AsiaB&WStorySomewhere in time by Loh Soo Mui

Being the second generation locally born Malaysian Chinese whose grandfather immigrated from China, I was brought up in Chinese educational background when small, with an inexplicable liking for Chinese literature, paintings and philosophy.

Being the second generation locally born Malaysian Chinese whose grandfather immigrated from China, I was brought up in Chinese educational background when small, with an inexplicable liking for Chinese literature, paintings and philosophy.

Trying to merge Chinese ink painting into photography has always been my core area of exploration. Chinese ink painting is deeply influenced by ancient Chinese philosopher Zhuangzi (Laozhuang). It is more inclined to using the elements of Nature in China in its expression. I was immensely captivated by the great earth there when I went on a photographic trip to China two years ago. Equipped with adequate materials at hands, I inevitably try to merge my longtime understanding about Chinese literature into my photographic creations. In so doing, it shows my great respect to that piece of great earth. At the same time, beautiful poems in ancient Chinese literature, when added to the photographs, further enhance the settings, making those photographs pieces of Chinese ink paintings. Shown below are some of my photographic creations produced from scenery in Xiapu, Lishui, Hangzhou and Shennonjia of Hebei and Yellow Mountain in China.

The Island of Crimea | Stanislava Novgorodtseva

The Island of Crimea | Stanislava Novgorodtseva

The Island of Crimea | Stanislava Novgorodtseva

The Island of Crimea | Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

Stanislava Novgorodtseva

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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
TRENDING STORIES
Gittan Beheydt : A perception of the world as I see him

ConceptEuropeGittan Beheydt : A perception of the world as I see him

At a very young age I received my very first Kodak, it made me look differently to the world, seen true a very small hole it narrowed my view and showed only the things I wanted to see.
Sergey Poznansky ; Magic of an “immortal” photography

B&WEuropeShotSergey Poznansky ; Magic of an “immortal” photography

In our century, in which we are surrouneded by exabytes of glamorous pictures as a demonstration of ostentatious perfection of the binary code, some stubborn people of the past are still seeking for the technologies of the past.
Points of the compass by Suvobroto Ray Chaudhuri

AsiaFeaturedStoryPoints of the compass by Suvobroto Ray Chaudhuri

Examining life by over-thinking all the various life paths in front of you will always present a scary picture. In this journey over the last few years of your life, you might have been trying to figure out which path to go on.
The mirror by Robert Hutinski

B&WConceptEuropeThe mirror by Robert Hutinski

Today, the political permeates most practices in the everyday of an individual who both executes and produces them and only rarely (in most cases) questions and examines their origin.
The time of water by Daria Nazarova

EuropeStoryThe time of water by Daria Nazarova

The past of my family is connected with the places where the Rybinsk reservoir is now located.Between years 1937 and 1941 more than 130,000 people were forced to leave their properties. Stone and old houses were destroyed and burned, the rest were dismantled and transported to new places.
First Call Out by Jen Davis

AmericaFeaturedShotFirst Call Out by Jen Davis

Since the publication of my first monograph “Eleven Years,” I found that most of what I wanted to say in this self-portrait series had been said, and I was interested in taking a break from the intensity of looking at my own body.
Anatomy of a photograph by Annick Donkers

DnaEuropeAnatomy of a photograph by Annick Donkers

I wanted to include a series of portraits showing the wrestlers after the match with all the marks left and blood due to injuries during the match. This particular picture was taken when on tour at the Arena in Queretaro. In the picture is Mexican wrestler Sharlie Rockstar.
Trolley pushers in Johannesburg by Claudio Rasano

EuropeShotTrolley pushers in Johannesburg by Claudio Rasano

Nobody wonders where each day they carry their load of refuse, outside the city surely: but each year the city expands... The bulk of the outflow increases and the piles rise higher, become stratified,
Marrakech, the challenge Ignacio Santana

B&WEuropeStoryMarrakech, the challenge Ignacio Santana

Marrakech, the challenge Marrakech, the magical red city of Morocco, is undoubtedly the most complicated place to take portraits I have ever known. But, instead of giving up, I decided to take it as an exciting photographic challenge.
FEATURED STORIES
Wildlife photography; Land of Giants by Will Burrard-Lucas

B&WBioEuropeFeaturedWildlife photography; Land of Giants by Will Burrard-Lucas

These photographs are part of a larger series documenting the elephants of Tsavo and the work of Tsavo Trust. The full series is published in a new book titled “Land of Giants”.
Under the sign of the rat; Roger the Rat by Roger Ballen

AmericaB&WConceptFeaturedUnder the sign of the rat; Roger the Rat by Roger Ballen

Surreal, refined, disturbing: Roger Ballen has made a name for himself with his special eye for what is usually considered minor or outside, yet is nevertheless profound and touching.
Intimate portraits of animals; Behind Glass by Anne Berry

B&WBioEuropeFeaturedIntimate portraits of animals; Behind Glass by Anne Berry

Behind Glass is a collection of photographs made in monkey houses of small zoos throughout Europe. Anne Berry is recognized for her ability to create lyrical, intimate portraits of animals.
Fictional narrative photography; Birth Undisturbed by Natalie Lennard

ConceptEuropeFeaturedFictional narrative photography; Birth Undisturbed by Natalie Lennard

Birth Undisturbed is a fictional narrative photography series by Natalie Lennard, that brings scenes of natural childbirth into cinematic fine-art tableaux.
Japanese Aquariums by George Nobechi

AsiaFeaturedStoryJapanese Aquariums by George Nobechi

Japanese Aquariums is a journey into some of my oldest, most treasured childhood memories. Whenever I visited my grandparents in the small, northern Japanese city of Otaru, my grandfather, a high school teacher and an enormous influence in my life, would take me to the aquarium.
Greenland; Stories from the Sea by Camille Michel

EuropeFeaturedStoryGreenland; Stories from the Sea by Camille Michel

Greenland became politically independent from Denmark in 1979 and is slowly getting on the path to economic independency. The ‘ice country’ is currently facing the consequences of climate change.
Intimate diary; Jazz Notes by Giuseppe Cardoni

B&WEuropeFeaturedShotIntimate diary; Jazz Notes by Giuseppe Cardoni

It is a declaration of love by Giuseppe Cardoni, but also by an Italian region, Umbria, which has always hosted the most important jazz festivals and where the author took most of his photographs.
Guatemala; Until the corn Grows Back by Lys Arango

EuropeFeaturedStoryGuatemala; Until the corn Grows Back by Lys Arango

Until the corn Grows Back; Lys Arango’s project was selected and published in our print edition 16. Criminal violence in Central America was something that happened very far away and that explained, according to the media, the gigantic caravans of migrants that from 2017 began to travel thousands of kilometres to reach the United States
Greatest jockeys; Fortza Paris by Marco Cheli

EuropeFeaturedStoryGreatest jockeys; Fortza Paris by Marco Cheli

Fortza Paris; Marco Cheli’s project was selected and published in our print edition 16. Over the years, until today there are many young Sardinians, specifically from Barbagia, who leave their island with the dream of becoming a jockey of the Palio di Siena.
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
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Deadline: Monday, November 30, 2020
Contact
How can we help? Got an idea or something you'd like share? Please use the adjacent form, or contact contact@dodho.com
Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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