ConceptEuropeMinimalistic Food Portraiture by Foodism360
I like to zoom in on the extraordinary of the ordinary. The ordinary are often overlooked, forgotten, neglected, undervalued or simply thrown away, yet to me the ordinary are all special and unique.
These images are all part of some new food portraiture series for my AW 17/18 and SS 18 collections. I like to zoom in on the extraordinary of the ordinary.
The ordinary are often overlooked, forgotten, neglected, undervalued or simply thrown away, yet to me the ordinary are all special and unique.I like to dissect (edible) botanicals to reveal hidden worlds. Botanicals fascinate me, especially their architectural shapes and structures. My interdisciplinary background in graphic design, architectural design, styling, gastronomy and herbalism allows me to capture botanicals in a new, contemporary way. By highlighting the extraordinary of the ordinary I aim to connect people to food and nature.
My visual signature can best be described as authentic/real, minimalistic, tactile, architectural, intimate, poetic and sensual. [Official Website]
A close-up photo of the heart of a Treviso radicchio. I pushed the inner leaves a bit aside to show its flowerlike shape. By zooming in on the heart of the vegetable, I try to lure the viewer inside.
This image is part of the series ‘Not just eye candy’, a food portraiture series of peppermint stick celery. This image is all about colour contrast and attracting the viewer’s eye to the hidden leaf.
This image is part of the series ‘Not just eye candy’, a food portraiture series of peppermint stick celery. The two stalks were styled like Japanese and Chinese calligraphy paintings. I wanted to show the celery’s elegance.
This image is part of the series ‘Not just eye candy’, a food portraiture series of peppermint stick celery. This image is a close-up of a sprout hidden within a mature stalk.
This image is part of the series ‘Not just eye candy’, a food portraiture series of peppermint stick celery. This image is a close-up of a celery stalk. I wanted to show the subtle pastel colour gradient within the stalk.
This image is part of the series ‘Rhubarb Rhapsody’, a food portraiture series of rhubarb. I cut a stalk in small pieces and placed them on top of each other to create a new stalk in the shape of a backbone. The cut pieces create a wonderful colour gradient.
A close-up photo of red cabbage leaves. The inner leaves of red cabbage are curly and quite firm, almost leathery. I wanted to trigger curiosity and temptation by capturing two overlapping leaves and revealing the entrance to a hidden world.
A close-up photo of a purple cauliflower floret on its head to show its amazing architecture. By zooming in on one single floret the viewer will experience a sense of intimacy and possibly feels tempted to enter the cauliflower structure, exploring a new world.
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Sight is a continuous stream of visual resources that allow us to understand and interact with the world, but memory is selective and interrupted. Coming from a Cinema background I tend to consider images for what they mean during a temporal dimension, and time makes them ephemeral.
Raymond Carver wrote, “What We Talk About When We Talk About Love”; Haruki Murakami wrote, “What I Talk About When I Talk About Running”; and in the few paragraphs below, I talk about what I talk about when I talk about photography.
I live in Italy and my project is a collection of photos from places that I frequent regularly. From the Vatican to small shops around my neighborhood here in Sicily, these are the places that I have come to regard as home and are very familiar to me.
Macro is a personal experimental short that explores the tiny moments which comprise our natural world. This meditative, loose-narrative weaves a thread through a lush micro-world
A New York based art photographer and model, Germaine Persinger discovered her passion for visual storytelling and still photography while completing her Masters degree in landscape architecture.
Seeking for lost values. Values of an Italian productive society downsized by the advent of outsurcing practices leading to the improvement of the tertiary sector, which replaces manufacturing most of the times.
The aim of the project was to capture a very sensual collaboration of the human’s body and extreme emotions that expresses both the physical and spiritual harmony.
Belgian photographer Alain Schroeder has been working in photography for more than three decades, first as a sports photographer for 15 years (shooting 500 magazine covers during his tenure), before turning to book assignments spanning travel, fine-art and architecture.
That is Carnival: a common spirit more than just a date. It’s a bizzare energy, a cathartic atmosphere, slipping through the streets, surrounding blocks, and revealing itself to those who are willing to be inspired.
The narrative seeks to examine the socio-political makeup of America through its political icons - the presidential figures that mark the most notable and controversial chapters in American history.
Nowadays decorating walls become a pivotal habit of our quotidian live. I am curious to know how exterior parts of the wall are becoming a scrapbook of human creations. How the wall is being used? Is it a border? A support? A shelter? or A reconfirmation of security from outside?
City Spaces and habitats change. Mass media reign. Fictional reality we face. Tensions grow, causing visual overload. Mental manipulation. 24/7. Noise.
My childhood I've spent at my grandmother's house in Romania, near Carpathian Mountains. Seeing human's strong bond with earth, observing nature, landscapes around influenced my understanding of earth beauty and mens connexion with it.
The Latin word for Intellect is Animus, Animus is defined as: character, intellect, memory, consciousness, often mind. An intrepid sleuth, Liam Lynch endures whatever extremes he must to capture the story he is bound to tell us in his photographs.
Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
The project River blindness focuses on a neglected tropical disease, which is the second most common cause of infectious blindness worldwide.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
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To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
