The sound of silence by Eduardo Asenjo

The differences can’t be considered limitations, although in our culture these concepts are commonly used as synonyms, limitations are no more than the opportunity to find other routs for the same end, and there is where I find my inspiration: "The sound of silence "
The sound of silence

Eduardo Asenjo Matus, Valdivia Chile. Fujifilm-X Chile Ambassador, former student of Architecture and Graphic Design.

The differences can’t be considered limitations, although in our culture these concepts are commonly used as synonyms, limitations are no more than the opportunity to find other routs for the same end, and there is where I find my inspiration: “The sound of silence “, is and will be, my most beloved project, because it loads with what I perceive how the reality photographed, the nuances of monochromatism, the perfect imperfections of the fringes that blur reality and above all, the temporal contexts of each portrayed image, are the mirrored mirror of a symbolic interpretation of that moment.

The differences that constitute people, create the scene for one of the most relevant aspects of life, the ability to see things from different points of view and as result be able to enter a world of decisions, that in part, we consider the most appropriate at the time. With this technique I reflect my hearing problem in the images, representing the noise of the city with movement and blur. [Official Website]

The sound of silence

The sound of silence

The sound of silence
The sound of silence

The sound of silence
The sound of silence

The sound of silence
The sound of silence

The sound of silence
The sound of silence

The sound of silence

The sound of silence

The sound of silence

The sound of silence

The sound of silence

The sound of silence

The sound of silence

The sound of silence

The sound of silence

The sound of silence
The sound of silence

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
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To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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