DEADLINE FOR ENTRIES: MAY 31, 2021  |  WE ARE SELECTING 6 PHOTOGRAPHERS THAT WILL BE PRESENTED WORLDWIDE

ConceptEuropeStill Life Part XIII by Stefania Piccioni

In these still lifes I'm going back to work. with pastel colours. they seem to purify the surfaces, light colors make the vacuum merge. The empty spaces have slight contrasts of shape as a value.

In these still lifes I’m going back to work. with pastel colours. they seem to purify the surfaces, light colors make the vacuum merge. The empty spaces have slight contrasts of shape as a value.

I like to deal with this non-pigmentation because its process, it is a ramification of many harmonic elements that allude to a perfect informality. This kind of illumination, in which high and white tones are predominant, spreads positivity and freshness. , However, I “played “with negative spaces . In photography, a negative is an image, usually on a strip or sheet of transparent plastic film, in which the lightest areas of the photographed subject appear dark and dark areas appear light. In this case of color negatives, colors are also reversed into their respective complementary colors. Typical color negatives have an overall dull orange tint due to an automatic color-masking feature that ultimately results in improved color reproduction. Negative space has been used in art, architecture, music, and design. The principles remain the same regardless of the medium. Negative space simply refers to the area that surrounds the main subject or subjects in your photograph. The technique of using negative space effectively is about creating the right relationship between the main subject and a background that almost feels like it is receding .Positive space, on the other hand, refers to the primary subjects of a photograph. Positive and negative space can dance together in a variety of pleasing compositions to create the right effect.

Still Life Part XIII | by Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

About Stefania Piccioni

Stefania Piccioni was born in Ascoli Piceno, Italia, November 9, 1970, who is the photographer daughter of a photographer father, She Graduate Diploma Photography in 1989 . Photography has been always Stefania’s work and passion. She development of this passion and in 2009, she finally jumped into the art of digital photography. Her shots captures the world as she feel it or imagine it. Her images are captured both in black and white and color creating timeless pictures of her imagination and desires. She had several group exhibitions In Italy: In 2014 she parteciped in the Thirth Biennale of Salento, Lecce. She won the thirth prize for Best photography in b/w ” Mille Modi Di essere Donna” Dream Factory Gallery, Milan 2014. She was selected in 2015 and 2016 editions of the Art Collective “In Contemporary Porcari 2016” – Special Mention sect. Photography 2016 -Porcari (LU) -) -2018 she exhibit in the city of photography, Senigallia, the Della Rovere fortress hosts a photographic exhibition dedicated to the annual acquisitions of the Archive, which since 2015 is located at the Musinf (Municipal Museum of Modern Art, Information and Photography of Senigallia.) The exhibition, organized by Prof. Giorgio Bonomi, offers a vast overview of the photographic self-portraits of Italian and foreign artists. Her Still life and Her self-portraits are part of the photographic archive Musinf- Senigallia (An). Her self Portrait are published in the art book on self-portrait by Giorgio Bonomi, edited Rubettino – Her photographs are part of collections public and private, are published on different Photo Magazine.

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

Still Life Part XIII | Stefania Piccioni
Still Life Part XIII | Stefania Piccioni

https://www.dodho.com/wp-content/uploads/2020/12/BAnImage.jpg

ImageRights provides intelligent image search and copyright enforcement services to photo agencies and professional photographers worldwide.

300x250

With ON1 Photo RAW you get the professional photo editing tools every photographer needs to get professional results while keeping your workflow.

https://www.dodho.com/wp-content/uploads/2020/11/Z.jpg

Simply Stunning Landscapes – Would you like to capture stunning landscapes every time you shoot… without having to travel far from home?

https://www.dodho.com/wp-content/uploads/2021/03/BB-Gallery-2.jpg
Share your most best images in this photo contest in collaboration with ViewBug. A community that hosts over 40 photo contests and challenges.
RELATED STORIES
Reno by Jennifer Garza-Cuen

