B&WBioEuropeLéman by Olivier Robert

This project started in 1995 on the shores of Lake Geneva (Léman) where I live. It depicts a personal approach about the esthetically pleasing value of the objects built or abandoned on the shores and the way they pertain to the landscapes.

This project started in 1995 on the shores of Lake Geneva (Léman) where I live.

It depicts a personal approach about the esthetically pleasing value of the objects built or abandoned on the shores and the way they pertain to the landscapes.

Over time, the traces left by humans above the water deeply affect the perception of the landscape one can have. Somehow, they are the witness of the past or of customs and bring a real added-value to the way we enjoy the waterscapes.To me, these objects are more constructive elements than disruptive ones. This ‘unwitting aesthetics’ contributes unintentionally to the beauty of waterscapes.

Living alongside this beautiful lake since 1995, I have regularly spent time to capture the most inspiring lights over these constructions.In 2015, the Lake Geneva Museum in Switzerland ordered me a retrospective exhibition about my 20-year photography of lakes, from Lake Geneva to Lake Biwa. It has also been published in a book on this occasion. [Official Website]

Léman | Olivier Robert
Léman | Olivier Robert

Léman | Olivier Robert
Léman | Olivier Robert

Léman | Olivier Robert
Léman | Olivier Robert

Robert_Leman_05 Robert_Leman_06 Robert_Leman_07 Robert_Leman_08 Robert_Leman_09 Robert_Leman_10 Robert_Leman_11 Robert_Leman_12 Robert_Leman_13 Robert_Leman_14 Robert_Leman_15 Robert_Leman_16 Robert_Leman_17 Robert_Leman_18 Robert_Leman_19

Léman | Olivier Robert
Léman | Olivier Robert

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PRINTED EDITION
Interview with Alessandro Celante; Published in our printed edition #16

AmericaDnaInterview with Alessandro Celante; Published in our printed edition #16

My projects have always been about human perception of and relationship to society, more precisely about the distance between subject and phenomenon based on new technologies, and that's why I develop them based on sensory experiences. 
Interview with Roger Ballen, One of the most influential photographic artists of the 21st century

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Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

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Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
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Light Landscape by Francesco Candeloro

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HDR images; Vacancy by Ralph Gräf

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Ralph Gräf's project "Vacancy" (”Zimmer frei“ in German) discloses empty rooms of abandoned houses and military bases waiting to be suffused with new life.
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The solar script phenomenon by Žilvinas Kropas

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The very title of the photographic cycle – Illumination of solar scripts – signifies the gesture of photography as dedication as well. On the one hand, it is possible to claim that in this way Žilvinas Kropas dedicates his work to the sun.
Out of Breath by Hakan Simsek

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The world is a living and dead matter. Each matter has its central point. The most important place, like the core of the earth. The essence of seeing and understanding the world. Pleasure and wisdom. The focal point is energy, invisible to the eye.
Monochrome Art Nudes; The Nude in Western Culture by Michael Bomberger

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Creating nude photographic images recalls a deep and lasting artistic tradition in Western culture. The nude has been a consistent and prominent subject in Western art for centuries
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Tenure by Kathryn Weinstein

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Tenure project was selected and published in our print edition 18. Tenure describes the act of holding or possessing, as well as the status granted after a probationary period that protects one from dismissal.
Self-portraiture; Made in the shade by Chloe Meynier

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Made in the shade project was selected and published in our print edition 18. Through a mise-en-scene self-portraiture series, Made in the Shade depicts characters in Mid Century Modern settings, mirroring an era that was aspiring for change.
Wildlife photography; Land of Giants by Will Burrard-Lucas

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These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

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Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

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Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

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Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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