Magazine

Our printed editions, circulating throughout various galleries, festivals and agencies are dipped in creativity.

The spirit of DODHO’s printed edition is first and foremost an opportunity to connect with a photographic audience that values the beauty of print and those photographers exhibited within the pages of this magazine.

We invite professional and amateur photographers from all around the world to share their work in our printed edition.

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Issue #34

Printed on premium 80# matte paper at a perfect size of 22x28cm, our 96-page Dodho Magazine offers an extraordinary tactile experience, immersing you in the world of contemporary photography.

In today’s digital realm, Dodho Magazine has swiftly risen as a leading influencer in contemporary photography. Our mission is clear: unearth and showcase remarkable creations of captivating photographers spanning the globe. This unwavering mission is driven by a passionate commitment to the multifaceted artistry of photography. We invite you to immerse yourself in the vibrant realm of creativity through our complimentary digital edition. Every page acts as a gateway to the core of global contemporary photography. The latest edition proudly displays exceptional endeavors of gifted photographers worldwide. Download your digital copy and join us on this exhilarating visual voyage. If the tangible resonates more, opt for the print version, holding a piece of artistry in your hands.

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PUBLISHED PHOTOGRAPHERS

Shopie Cool | Cover | Sophie Cool was born in Paris in 1972. A midwife by profession, she also holds a diploma in Audiovisual Production and Image Techniques. In 2011, she published I Killed My Brother in My Mother’s Womb, a play that explores the possibility of existing in opposition to a binary society. Today, she works as a photographer, focusing primarily on portraiture. Her work examines the human body and the boundaries that can—and perhaps should—be transgressed. Her artistic approach involves reshaping the limits of the body and rendering them permeable to new possibilities. The photograph Les Pâtes is part of a series entitled Everyday Objects or Resisting Guilt. In this project, she plays with and subverts the societal expectations imposed on women and families—expectations to conform, to fit into molds, to shelve their freedom and vital energy.

Trevor Cole | Pastoral peoples and practices | Trevor Cole is an international travel photographer and photo tour leader based in Donegal, Ireland. Born in Derry, he spent much of his career teaching geography in international schools in Singapore, Togo, Italy, Ethiopia, and Brazil—a path that strengthened his connection between geography and photography. His work focuses on culture and landscapes, seeking to transform the ordinary into the extraordinary while underscoring the importance of building a more sustainable world. He leads small-group photo tours in Ireland as well as in Scotland, Iceland, Ethiopia, Namibia, Chad, South Sudan, Eritrea, and India, combining cultural immersion with expert photographic guidance. His images have been published in National Geographic, Lens Magazine, Forbes, The Times, Africa Geographic, and other international outlets.

Ralf Dreier | By the sea | Ralf Dreier began his photographic journey in the 1970s, initially using his father’s camera. What started as a playful approach later grew into a personal passion when he discovered photography as a serious form of artistic expression in the late 1990s. He was drawn early on to black-and-white photography, working with analogue 35mm and medium-format systems and developing and enlarging his films independently in the darkroom. A turning point came at the end of 2006, when he transitioned to digital technology. He remained committed to black-and-white photography, but the possibilities offered by digital methods allowed him to explore new ways of creating images. In recent years, his focus has increasingly shifted toward minimalist black-and-white photography, with a clear emphasis on architecture and landscapes. His work is characterized by a reduced visual language, strong structures, and carefully defined, sharply contoured lines.

Josef Büergi | Xinjiang – The wild west of China | Josef Büergi born in 1965 in Stans, Switzerland, Josef Buergi began working with photography around 2000. He studied engineering at the Bale Institute of Technology and now works full-time as a project and team leader for the local government. A self-taught photographer, he developed his knowledge independently while also studying the work of the masters. Music photography, along with travel, has become one of his greatest passions. His photography focuses on music, culture, landscapes, and wildlife—images that reflect a spatial and temporal journey through life. He seeks quiet moments and light in whatever context he finds himself. An eclectic photographer, he enjoys diversity in his imagery; his work ranges from travel and landscapes to portraits. He believes photography can capture those inimitable moments and inspire us to make positive change in the world. Through his travels, he has cultivated and refined his photographic style.

Rodrigo Lodi | A very unportrait question | Rodrigo Lodi is not a photographer. He is a poet who writes what he sees and feels, turning perception into words that reveal images no camera could ever capture. His language flows through the eyes, a poetry that comes from the outside in. He walks, because walking is his poetry. He carries a blue thirst, searching for the unforeseen in someone’s eyes. Between poetry and photography, he remains simply himself—blue, blue, blue, whispered as slowly as a gesture. Born in the mountains of Minas Gerais, Brazil, Lodi began writing in his 30s and took his first photographs in his 40s. These late beginnings marked the moment he truly started noticing his place in the world and the urgency to translate emotion into form, whether through verse or image. His work inhabits the threshold between silence and expression, between what can be said and what can only be shown.

János Kenesei | Trajectories | János Kenesei was born in Hungary in 1969 and holds a degree in technical physics. He first explored drawing and graphic arts, and later, as a university student, began experimenting with photography using a medium-format analog camera, guided by his own ideas. Throughout his family and professional commitments, he spent considerable time abroad, from San Francisco to Kuwait City. During this period, he produced only digital images, which remained stored away until he could devote himself more fully to creation, a turning point that came in 2024. Since then, he has been able to pursue photography with greater depth and intensity. He has participated in several group exhibitions, with his work regularly selected for the Esztergom Photo Biennial in Hungary.

Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact [email protected]
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at [email protected]
Thank You. We will contact you as soon as possible.
WE WANT YOU TO SHOW US YOUR PHOTOGRAPHS SO WE CAN SHOW IT TO THE WORLD
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