No Memory is Ever Alone is a visual conversation between my dad and I. He used to bring out a box of slides that he photographed in his late teens and early 20s every Christmas and made us view them on an old projector on our living room wall telling the same stories every year. It was a consistent memory from a childhood where we moved a lot and I never felt like I had a steady “place” to live and create memories.
I realized that by placing the slides in my current landscape, I created not only a connection between his life and mine, but a trail of memories, each that had its own association for both of us. A lot of these slides are of my mom, they were together almost 60 years. She passed away recently and I feel like her spirit, and all the spirits of the past, are around us. These little vignettes of family life in my current “space” comforts me that she and others are still near, watching over me. They create a “home” for me wherever I go.
I did not want to Photoshop that connection. Part of the process that was necessary for me was to find the right location and feel my dad’s slides united with how I live today – a place within a place, a memory within a memory.
About Catherine Panebianco
Catherine Panebianco was born in British Columbia, Canada and currently lives in Jamestown, NY. Her photography has been exhibited both in the U.S. and internationally. Her series, No Memory is Ever Alone, was named a Top 50 Finalist in Photolucida’s Critical Mass, won 1st place in the International Photography Awards for fine art, was a finalist for the National Photography Awards for the Texas Photographic Society and a San Francisco Bay International Photography Competition Portfolio Award. Her photography has been shown at the Griffin Museum of Photography, Soho Photo Gallery, the Center for Fine Art Photography and the Erie Art Museum in addition to many other venues. Catherine’s work has also been in numerous publications and she teaches fine art photography workshops to adults and children in local schools.
Catherine will show her work as part of the 2019 Critical Mass Top 50 at the Center for Photographic Arts in Carmel, CA from June 27-August 2. Her series, Benny Was A Good Boy, will be featured in Black & White Magazine’s April 2020 issue. [Official Website]
Legal Note: The photographer attest that have full authorization to give consent to the publication of these photos or project and have the authorization and permissions of third parties. Guarantees that you have all the necessary communications of property and you have obtained all the necessary authorizations for any property, buildings, architecture, structures or sculptures appearing in your photographs.