B&WBioEuropeTrees by João Galamba

I admire trees as they are one of the most marvelous beings in this world. Not that humans and other animals are not incredible too, but trees fascinate me for their silent suffering.

I admire trees as they are one of the most marvelous beings in this world. 

Not that humans and other animals are not incredible too, but trees fascinate me for their silent suffering.

No one has ever heard a tree complain, and I am sure they also suffer with the war we have declared to them. Just in Amazon Forest we cut 2000 trees every day, and we have reached a point where it is difficult to turn back. This project is my sincere tribute to the lonely tree that lives in the sea, with such a melancholic beauty, to the forest that oxygenates our life, to the trees that honorably die standing tall.

Trees | João Galamba
Trees | João Galamba

About João Galamba

What to say of myself? I was born in 2010, which is to say the time I started taking photos. I am interested in freezing in the collective memory people, habits, looks and circumstances: perpetuating the beautiful and denouncing the unequal. In 2013 I moved from Portugal to East-Timor, and here was reborn: to the simplicity of beautiful things, the razing light in lands of the rising sun. I was awarded in over 30 photo contests, portuguese and international, and biggest achievement was being the best portuguese photographer in Sony World Awards 2014. [Official Website]

Trees | João Galamba
Trees | João Galamba

Trees | João Galamba
Trees | João Galamba

Trees | João Galamba

Trees | João Galamba
Trees | João Galamba

Trees | João Galamba
Trees | João Galamba

Trees | João Galamba
Trees | João Galamba

Trees | João Galamba
Trees | João Galamba

Trees | João Galamba
Trees | João Galamba

Trees | João Galamba
Trees | João Galamba

Trees | João Galamba
Trees | João Galamba

Trees | João Galamba
Trees | João Galamba

 

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PHOTO: © JO LAUREN | UNITED KINGDOM | ISSUE 10
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PRINTED EDITION
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DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

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This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Wildlife photography; Land of Giants by Will Burrard-Lucas

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Fictional narrative photography; Birth Undisturbed by Natalie Lennard

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Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
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Greenland; Stories from the Sea by Camille Michel

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Greatest jockeys; Fortza Paris by Marco Cheli

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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
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