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AmericaCityI Saw That by Andrew Kochanowski

I have long had an attachment to things obscured. The 30 photograph series “I Saw This” was shot in New York, Chicago, Hong Kong, Jerusalem, Houston, Kentucky, Montreal, Detroit, and Miami between 2008 and 2016. 

I have long had an attachment to things obscured. The 30 photograph series “I Saw This” was shot in New York, Chicago, Hong Kong, Jerusalem, Houston, Kentucky, Montreal, Detroit, and Miami between 2008 and 2016. 

Andrew Kochanowski is a street photographer based outside Detroit, USA. Since 2007 his work has appeared in both solo and group exhibits in Detroit, London, Paris, Warsaw, Berlin, New York, Brighton (U.K), Cardiff, Milan, San Francisco and elsewhere, at venues such as the London Street Photography Festival, Brighton Biannale, SF StreetFoto Festival,  Street Photo Milano, Miami Street Photography Festival, Paris Photo Month, and European Month of Photography in Berlin. He is a founding member of Burn My Eye, an international street photography collective featured in numerous shows and exhibits worldwide. He makes frequent appearances at street photography festivals, and his work and interviews have been published in numerous print and web publications including Leica Blog, Metropolitan Detroit, Dodho, Lensculture, Mutant Space, Eyeshot Magazine, Radiate, Huck Mag, and others. [Official Website]

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

I Saw That | Andrew Kochanowski
I Saw That | Andrew Kochanowski

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Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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