CityEuropeNYC Photography by Jan Stojkovic

My project NYC is a series of photographs of everyday street life in one of the most iconic cities in the world. I use photography to tell stories about ordinary people in their everyday environment.

I am a professional photographer from a town of Pula on the Adriatic coast of Croatia – a small European country. Surrounded by beautiful landscapes.

In 2014, I felt strong attraction to photography, but with my poor income at the time it took another full year to save enough money for my first camera. For years, photography remained my passion and hobby, but through hard work and dedication, it slowly became my profession.

Spending hundreds of hours researching light physics and experimenting with various equipment and techniques resulted in my first serious clients in 2009. I am now the owner of a boutique photography company which has afforded me the opportunity to travel the world and to… do some more photography! My year is divided into two parts: from January through September, I focus on commercial photography in Croatia. From September through December, I travel to new and familiar places globally, and document my journeys through photography along the way. Compilations of photos from my annual trips, including mountain climbing expeditions, are featured on my travel photography website www.janplexy.com while the commercial work is published on the www.janstojkovic.com. During the three months that I dedicate to traveling, I aim to visit at least two continents. I enjoy exploring new places, meeting new people, and being exposed to new cultures. Photography is the best way to experience this because it pushes me to explore more to go further and to capture those short moments.

My project NYC from 2015 is a series of photographs of everyday street life in one of the most iconic cities in the world. I use photography to tell stories about ordinary people in their everyday environment, people that despite being unknown and unfamiliar to a viewer, are shown in a very familiar way so that the viewer can easily relate to them even if they are from completely different culture. That is why I almost exclusively used 50mm lens on a full frame body. This combination creates an angle of view which nearly replicates the view of a human eye. The compositions are usually snapshot-like to achieve the feel of a quick bare-eye view on a subject, scene or a very short moment.

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

NYC Photography | Jan Stojkovic

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
Interview with Alessandro Celante; Published in our printed edition #16

AmericaDnaInterview with Alessandro Celante; Published in our printed edition #16

My projects have always been about human perception of and relationship to society, more precisely about the distance between subject and phenomenon based on new technologies, and that's why I develop them based on sensory experiences. 
Interview with Roger Ballen, One of the most influential photographic artists of the 21st century

DnaInterview with Roger Ballen, One of the most influential photographic artists of the 21st century

Roger Ballen was born in New York in 1950 but for over 30 years he has lived and worked in South Africa. His work as a geologist took him out into the countryside and led him to take up his camera and explore the hidden world of small South African towns.
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
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The life of a Laundry Worker by Sagar Chatterjee

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The life of a Laundry Worker is hard work. Expect long hours in hot rooms filled with steam, and lots of time on your feet. You also often have to wear protective gear, like rubber gloves or paper masks, in order to keep yourself safe from diseases.
Change by Momir Čavić

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The photographs I made for this series were neglected nearly three years, before I’ve chosen some to be shown to the public. This time distance is likely not just a duration between two dates, but rather distance between two personas.
Interview with Sara Bianchi; Published in our print edition #06

DnaEuropeInterview with Sara Bianchi; Published in our print edition #06

The printed version of Dodho Magazine it’s absolutely amazing! I love to see well printed images and Dodho is a very good way to develop the photographic culture.
I had left my home early in the morning by Lilit Matevosyan

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For several years my study has been the history of my family: from generations that lived in the XIX century to our time. By making this project, I began to realize how a small story of one family, could be the history of millions of others.
Upcycling Construction in Vietnam by Hermes Aviateur

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These pictures are an excpert of few days project I did a couple of weeks ago in Mui Ne a small coastal town in Vietnam known for its amazing dunes and surf spots.
New York; Stranger Than Fiction by Sam Golanski

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New York is vibrant, crowdy and the most of all unpredictable. I spent six weeks last year on the streets of NYC trying to define life and people of this great place.
Reborn – A performing art by Toru Takagi

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There are several spaces formed by concrete walls and staircases, which is characteristic of Ando architecture, in the park beside the art museum, which was designed after the Great Hanshin Awaji earthquake by Tadao Ando.
Patagonia by Nias Zavatta

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FEATURED STORIES
Self-portraiture; Made in the shade by Chloe Meynier

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Made in the shade by Chloe Meynier´s project was selected and published in our print edition 18. Through a mise-en-scene self-portraiture series, Made in the Shade depicts characters in Mid Century Modern settings, mirroring an era that was aspiring for change.
Wildlife photography; Land of Giants by Will Burrard-Lucas

B&WBioEuropeFeaturedWildlife photography; Land of Giants by Will Burrard-Lucas

These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

AmericaB&WConceptFeaturedUnder the sign of the rat; Roger the Rat by Roger Ballen

Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

B&WBioEuropeFeaturedIntimate portraits of animals; Behind Glass by Anne Berry

Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

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Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

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Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

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It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

EuropeFeaturedStoryGuatemala; Until the corn Grows Back by Lys Arango

Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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