The process of making a theatre show; Släpstick by Marina Marinkovic

“Släpstick” gives an insight into the process of making a theatre show. The photo series follows five seasoned performers who make up Släpstick, an internationally acclaimed musical theatre group who specialise in a blend of physical humour, musical virtuosity and anarchy, as they created a new show in the midst of the pandemic.

“Släpstick” gives an insight into the process of making a theatre show. The photo series follows five seasoned performers who make up Släpstick, an internationally acclaimed musical theatre group who specialise in a blend of physical humour, musical virtuosity and anarchy, as they created a new show in the midst of the pandemic.

The series is a tribute to creative makers and it is also a visual report of my personal quest for the source of creative flow.

In 2020 I started the two year photography training I had been dreaming of for years. I was well in my forties and being the eldest child of the family I had done my fair share of sensible things up until then. I loved photography school and regained the feeling of freedom that can be found in letting your imagination run wild. I went all out on assignments and dreamed up quite a few photography projects. And then corona hit. 

Due to corona measures all of a sudden most of my plans and ideas became unrealistic and I found my steady flow of new ideas reduced to a trickle. It made me wonder how other creative makers were handling this new reality. During the pandemic a lot has been said and written about the importance of art and creativity while at the same time museums, theatres and concert halls were  closed and deemed non-essential by most governments. Where did creative makers find strength and inspiration to start new projects in this era I wondered. What source did they tap into to keep going and to make new art without an audience to watch their efforts anytime soon.  

The five members of Släpstick, an internationally acclaimed musical theatre group, decided to invest the time freed up by cancelled performances into creating a new show. They had the guts to create and invest in their art during lock down and they allowed me into their man cave slash rehearsal space to document the process. And observing them I rediscovered things I did not remember losing. I rediscovered the courage to start. The knowledge that inspiration comes whilst working on something and seldom beforehand. The endurance needed to get to the core of an idea. The power of frustration. And the pure pleasure of practising, deleting, associating, trying and making.

About Marina Marinkovic

Photography is a way of storytelling for Marina Marinkovic. She spend her twenties and thirties working as a medical doctor before training as a photographer in her forties. Currently she pursues a career as a photographer and whilst continuing working part time in medicine.

As a medical professional Marina often witnessed moving and important stories but doctor-patient confidentiality limited her in speaking about them. As a photographer on the other hand,  there is an unspoken agreement allowing her to show the outside world what she observes and learns from the people she shoots. With this new found freedom in communicating Marina hopes to contribute to understanding and tolerance.

Marinas strength as a photographer lies in capturing personal stories. She is interested in evoking universal emotions by depicting extraordinary people in normal circumstances and normal people in extraordinary circumstances. She thoroughly enjoys making contact with the people she photographs and is allowed to come quite close to her subjects. Themes close to Marinas heart are care and performing arts and she is intrigued by individuality, vulnerability and inner strength.

More Stories

Conceptual photography; Dissection by Kaushik Dolui

Conceptual photography; Dissection by Kaushik Dolui

The physical presence of blood and flesh is felt in nature as well as material substances also. If the skin cover is eliminated from all living beings, what we see? Blood and flesh is visible in the innermost part of every living body.
The specter of life by Marcin Mirosławski

The specter of life by Marcin Mirosławski

It is a metaphorical and allegorical journey through my self, but at the same time it is a universal story through metaphors and symbols, everyone can try to find themselves in these photos.
Polaroid; Crisis of Experience by J. K. Lavin

Polaroid; Crisis of Experience by J. K. Lavin

This body of work originates from a series of Polaroid SX70 self-portraits made during a daily practice from 1979 to late 1987. Crisis of Experience is the result of an eight-year project exploring themes of self-reflection and female identity using the mechanics of seriality.

Call For Entries

We are looking for 6 fantastic photographers
who want to give an incredible impulse to their career.

We are going to put your photographs in front of the eyes of the directors
of the best galleries, festivals and agencies around the world.
Are you coming with us?

