ConceptEuropePhoto shoot; This Pink Cat by Jelena Osmolovska

"This pink cat" series is about those moments in life when we put on a mask and but the cost of that mask is turn our souls inside out .In my life I am often faced with the duplicity of humanity.

I`m a skilled self-taught photographer from Latvia. I discovered the world of photography after the birth of my second child, four years ago. Photography is a reflection of my experiences, thoughts and situations that have changed me.

I work with natural light and pick the costumes and locations for my photo shoots by myself, whatever allows me to express myself and my emotions more effectively. I get a lot of ideas, but not all of them reach completion. All of the projects that are finished happen in a kind of synchronicity; when my feelings begin to overwhelm me and I direct those emotions into my photography.

“This pink cat” series is about those moments in life when we put on a mask and but the cost of that mask is turn our souls inside out .
In my life I am often faced with the duplicity of humanity. I see people pretending to achieve something very important, financially important, creating an image for themselves they thought would impress those around them. But their inner world, under the weight of that pretense, creates suffering and turned them inside out in ways they couldn’t anticipate. We often put on masks and, over time, forget take off them.

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I wanted to show this situation in photographs and to show how it looks from the other side. Photography felt like my only opportunity to convey this particular meaning without words. In this series the model is my sister . She is the one person who understands me with half a look, who knows about my life`s experiences. This closeness has helped us to accurately convey the ideas behind of “ This pink cat” photo shoot.

I hope this series gives people an opportunity to reflect on their priorities, to consider what is genuinely important in life. After all, it is only our souls at stake.

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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
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