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Perspectives: Cologne is an ongoing series based on a change of perspective. The objects depicted are close-ups of utilitarian objects and art in public spaces. By changing the direction of view, the objects are no longer recognizable in their actual form and an alienation effect sets in, which is used to model the image.
I see the connection between humans and animals is one of the most fundamental, but sometimes invisible, bonds that human beings experience. Animals and Children captivates me. Children seem to have a magical affinity with animals and I see parallels in their worlds.
The captivating beauty of Mongolia transcends its vast landscapes; it resides in the people who carry forth age-old traditions, proudly preserving their heritage. Through the lens of black and white portraiture, the essence of Western and Southern Mongolia's inhabitants comes to life, showcasing the diversity and cultural richness of this mesmerizing land.
The project "Echoes of the Ocean: The Vezos of Madagascar" aims to delve into the heart of the Vezos' life, a nomadic coastal people of Madagascar, to reveal their deep connection with the aquatic element. The goal of this photographic series is to capture the exceptional symbiosis between the Vezos and the ocean, while highlighting their culture, traditions, and way of life.
In an age dominated by technology and automation, where AI, self-driving cars, and robotic systems have become commonplace, (Hand)Made Hamilton poses a thought-provoking question: Can machines truly replace the artistry and skill of human hands?
This is a documentary project dedicated to the stories of 15 Ukrainian women who were forced to leave their homes due to the full-scale war in Ukraine. The found protection and support in the United States. These are women´s voices narrating their stories intertwined with pain and loss.
He is a Flâneur. Flânerie, simply put, is an art of strolling and looking. In her 1977 collection of essays, On Photography, Susan Sontag describes how, since the development of hand-held cameras in the early 20th century, the camera has become the tool of the flâneur.
In this series, Gavin Libotte delves into our existence in and around water on a more spiritual plane. He acknowledges that our human lives form part of something larger. He visualizes individuals as unique drops of water belonging to the life's ocean.
Outer Dark project was selected and published in our print edition 25. This project is an intimate journey, a journey that requires a certain courage because looking inside is never easy. The search for a balance between light and dark, between tension and peace in a silence that is noise deafening.
I like to explore the human condition and our relationship to the world around us. The world is multidimensional and we exist not just in a physical space. My images explore our relationship with the physical and spiritual layers of the world. The fragile human essence is at play with the many layers of existence.
We live in an information-rich time-poor culture. Takigawa sees a society that is becoming more disconnected from nature—from natural rhythms, cycles, and seasons. Fascinated with the concept of time, he seeks to understand the feeling that time is “speeding up.”
The COVID-19 pandemic brought to light the deplorable living conditions of seniors in many countries around the globe. The weakening of family ties, the deterioration of social connections and the precariousness of front-line workers have given rise to a model of geriatric care based on marginalization, a model which has revealed its flaws and forces us to rethink old age.
It was a Wednesday at the beginning of March when it happened. The day was a cloudless one and the sky was an unreal, harsh blue. There was a light dusting of snow on the ground which reflected the sun brilliantly. I remember blinking. And then I remember us terminating our baby.
At the onset of the Pandemic, I lost my mother; I had just flown back from being with her and I would not be able to return to pay my last respects. Simultaneously, my eldest son was preparing to leave for college, and the comfort of our daily routines, established for years were about to end abruptly.
My long-term photographic project is included in what we call Street Photography, so popular and with so many followers in the world that it is internationally known by this english language term. Street photography was born with the appearance of manageable cameras that allowed photography spontaneous in public places.
What does the issue of flight and equal rights have to do with a tomato crate? How do you reconcile drops of water with exclusion? Can the ease of children playing on the beach be a call for the future? Can not every moment influence or change our lives.
Words are not inherently suitable to embrace any even blurred concept of time, and beside all speech being made nowadays around the sense of family, its true nature belongs to the undetectable trace we leave through centuries, and to our relationship with time itself.
Growing up I always had an affinity with the night. It was when I did my most productive work, alone in my bedroom free from noise and distractions. I would find comfort in the subdued light and quiet stillness, losing a sense of time and being absorbed in the moment of creating art.
I first met Lexi at the beginning of her medical gender affirmation journey in December 2020. At 58 years old, she had identified and lived as a woman for decades behind closed doors. She was born and raised in Ecuador where the LGBTQ community faces intense discrimination which often ends in violence.
Mitsuharu Maeda creates works based on the concept of journey. It's a more evocative landscape, with snow as a motif. This is because I believe that the severe yet beautiful snowy scenery, which has lost its color to the extreme due to monochrome,
I understand landscape photography as an exploration of an unknown space beyond my intimate and civilized experience. On the border of the city, modernity, technology and progress.
In the heat of the blazing sun, skin glistening with olive oil, wearing only the traditional kispet (thick leather pants), men of all ages, pair off to wrestle in the oldest sport in recorded history after the Olympic Games.
Underwater project was selected and published in our print edition 22. I see the water as a metaphor for a dream medium and I try to meet my subjects on that boundary and hope that we are able to take the viewer from tranquil peace to a burst of creation and back again.
Remembrance addresses how an artist has a biased eye. The eye that created these images as a project was the heart’s eye, and by its naiveté, it unwillingly structured an underlining theme of death and the vulnerability of life. Why do I create these images, who gets affected, where should I present this work, and what is the overall outcome that I want as an artist?
Portraits from the wilderness was selected and published in our print edition 21. My photography has been inspired by nature, wild animals and my love of the outdoors. More recently, I am driven to help protect our wildlife and wild places.
Photography has always been Peter Eleveld's passion. Some time ago, Peter couldn’t feel the excitement and creativity anymore and decided to leave the corporate world behind. He was always attracted to old camera’s and historic photographic processes and started working with the Wet Plate collodion process
During my recent trip to South Asia, I was fortunate to shoot more than 15K photographs. Of them, many cover peoples, mostly working women. What amazes me is that more women are working, besides men, to support their families than before and in varieties of sectors, not only in garments but rather everywhere.
The invisible man was selected and published in our print edition 22. Unexpressed emotions, hidden from the eye of the crowd, waiting to be found, like a gold nugget in the mud, sitting, unattended but pulsing, pumping every second until someone could sense that vibe.
Secret garden was selected and published in our print edition 21. Spring, many nesting pairs of Great Egrets gather at Kraft Azalea Garden in Central Florida, the United States to begin their nesting rituals. I was inspired to share with the world the beauty of the Great Egrets.
In 1835, a rebellion broke loose in the lower Amazon Rainforest. Self-liberated Afro-Brazilian slaves took refuge in the remote jungle, where they established new communities called Quilombos! Today they strive to maintain the possession of their lands, and the vibrance of their cultures.
Created from analogue landscape prints and some new and older self-portrait prints, I began creating this series of diptychs "Torn" shortly after the start of the Ukrainian war. These images are a representation of my own emotional reactions to the unfolding events because of family connections and family history that is tied to Ukraine
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
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To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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How can we help? Do you have an idea or something you'd like to share? Please use the form provided, or contact us at contact@dodho.com
Thank You. We will contact you as soon as possible.