The Movers by Katinka Herbert

Most Cubans can’t move. They can’t leave Cuba. Their lives are limited to the shores of their sun-kissed island. While the Communist regime retains a certain level of popularity among older generations, younger Cubans dream of a way out.
The Movers | Katinka Herbert

Most Cubans can’t move. They can’t leave Cuba. Their lives are limited to the shores of their sun-kissed island.

While the Communist regime retains a certain level of popularity among older generations, younger Cubans dream of a way out. Each of them plans their own means of escape. If one thing defines their lives, it’s the question of mobility.

In this series, Katinka Herbert explores this subject through portraits of Cuba’s top athletes and performers. Each individual is celebrated for his or her ability to move: To swing a bat. To dance on stage. To duck and weave in the boxing ring. Whether their careers succeed or fail depends on their ability to control their own physical movement. If they succeed, they will be propelled onto a global stage. Their lives will suddenly be transformed by mobility of all kinds: geographic mobility, economic mobility, social mobility. But most of them won’t. Most of them will remain fixed to the spot. Their existence will be determined by a Communist regime that offers them no prospect of social, economic or geographic mobility. Their chances of mobility will end where the waves meet the beach.

The Movers | Katinka Herbert

This dilemma is captured in Herbert’s images. In each case, the subject is frozen; motionless on the page. Each static body resonates with tension and potential. For these individuals, their bodies are either a means of escape – a ticket to global mobility – or the very obstacle to that mobility. Gazing at these bodies, we are forced to imagine the movements of which they are capable. The lives they wish to leave behind, and the ones that they dream of.

While this series focuses on a small community of Cubans, it subtly addresses the wider question of global mobility. It points towards a condition that is currently experienced by non-white people/’people of colour’ across the planet. At this very moment, millions of migrants are performing feats of life-threatening athleticism to improve their material condition. This movement of black bodies poses a threat that has been answered by the presence of xenophobic politics on the world stage. It seems that boxing rings, athletics tracks and baseball fields are spaces in which the movement of black bodies is celebrated. But at the border crossings and beaches of the First World, it is not.

The immaculately-staged photographs in this series draw out a tension between stasis and movement. This series will draw a provocative relationship between sport, social mobility and migration in the 21st Century.  [Official Website]

[Text by Jeremy Hutchison]

The Movers | Katinka Herbert

The Movers | Katinka Herbert

The Movers | Katinka Herbert

The Movers | Katinka Herbert

The Movers | Katinka Herbert

The Movers | Katinka Herbert

The Movers | Katinka Herbert

The Movers | Katinka Herbert

The Movers | Katinka Herbert

The Movers | Katinka Herbert

More Stories

Vimercati Hats by Jeroen Nieuwhuis

Vimercati Hats by Jeroen Nieuwhuis

After World War II, the whole industry changed. The city of Monza has a rich history of producing this wearable art by hand, but unfortunately, they are the only ones left. The modernization that happened in the '50s led to a decrease in production and by the 70s most of the factories shut down.
Met-esthisis; The dream is over by Ari Bafalouka

Met-esthisis; The dream is over by Ari Bafalouka

Met-esthisis (Μεταίσθηση) in greek means aftersensation. An image (usually a negative image) that persists after stimulation has ceased / a mental image of something previously experienced / an afterimage of a taste / of an experience.
Dancers; Lifting Up by Jacqueline Zilberberg

Dancers; Lifting Up by Jacqueline Zilberberg

The photographs of dance improvisations, accompanied by the dancers’ own words, trace the resuscitation of the dancers and their practice when, in the absence of colleagues and audiences, they reinvented their relation to their bodies and to the discipline of dance.

Monochromatic Awards

We invite you to participate in the first edition
of the monochromatic awards. We are looking
for the best monochrome picture for this year, 2022.

The contest is open to any interpretation of monochromatic photography,
black and white, grayscale, sepia or any type of tone.

DEADLINE | THURSDAY, JUNE 30, 2022

PHOTO BY © SVETLIN YOSIFOV
Tithe Muse by Nicoletta Cerasomma

Tithe Muse by Nicoletta Cerasomma

Teresa Bandettini was one of the most talented eclectic woman of the XIX century. She was well known as the intellectual dancer due to her captivating and touching extemporization performances.
My Americana by Joseph Patronite

My Americana by Joseph Patronite

“My Americana” is a long-term photography essay. Its goal: to create a contemporary view of the people, places or happenings which depict The United States of America.
My mum by Viet Van Tran

My mum by Viet Van Tran

To me, my mum, 88 years old, is a mirror of her will to rise up in the life and overcome disease. I want to record some moments forever, not only in my mind and heart, but also in a tangible shape.

Featured Stories

Curiouser and Curiouser by Vicky Martin

Curiouser and Curiouser by Vicky Martin

Curiouser and Curiouser is a conceptual series of photographs influenced by the story Alice’s Adventures in Wonderland. I was inspired to create this series from personally identifying with the theme of not belonging that features prominently in Alice’s narrative.
The Orthogenesis of Soul by Sandipan Mukherjee

The Orthogenesis of Soul by Sandipan Mukherjee

We are all aware about the theory of biologically evaluation for Jean Baptist Lamarck. The theory tells about the evaluation of human how the structure of APE has got transferred to the today’s human being.
Reflection by Lilyan Aloma

Reflection by Lilyan Aloma

I have spent the greater part of my life living in Manhattan, a city with a constantly changing visual plan that continues to inspire me to explore its physical complexity.
Mike Ruiz, The photographer to the stars