DEADLINE | TUESDAY, MAY 31, 2022

PHOTO BY © JULIA FULLERTON-BATTEN
Interview with Riccardo Magherini; published in our print edition #19

Interview with Riccardo Magherini; published in our print edition #19

Riccardo Magherini is a photographer and visual artist. By approaching his medium in innovative ways, Riccardo often challenges human perception, condition and context. 
From three to twelve by Tatiana Kireicheva

From three to twelve by Tatiana Kireicheva

This story is dedicated to my father: for 40 years he lived in two houses - in Russia and the USA. He migrated when he was very young, received US citizenship and was practically unable to return to Russia (due to legal, political and other circumstances).
November Light by Kip Harris

November Light by Kip Harris

The light in November is very different in Milan and Florence than it is in Rome. The warm amber glow of the eternal city does not penetrate that far north.

Featured Stories

60s NYC by Michael Seif

60s NYC by Michael Seif

In the 1960s I lived and worked in New York City, carried my camera everywhere, and photographed every chance I had - day and night, above ground and in the subways.The camera forced me to look, and to actually see.
Fábula y drama de la soledad by Alessandra Favetto

Fábula y drama de la soledad by Alessandra Favetto

Exploring the facets of solitude and loneliness in a self portrait project. This series was first exhibited in April 2016 in Sevilla, Spain, Weber-Lutgen Gallery.
The corsair project by Samuka Marinho

The corsair project by Samuka Marinho

This is a personal project developed by photographer Samuka Marinho as an original portfolio presentation. It is composed of over 400 images and has taken around a year and a half to be completed.
Magical macro world by Georgi Georgiev

Magical macro world by Georgi Georgiev

I love street and travel photography but my big passion is macro photography. I am spending all the time i have in nature, capturing the amazing macro world.
Fine art photographs; Big Appetites by Christopher Boffoli

Fine art photographs; Big Appetites by Christopher Boffoli

Big Appetites (2003-present) is a a series of fine art photographs that features tiny, meticulously hand-painted figures photographed against real food environments.
Wildlife portraits by Nick Dale

Wildlife portraits by Nick Dale

I wanted to be a photographer when I was 15, but my mother said I could always take it up later – so that was that for 30 years! I ended up reading English at Oxford and working as a strategy consultant for a few years
https://www.dodho.com/wp-content/uploads/2022/03/Mono-banner.jpg

We invite you to participate in the first edition of the Monochromatic Awards. We are eager to see photograhs with new focus points and innovative approaches

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

https://www.dodho.com/wp-content/uploads/2022/05/banner.jpg

The book where words and images meet to never leave each other, The book contains 20 evocative paintings; each of them is a double page. 56 printed pages | 235x165mm

https://www.dodho.com/wp-content/uploads/2022/03/call21.jpg

Call For Entries #21 | After 20 editions and more than 100 published photographers, our print edition has proven to be a simply effective promotional channel.

The Last Nomadic Hunter-Gatherers of the Himalayas by Jan Møller Hansen

The Last Nomadic Hunter-Gatherers of the Himalayas by Jan Møller Hansen

The nomadic Rautes are the last hunter-gatherers of the Himalayas. The Rautes, who call themselves Kings of Forests, subsist on langur and macaque monkeys, wild yams, rice and a few kinds of vegetables traded from local farmers.
Altitude by Hengki Koentjoro

Altitude by Hengki Koentjoro

It’s one of the utmost forms of joy in life: the delight of waking up in the youngest hour of the morning, racing with the break of dawn to ascend the height of the earth.
Marine Species by Wesley Dombrecht

Marine Species by Wesley Dombrecht

The idea for the series ‘Marine Species’ started with my fascination for the sea, water and everything that lives in it. In this series I want to give the viewer a different look at a variety off sea life, that has been portrayed in a very aesthetic way, minimalistic, where the focus is on the subject, with a playful link incorporated in it.
Sidewalk Theatre: Street photography from New York City by Mathias Wasik

