Icebreaker: nocturnal photography revealing glacier fragility

Icebreaker is Liam Man’s night photography series documenting glaciers and abandoned ski resorts, in support of the International Year of Glaciers 2025 and the urgent fight against climate change.

American Cars in Cuba by Jeffrey Milstein: History, Ingenuity, and Vintage Heritage

Upon arriving in Cuba, you’re greeted by iconic classic American cars that seem to freeze time. Due to the U.S. embargo, Cubans have kept these vehicles running “one piece at a time,” creatively mixing parts from different years and models. This mechanical legacy has become a national treasure: from meticulously restored taxis for tourists to working cars with a unique patina that tells decades of makeshift repairs.

Memory Pods: Botanical Portraits of Aging, Memory, and Loss

Douglas Stockdale’s Memory Pods reflects on aging, memory, and Alzheimer’s through semi-abstract photographs of Aloe Vera flowers and seed pods. The images mirror life’s progression from vibrant youth to the fading of memory offering a poetic meditation on the emotional and physical impact of dementia.

Elusive: Emilie Möri’s Photographic Exploration of Illusion, Escape, and Minimalist Grace

Elusive is a photographic project by Emilie Möri that invites viewers to immerse themselves in a world of illusion and escape, where imagination is the only limit. Through digital collages, minimalist compositions, and natural light, Möri creates images that evoke silence, mystery, and a delicate balance between reality and dream

The Presence of Absence: Shadow Photography in a Post-COVID World By Dominic Dähncke

What a strange being! I think he comes from Plato's cave. Does he pay rent there, or does he live for free? He always wears black. Is he in permanent mourning? Who died? I'm not interested. I'm alive, and very happy to be  even if it means I pay rent. I have another doubt: does my ego pay rent to live in me? I've never seen a penny from him.

From Analog to Emotion: Stefania Piccioni’s Polaroid Artworks

For me, Polaroids are not just photographic objects: they are “effects” of personal memory. They have reopened a window to childhood, not so much out of nostalgia, but because of that sense of urgency and immediacy that only certain images possess.

The intervened photography of Susana Blasco

I met Susana ten years ago, when she had just arrived in Bilbao from her native Zaragoza. Those were the days of her Antiheroes, which despite her wishes still "haunt" her. Since then, many things have happened, and Susana has specialized in the collage of photographic images, merging her profession as a graphic designer with her love for old photographs and their intervention.

How Marcus DeSieno Captures Loss and Survival in “Geography of Disappearance”

The United Nations has declared the border between the United States and Mexico to be the deadliest land crossing in the world and a humanitarian crisis. Thousands of men, women, and children have died crossing.

Inside (An)Organic: Boris Benko’s Conceptual Take on Human Isolation

In a world obsessed with movement, progress, and hyper-connectivity, (An)Organic presents a visual meditation on stillnesswhether embraced or inevitable. This ongoing fine art photography series explores the alienation of ordinary individuals through artificial figuressynth etic forms of silicone, porcelain, and other materials while subtle surreal elements shape a hypnotic yet unsettling atmosphere.

Michele Zousmer’s The Feminization of Aging: A Call for Empathy and Action

The Feminization of Aging refers to the phenomenon in which women make up a disproportionately large share of the elderly population worldwide. This is due to women’s longer life expectancy compared to men, as well as socio-economic, cultural, and health disparities that affect aging differently.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
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