Mike Ruiz, The photographer to the stars

Ruiz, who is of French Canadian and Filipino-Spanish ancestry,was born in Montreal in 1964, but raised in Repentigny, Quebec, Canada.
Irish Travellers by Bob Newman

Irish Travellers by Bob Newman

Irish Travellers refer to themselves as Pavees or Minkiers, having lived on the margins of society for many hundreds of years. They number about 40,000 in the Republic of Ireland and Northern Ireland.
Acid Survivors by Jan Møller Hansen

Acid Survivors by Jan Møller Hansen

Acid attacks in Bangladesh are usually the result of land disputes, rejected marriage proposals, refusal or inability to pay dowry, resistance of being trafficked as sex worker or simply the desire for revenge.
https://www.dodho.com/wp-content/uploads/2022/03/Mono-banner.jpg

We invite you to participate in the first edition of the Monochromatic Awards. We are eager to see photograhs with new focus points and innovative approaches

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

https://www.dodho.com/wp-content/uploads/2022/05/banner.jpg

The book where words and images meet to never leave each other, The book contains 20 evocative paintings; each of them is a double page. 56 printed pages | 235x165mm

https://www.dodho.com/wp-content/uploads/2022/06/banner22.jpg

Call For Entries #21 | After 20 editions and more than 100 published photographers, our print edition has proven to be a simply effective promotional channel.

Matrimonial Ties by John Paul Evans

Matrimonial Ties by John Paul Evans

Matrimonial ties is a project that encompasses varied responses and challenges to the historical and cultural significance of the wedding portrait in western culture.
Fábula y drama de la soledad by Alessandra Favetto

Fábula y drama de la soledad by Alessandra Favetto

Exploring the facets of solitude and loneliness in a self portrait project. This series was first exhibited in April 2016 in Sevilla, Spain, Weber-Lutgen Gallery.
Climbing Cholitas by Todd Antony

Climbing Cholitas by Todd Antony

I´m originally from New Zealand but have been living and working as a photographer in London for the last 15 years. Growing up in NZ, the outdoors is pretty much part of your DNA. It`s coded in there somewhere directly after Rugby.
Suri Portraits by Piper Mackay

Suri Portraits by Piper Mackay

Inspired by their environment of wild trees, exotic flowers and lush vegetation. The Suri tribe use the clay soil of bright yellows, startling whites and rich earth-reds to paint each other’s bodies and make bold decisions about their outfits.
Postarchitecture by Victor Enrich

Postarchitecture by Victor Enrich

The work of Victor Enrich is intimately connected to architecture. Since our origins, mankind has expressed itself in different ways, using all sorts of techniques and technologies, in order to communicate and evolve.
Infrared Silence Series by Nathan Wirth

Infrared Silence Series by Nathan Wirth

Within the folds of any subject, an imperceptible silence resides, even resonates -a silence unheard within the nooks and crannies of the ruffles of noise that blanket the world we all live in- such matters hinting that, camera in hand

Call For Entries

We are looking for 6 fantastic photographers
who want to give an incredible impulse to their career.

We are going to put your photographs in front of the eyes of the directors
of the best galleries, festivals and agencies around the world.
Are you coming with us?

DEADLINE | TUESDAY, MAY 31, 2022

PHOTO BY © JULIA FULLERTON-BATTEN

Trending Stories

The Sound of Silence by Thomas H.P. Jerusalem

The Sound of Silence by Thomas H.P. Jerusalem

One of the strongest arguments against photography as an art form is the ability of a viewer to simply and quickly take in all of the aspects of a photo, and move on.
Self Portraits by Isabella Bubola

Self Portraits by Isabella Bubola

For Isabella Bubola, a 25 year old applied arts graduate, true passion lies in fine art and portrait photography. She began shooting whatever was around her (including herself) when she was eleven and got her first digital camera without the back screen. Ever since, her camera has been a most faithful companion.
Anonymous by Kaushik Dolui

Anonymous by Kaushik Dolui

What would the world look like if human expressions could be suppressed? Sometimes we are really infused by our fantasies.
Alan Gignoux : The Oil Sands – Curse or blessing?

Alan Gignoux : The Oil Sands – Curse or blessing?

An elderly Alberta cowboy replied to the above question, “ In the beginning oil was a blessing, it brought Alberta from the ranks of the have not provinces to the ranks of the have provinces, it allowed schools, roads and hospitals to be built”
Interruption by Indranil Banerjee

Interruption by Indranil Banerjee

Busy street corners, Blaring horns of vehicles, Homeless people sleeping on the footpaths, traffic jam,school children of a nearby girls school crossing the road, like all their daily routine, It was just like another day in the Metropolitan.
Self taught photographer; Graciela Vilagudin

Self taught photographer; Graciela Vilagudin

I consider myself as aself taught photographer. I have a backgroundworking on TV series and films in Galicia. I also completed an Audiovisual Degree in Vigo (Spain) in 2001.
Photography and travel by Chiara Felmini

Photography and travel by Chiara Felmini

Travel is the recurrent theme of all my experiences, understood not as achieving a goal, but as an approaching to places and cultures.
Spirit of the Village by Oliver Klink

Spirit of the Village by Oliver Klink

Un-numbered homes are the norm, as everybody knows each other.Streets wind in un-orderly fashion over streams of running water, sometimes fresh often as open sewage.
Interview with Tommy Ingberg

Interview with Tommy Ingberg

I don’t usually have a recognizable face in my pictures, the faceless or unrecognizable man works as a device to make the viewer relate, someone they can replace with themselves, or someone they can chose to observe from a distance.

Other Stories

stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Get in Touch
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact hello@dodho.com
Thank You. We will contact you as soon as possible.