AmericaBioStillness : Trees by Wendi Schneider

My work is rooted in the serenity I find in the sinuous elegance of organic forms. I’m transfixed and transformed in the art of capturing the stillness of the suspended movement of light and compelled to preserve the visual poetry of these fleeting moments of vanishing beauty in our vulnerable environment.

My work is rooted in the serenity I find in the sinuous elegance of organic forms. I’m transfixed and transformed in the art of capturing the stillness of the suspended movement of light and compelled to preserve the visual poetry of these fleeting moments of vanishing beauty in our vulnerable environment.

I photograph intuitively – what I feel, as much as what I see. Informed by a background in painting, art history and design, I layered oils on silver gelatin prints in the ’80s and ’90s to find balance between the real and the imagined. My images are now layered digitally with color and texture, often altered within the edition, honoring the inconsistency. Printed on translucent vellum or kozo, these ethereal impressions are illuminated with white gold, moon gold, silver or 24k gold on verso, creating a luminosity that varies as the viewer’s position and ambient light transition. My process infuses the artist’s hand and suffuses the treasured subjects with the implied spirituality and sanctity of the precious metals – insuring each print is a unique object of reverence. The ‘States of Grace’ series has evolved organically into series within series that can be curated by subject, feeling or treatment.

Stillness : Trees by Wendi Schneider

About Wendi Schneider

Wendi Schneider is a Denver-based visual artist illuminating impressions of grace in the natural world with photography and precious metals. Drawn to the serenity she finds in elegant organic forms, she preserves vanishing moments of beauty in our vulnerable environment. Born in Memphis, TN in 1955, Schneider holds an AA in Art History from Stephens College and a BA in Painting from Newcomb College at Tulane. She turned to photography in the early ‘80s to reference models for paintings. Mesmerized by the alchemy of the darkroom, yet missing the sensuousness of oils, she layered glazes on her prints to create a heightened reality.

After re-creating the 1901 Picayune’s Creole Cook Book for The Times-Picayune newspaper, Schneider moved to New York, where she photographed for book covers and Victoria Magazine, continuing to create her fine artwork. She moved to Denver in 1994, later sidelining her fine art practice while raising her son and working in photography, art direction, and design.Inspired to return to fine art photography in 2010, she soon began her ongoing series States of Grace, engaging digital to capture, layer and print her images, then applying thin sheets of golds or silver on verso to infuse the artist’s hand and suffuse the treasured subjects with the spirituality and sanctity of the precious metals, insuring each print is a unique object of reverence.

Schneider’s photographs are held in permanent collections at The New Orleans Museum of Art, The Memphis Brooks Museum, The Auburn University Library Collection, The Center for Creative Photography, The Robert Bruce Collection, and The Try-Me Collection, among others, and numerous private collections. Her work has been exhibited in solo shows at A Gallery For Fine Photography, Catherine Couturier Gallery, The Griffin Museum of Photography, Galeria Photographic, The Southeast Center For Photography, A Smith Gallery, and The Gallery at Mr. Pool, and extensively in group exhibits worldwide include AIPAD, Art Basel, Candela, Panopticon, and The Berlin and Barcelona Foto Biennales.

Schneider is represented by A Gallery For Fine Photography in New Orleans, Catherine Couturier Gallery in Houston, and Galeria PhotoGraphic in San Miguel de Allende, Mexico. She has juried exhibits for A Smith Gallery, Robert Anderson Gallery, Darkroom Gallery and is developing curatorial projects. Schneider sits on the executive board of the Colorado Photographic Arts Center. [Official Website]

Stillness : Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Stillness : Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

Trees by Wendi Schneider

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Wildlife photography; Land of Giants by Will Burrard-Lucas

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Intimate portraits of animals; Behind Glass by Anne Berry

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Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

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Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

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Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

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It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
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Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

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Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
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