Sidewalk Theatre: Street photography from New York City by Mathias Wasik

There are few cities that inspire the modern world as much as New York City does. It’s ever growing, ever rising – a kaleidoscope of American culture.
Urban sprawl, emptiness by Emmanuel Monzon

Urban sprawl, emptiness by Emmanuel Monzon

This project was selected and published in our print edition 19. Deserts of the American West and their poetic and chaotic processions of motorway interchanges, cities without centers, residential zones without inhabitants.
Mongolia; Kazakh Childhood by France Leclerc

Mongolia; Kazakh Childhood by France Leclerc

Kazakh Childhood; France Leclerc’s project was selected and published in our print edition 16. Though the daily activities may vary quite dramatically from one part of the world to the next, children can thrive if provided with a nurturing caregiver and a safe place to play and explore. 

Monochromatic Awards

We invite you to participate in the first edition
of the monochromatic awards. We are looking
for the best monochrome picture for this year, 2022.

The contest is open to any interpretation of monochromatic photography,
black and white, grayscale, sepia or any type of tone.

DEADLINE | THURSDAY, JUNE 30, 2022

PHOTO BY © SVETLIN YOSIFOV

Trending Stories

Coca Cola logos; House of Soda By Gem

Coca Cola logos; House of Soda By Gem

Coca Cola logos are very dominant in the Philippine landscape. I chose to photograph them because they’re very distinctive, and while I know other countries also have Coke ads, I don’t think they’re anywhere as pervasive as the Coke banners, streamers, metal signs, tarps, posters, logo placements beside store names as I see here in the Philippines.
Andalucía by Achilleas Chiras

Andalucía by Achilleas Chiras

These images were shot in Andalucía, that constitutes the biggest part of southern Spain. I narrate a story with color, leaded by the light and the shadows. A story of observation and search on the roads.
Cyanotypes by Ruediger Beckmann

Cyanotypes by Ruediger Beckmann

Ruediger Beckmann has been working as a photographer for 16 years now. He has come across sheer beauty, vanity, attraction, but also self-doubt, vulnerability, prejudice and resentment.
To The Northwest by Giacomo Infantino

To The Northwest by Giacomo Infantino

His research is based on the in-depth narrative of those places in my province, those peripheral sites to which he has devoted his attention and constant attendance.
10 Great fine art photographers

10 Great fine art photographers

The great fine art photography of Riccardo Magherini, Jeff Vyse, Stephanie Pfriender Stylander, Dragos Ionian, Aaron Sehmar, Alicia Moneva, Gianluca Micheletti, Polina Plotnikova, Antigone Kourakou and Margrieta Jeltema.
Imaginations ;  A Series of Whimsical Nostalgia by Nathan Wirth

Imaginations ; A Series of Whimsical Nostalgia by Nathan Wirth

Robots that serve and protect or destroy; monsters that emerge from the sea; aliens that arrive from faraway solar systems; superheroes that fight crime and unimaginable evils; wizards that orchestrate fellowships; heroes and villains that clash in galaxies far, far, far away
Nexus by Elizabeth Koning

Nexus by Elizabeth Koning

A Scene from an Unknown enlightenment and Luminous Land. Noticing the details, light, shapes, colors, textures, people, trees and flowers. Everything around me looked bright and different.
Sottosopra by Fabrizio Intonti

Sottosopra by Fabrizio Intonti

Fabrizio Intonti is a photographer and author. His photographic production, in addition to professional activity, extends to the visual arts, often relies on the contamination of techniques
Black Earth by Gerasimos Platanas

Black Earth by Gerasimos Platanas

Black Earth is a collection of photographs between 2016 and 2020, a time period during which the ancient Greek literature, mainly the lyric poetry and the theatrical tragedies, the works of Friedrich Nietzsche (The Birth of Tragedy), as well as the literary work of Hermann Broch (Death of Virgil) they influenced me in this series in terms of form and atmosphere.

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact hello@dodho.com
Thank You. We will contact you as soon as possible.