AmericaConceptReno by Jennifer Garza-Cuen

Reno embodies ideas of Western idealism, the frontier spirit, transience, and the gambler’s impulse to risk everything for the chance at a better life. It was founded as a toll, a passage across the Truckee River, and on silver from the Comstock Lode.
Portrait photography : Meeting with the Artist by Stefania Piccioni

EuropeShotPortrait photography : Meeting with the Artist by Stefania Piccioni

Portrait photography has a meaning that goes beyond the representation of a subject, it can be many things, such as the metaphor of a way of thinking.
Higashi Ueno Friendship Market Now by Yoshitaka Masuda

AsiaB&WCityHigashi Ueno Friendship Market Now by Yoshitaka Masuda

In the wake of the Second World War, Tokyo had been largely reduced to a burned over field by bombing raids. The survivors gathered together with nothing but the clothes on their backs to make a place where they could live.
The photography of Matěj Dereck Hard

ConceptEuropeThe photography of Matěj Dereck Hard

His artworks are a comprehensive series of styles based on pop art photography with a clear concept. He focuses on staged photography - mainly still lifes, self-portraits and photographs telling a story.
https://www.dodho.com/wp-content/uploads/2021/04/instagram.jpg
Ten Thousand Fish-eye Lens! By Raju Peddada

AmericaB&WConceptTen Thousand Fish-eye Lens! By Raju Peddada

Water! The cytoplasm inside of our cells is water. Life took shape in water, and is dependent on it. One oxygen atom and two hydrogen atoms constitute what we refer to as “H2O.” Oxygen is very electronegative.
Interview with Alice Zilberberg; Published in our print edition #11

AmericaDnaInterview with Alice Zilberberg; Published in our print edition #11

I probably use every tool imaginable to shape the images. It’s really a variety of techniques that come together that creates the affect I like. I clean up the surfaces very laboriously, and I do a lot of dodging and burning to make more minimalistic and smooth. I also do color shifting. The end product looks a world different than the raw files.
TRENDING STORIES
Venice by Chris Anthony

ConceptEuropeVenice by Chris Anthony

There are two Venices in the world: One is the floating city in Italy, the other is the palm tree-lined California beach. An extraordinary world in flux where the moody tides of fact and fiction converge.
Photo Shoot; Glamorous gunpowder by Ledokollov

EuropeShotPhoto Shoot; Glamorous gunpowder by Ledokollov

The city is like a jungle, here you need make a choice: you can be a victim or choose the path of a hunter or you can be nobody, walk the streets, eating a sandwich, looking blankly in front of you and think that today is very similar to yesterday.
Looking at Looking essay by Max Hirshfeld

AmericaStoryLooking at Looking essay by Max Hirshfeld

One perceives the world through the manifold of the senses and vision constitutes a fundamental way in which we process this world. Our individual interpretations of the visual experience provide unique perceptions for each of us.
Five minutes with Gary Breckheimer

AmericaDnaFive minutes with Gary Breckheimer

It all started in middle school with a mixed-media class. The assignment was to take photograph, process the film and make a print. In the darkroom making my first print, I emerged a single piece of white paper into a smelly liquid…
Life in a quarry by Dipayan Bose

AsiaStoryLife in a quarry by Dipayan Bose

This is a daily life documentation on village people in a stone quarry in Ayodhya hills at Purulia. They survive their life with such a low income with less scopes of earning sources.
Carnival dancers by Paulo Monteiro

B&WStoryCarnival dancers by Paulo Monteiro

“Carnival dancers” is the title of a long-term project that aims to document the Carnival dances that take place in the island of São Miguel, Azores. Once very common, nowadays they are declining.
Tribal traits and traditions by Trevor Cole

B&WEuropeStoryTribal traits and traditions by Trevor Cole

The Omo valley of Ethiopia is home to approximately forty tribes, living in climatic, social and political margins. I aspire to capture these people as they are, in a state of transition as outside influences increasingly make an impact on their indigenous culture.
Painting to Photography by Patrizia Burra

ConceptEuropePainting to Photography by Patrizia Burra

From “Painting to Photography” is a world where you can be who you want. This project was born from a difficult time in my life. A moment when I had to keep my emotions under control.
Boys by Tatiana Bondarev

