Territories by Philippe Sarfati

The first impulse behind this experimental project was to inject street photography methodology - moslty, the reliance on serendipity and spontaneous behaviour - into architectural photography.
Territories | Philippe Sarfati

The first impulse behind this experimental project was to inject street photography methodology – moslty, the reliance on serendipity and spontaneous behaviour – into architectural photography.

Inspired by Ila Beka and Louise Lemoine’s films, I wanted to show buildings through the eyes of their users, to only present spaces as inhabited territories. Acclaimed works of architecture become dramatic backdrops to everyday scenes, their radical geometries framing simple acts. This series plays with the notion of contextual portraiture. On one hand, architecture is used as a frame, focusing compositions onto a subject with bold volumes and strong lines. On the other hand, people give meaning and scale to the spaces shown. Their attitude builds our perception of the building’s atmosphere. We are shaped by our environment, and we shape it continuously and subconsciously, by the simple act of inhabiting it.

I am an architect ; I started working on this series as a source of inspiration for urban design, three years ago, with the desire of documenting scenes of appropriation in public spaces. This project took a form of its own through a continuous search for buildings to visit and experience, and discussions / collaborations with architects and photographers. It contains today more than a hundred images taken in and around remarkable buildings around the world… and is still ongoing. [Official Website]

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

Territories | Philippe Sarfati
Territories | Philippe Sarfati

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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