Heavy Waters by Alnis Stakle

These photographs are part of a continual tribute to my long term interest in the transformations of the post-Soviet space in the state of free market, capitalism and collective bewilderment.
Stakle Heavy Waters | Alnis Stakle

Heavy Waters The Heavy Waters photo series was shot when Crimea was still a part of Ukraine. My journey thence had dual reasons.

These photographs are part of a continual tribute to my long term interest in the transformations of the post-Soviet space in the state of free market, capitalism and collective bewilderment. A country lying close to waters has an advantageous location favourable for development via trade, although, historically, being on the crossroads of trade routes has always been risky. Since times immemorial, the Crimean Peninsula has been coveted by different countries, near and far. Also, some of the bloodiest battles of the Crimean War and WWII have been fought here.

Since the end of WWII and until the collapse of the Soviet Union in the 1990s, Crimea was part of the Soviet Union, and it was then that it grew into one of the most popular resorts in the Soviet Union. In those days, a plethora of various sanatoriums, health resorts and recreation centres were built, the prominent functionaries of the Communist Party acquired real estate there. After Ukraine-Russia crisis Crimea became part of Russia, and, to date, Crimea remains internationally unrecognised part of Russia.

The demographic situation in the modern Crimea, however, has undergone radical changes since many of the sanatoriums and health resorts that were built in Soviet times are now closed, and the Crimean Peninsula doesn’t have a developed industry or other branches of economy that could provide the locals with constant employment opportunities. Oftentimes, the only source of income, especially for the retired elderly people, is renting out their flats to tourists in the summer.

On the personal level, I had just been married, and although it was probably not quite a honeymoon trip in the conventional sense, yet for me and my wife it was a time filled with love. I think the audience might be interested in geopolitical issues and whether in 2011 there was any premonition of the following annexation of Crimea. I would say that, when being there, my sensations were rather peculiar, especially considering Crimean history – the peninsula has witnessed numerous wars. They say that the devil is in the detail. I once asked for a local beer in one of the Crimean bars and received a reply that there was no local beer, only Ukrainian. Probably these ambivalent sensations were behind my choice of the name for the series. All in all, I do not consider the annexation of Crimea an unambiguous fact, and I would personally very much like to return there once again as a photographer for a field study. [Official ]

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

Stakle Heavy Waters | Alnis Stakle

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Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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