ConceptEuropeFaith by Francis Meslet

Face to FAITH Decades went by before I felt the need to enter a church again. Not that I have any bad memories of them, in fact my memories were pretty good and could be summed up in interminable laughter between friends during the Sunday mass under the red nose of the priest who had placed us there to keep an equally red eye on us.

Face to FAITH Decades went by before I felt the need to enter a church again. Not that I have any bad memories of them, in fact my memories were pretty good and could be summed up in interminable laughter between friends during the Sunday mass under the red nose of the priest who had placed us there to keep an equally red eye on us.

Once the service was over, we used to sneak off without a word to escape a second, rather less amusing sermon. I also have a memory of the 30 cts my mother used to give me for the collection which stayed in my pocket every Sunday to save up for the 3.50 Francs to buy a toy “Matchbox” car at the local tobacconists’ on the road to the house. It makes me sad but also gives me a wry smile that over the years I regularly measured my faith by admiring the little collection of cars I built up over the years. Enough to fill the entire drawer of a chest of drawers. Today it is with a free spirit and without any constraints that I enter by the door or window of an abandoned church to admire the light and take some pictures. I sometimes feel guilty but only when I think to myself that I probably was not the only child to keep the collection money to buy a toy given the state the church is in now. [Official Website]

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

Faith | Francis Meslet
Faith | Francis Meslet

 

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
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DnaEuropeInterview with Lys Arango; Published in our printed edition #16

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Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
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DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

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This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
TRENDING STORIES
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This project focuses on the other side of the tragedy: how does it traumatize the family. After Yang’s death, the whole family has suffered from the loss of loved ones but still have to stand up and face everything, they’re also victims.
Lift not the painted veil by Valerie Decleer

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The series ‘Lift not the painted veil’ is about the facade we pretend is true. The truth which remains hidden unless uncovered.  We should be seeking a more authentic life. 
Landscapes by Saskia Boelsums

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Saskia Boelsums is a Dutch photographer and her Netherlandish heritage clearly shines through her work. All of the photographs of landscapes or still life uncover the connection with the 17th century masters of the genre. The dark tones, baroque-like contrasts and clarity of the detail is stunning, as Boelsums’ photographs balance between the real and surreal.
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The life of a Laundry Worker is hard work. Expect long hours in hot rooms filled with steam, and lots of time on your feet. You also often have to wear protective gear, like rubber gloves or paper masks, in order to keep yourself safe from diseases.
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This series takes its name from the first image I shot. The female back is a much visited area in fine art photography.
FEATURED STORIES
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These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
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Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

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Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

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Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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