Don McCullin : Proximity

London (30 Jan – 24 Apr 2019) To coincide with the major retrospective at Tate Britain, Hamiltons will be celebrating Sir Don McCullin’s lifetime achievement and decades of collaboration with Hamiltons by exhibiting rare and unseen vintage prints dating back to the 1950s.

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To coincide with the major retrospective at Tate Britain (5th February – 6th May 2019), Hamiltons will be celebrating Sir Don McCullin’s lifetime achievement and decades of collaboration with Hamiltons by exhibiting rare and unseen vintage prints dating back to the 1950s.

Selected from the photographer’s personal archive, they were made shortly after the photographs were first taken on assignments around the world. Intimate and physically modest, the prints provide access to events witnessed and recorded by a photojournalist working on the frontline of multiple, international flashpoints from Vietnam to Cyprus. Largely produced for a photo editor or agency in a pre-digital age, these historic prints have been visibly put to work and bear the physical marks of their use. In these pictures McCullin shares the telling details of a human face or the gestures of a hand. As he earns his subjects’ trust, he communicates their crisis. To comprehend each remarkable scene, the viewer is pulled in tight as if we are standing beside McCullin in proximity to an anxious soldier, a pointed gun or a grieving wife.

McCullin was born in 1935 in London’s Finsbury Park. Leaving school at fifteen, McCullin signed up to National Service in the RAF as a photographic assistant. In 1958, McCullin took his first published photograph of The Guvnors, a London gang who had been involved in a murder, appearing in The Observer that same year. This professional success combined with his photographs documenting building of the Berlin Wall secured his contract with The Observer in 1961. At first working in London, he soon earned commissions that took him around the world, beginning with the Cyprus War in 1964. This marked the start of his career as a photographer of war and other human disasters.

Between 1966 and 1984, McCullin worked for The Sunday Times Magazine when the newspaper was at the cutting edge of investigative, critical journalism. It was the Rolls-Royce of journalism,” recalls McCullin (Le Monde). During this period, McCullin’s assignments included Biafra, the Belgian Congo, the Northern Irish ‘Troubles’, Bangladesh and the Lebanese civil war. His photographs of Vietnam and Cambodia have become among the most famous images of those conflicts.

Cyprus, Vintage gelatin silver print © Don McCullin

McCullin’s instinct for getting close to the heart of a conflict enables him to achieve these remarkably intimate images, as highlighted in this exhibition. His sympathies lie with the victims on both sides of the conflict. Perhaps his most reproduced photograph of The Vietnam War is his Shell-Shocked Marine, which is included in this exhibition. McCullin recalls dropping to his knees to take the picture, taking five consecutive shots. In each, the marine’s expression did not change; he did not blink once.

In addition to his war imagery, over the years McCullin has also produced iconic photographs of people and places in England, capturing his candid and uncompromising view of his homeland. McCullin’s England photographs reveal the social gulf where the separation of rich and poor is as distinct as ever. It is with the same honesty seen in his war photographs that McCullin portrays his view of the divisions in England’s society. This disillusionment is balanced with empathy and at times, wit and irony, where absurdity is as rife as misfortune. In contrast to the human tragedy he has witnessed and recorded, his landscapes reveal his deep and unwavering love for England, in particular around his rural home in the West of England. “When my time’s up on this Earth I want to leave a legacy behind of beautiful landscape pictures of Somerset.”

In more recent years, McCullin has continued to travel internationally, photographing new work in locations such as India, Syria and the African continent, where he documented the AIDS crisis. One of his most ambitious journeys has been to explore the ruins of the southern Roman Empire, a project that spanned over a number of years, and is documented in McCullin’s book Southern Frontiers: A Journey Across the Roman Empire (2010).

Hamiltons

30 Jan – 24 Apr 2019

13 Carlos Place
W1K 2EU London

www.hamiltonsgallery.com

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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