Beautiful moments; The R1000 Photo Project by Andrei Baciu

There are moments in the fierce – and so much the more beautiful – battle with the self (Gosh, what an outdated and pathetic phrase, isn’t it? Yet, using any other one would mean self-betrayal) when you feel that the road ahead is leading inevitably to a dead end.

There are moments in the fierce – and so much the more beautiful – battle with the self (Gosh, what an outdated and pathetic phrase, isn’t it? Yet, using any other one would mean self-betrayal) when you feel that the road ahead is leading inevitably to a dead end.

That’s exactly what I had started to think when, because of the perfidious reality of the petty constraints, I was feeling profoundly insatisfied with the fact that I wasn’t able to visit the more or less exotic places where (there and only there), as  I had noticed, photographers took/made photos. The Photos, more precisely. But dead ends don’t necessarily represent the termination of all paths. It is this way that, due to the limited time and, implicitely, space, that I could dedicate to this consuming passion, I was forced to manage with no more than what I already had. So, I started taking pictures – whenever it was possible and felt like it – on the streets and by-paths of the village I live in, on the nearby fields or even in my own house.

This way, compelled by the circumstances, I realized that what initially had appeared as an injust limitation was in fact a clear stroke of luck. The luck of remembering that the name the Ancient Greeks gave to the whole universe, which, yes, my paltry perimeter of photographic pursuits belonged to itself, was “cosmos”, that means “beautiful”. That this one was, therefore, everywhere, waiting for the efforts of the undersigned, wannabe artist, to be discovered.

These are the origins of the “R1000” Photo Project. Its name indicates the 1000-meter radius of the circle on whose surface the pictures were taken. The centre of the respective geometrical place is the computer on which I visualize my photos. The data beneath the images obviously represent no more than approximations. Whilst the author wanted them to be as real as possible, they should be seen as a pretext rather than a goal itself. [Official website]
 Andrei Baciu

 Andrei Baciu

 Andrei Baciu  Andrei Baciu  Andrei Baciu  Andrei Baciu IMG_7914final IMG_7774final IMG_7733final IMG_7337final IMG_7336finalv2 IMG_6641b IMG_6579final IMG_5993finalfinal IMG_5610final IMG_5302final IMG_5077b IMG_4979final-6+1 IMG_3814final IMG_3342b-3000px IMG_3319bbbb-final IMG_3129bbb-final  Andrei Baciu IMG_2416-fin IMG_0407final IMG_0133final

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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