aesthetics of error embrace glitches, blurs, and corrupted files not as flaws but as visual metaphors for a world that no longer believes in polished truths. In celebrating unpredictability, contemporary photography reminds us that beauty still lives where the algorithm breaks.

Unknown Curiosities of Nicéphore Niépce’s View from the Window at Le Gras

The world’s first photograph was almost erased by its own inventor. Niépce didn’t call it art, didn’t know he’d made history, and yet his faded rooftop scene quietly marked the beginning of how we capture and remember the world.

Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
WE WANT YOU TO SHOW US YOUR PHOTOGRAPHS SO WE CAN SHOW IT TO THE WORLD
AN AMAZING PROMOTIONAL TOOL DESIGNED TO EXPOSE YOUR WORK WORLDWIDE
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