EuropeStoryBoys by Tatiana Bondarev

Boys from 14 to 18 years old who committed various crimes including hooliganism, rape and murder serve their sentences in the young offender institution in Saint-Petersburg.
FEATURED STORIES
Guatemala; Until the corn Grows Back by Lys Arango

EuropeFeaturedStoryGuatemala; Until the corn Grows Back by Lys Arango

Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

EuropeFeaturedStoryGreatest jockeys; Fortza Paris by Marco Cheli

Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
Africa; River Blindness by Marcus Trappaud Bjørn

B&WEuropeFeaturedShotAfrica; River Blindness by Marcus Trappaud Bjørn

The project River blindness focuses on a neglected tropical disease, which is the second most common cause of infectious blindness worldwide.
Northern Siberia; Like Last Year’s Snow by Oded Wagenstein

AsiaFeaturedStoryNorthern Siberia; Like Last Year’s Snow by Oded Wagenstein

In the remote village of Yar-Sale in Northern Siberia live a group of elderly women. They were once part of a nomadic community of reindeer herders.
Mongolia; Kazakh Childhood by France Leclerc

AmericaB&WFeaturedStoryMongolia; Kazakh Childhood by France Leclerc

Kazakh Childhood; France Leclerc’s project was selected and published in our print edition 16. Though the daily activities may vary quite dramatically from one part of the world to the next, children can thrive if provided with a nurturing caregiver and a safe place to play and explore. 
Dreamland; Tale of the blue pear by Nikolina Petolas

ConceptEuropeFeaturedDreamland; Tale of the blue pear by Nikolina Petolas

Tale of the blue pear; Nikolina Petolas’s project was selected and published in our print edition 16. The series present a search for our own essence, which is embodied in the shape of a pear, in different color and sizes, which can be found in the majority of her artworks.
Homeless people; On the street by Zoltán Molnár

B&WEuropeFeaturedStoryHomeless people; On the street by Zoltán Molnár

In the EU, the number of homeless people has grown by seventy percent in one decade. Nowadays more than 700 thousand people have to face the fact daily that they have no roof above their heads.
Religious devotion; Viernes Santo by Oliver Weber

B&WEuropeFeaturedStoryReligious devotion; Viernes Santo by Oliver Weber

Ceremony of the funeral of god’s son Jesus. With the arrival of spring comes Easter week. It has centuries of history behind it and is one of Spain’s most authentic and emotive celebrations.
Losing our minds by Eddy Verloes

B&WConceptEuropeFeaturedLosing our minds by Eddy Verloes

I want this poetic-philosophical reflection to speak through my images in these corona times. In my series “Losing our minds” I consciously show only young people who are looking for themselves, for the meaning of life and the relationship between man and nature.
OTHER STORIES
X
stay in touch
Join our mailing list and we'll keep you up to date with all the latest stories, opportunities, calls and more.
We use Sendinblue as our marketing platform. By Clicking below to submit this form, you acknowledge that the information you provided will be transferred to Sendinblue for processing in accordance with their terms of use
We’d love to
Thank you for subscribing!
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted.
- Between 10/30 images of your best images, in case your project contains a greater number of images which are part of the same indivisible body of work will also be accepted. You must send the images in jpg format to 1200px and 72dpi and quality 9. (No borders or watermarks)
- A short biography along with your photograph. (It must be written in the third person)
- Title and full text of the project with a minimum length of 300 words. (Texts with lesser number of words will not be accepted)
This is the information you need to start preparing your project for its presentation
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
Issue #14 | September 2020
Current Issue
Vicky Martin
Ryotaro Horiuchi
Susanne Mildeelberg
Diego Bardone
Nicky Hamilton
Alain Schroeder
Printed on 80# matte paper 22x28cm | 100 Pages
Showroom
September 7 to October 31, 2020
Julia Fullerton-Batten
LOOKING OUT FROM WITHIN
Get in touch
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
CALL
FOR ENTRIES
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Are you ready?
Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
NEW!
FOLLOW US.
Subscribe now and get a free access to a curated list of resources.
Feel free to contact.
2017 (C) All rights reserved.
ghfd