ConceptEuropeOwn Place by Wiktoria Wojciechowska

This photographic series of works is a symbolic attempt of connecting a human being with his place of living. In times when distance is no longer a barrier and when settling down and identifying with space is getting harder.

This photographic series of works is a symbolic attempt of connecting a human being with his place of living. In times when distance is no longer a barrier and when settling down and identifying with space is getting harder.

Looking out through their windows, the figures are pensive and lonesome. Their bodies reflected in the window’s surface and create with the surrounding space a natural synthesis of the pseudo-images and real sceneries.

The apparent presence, free-style conception voluntarily putting aside our in-depth roots and the unsuccessful attempts to “dwelling” in a different area, these are the characteristics of contemporary nomadism. Despite the compulsion to constantly seek a “better” place, the need for taming the space is not willing to disappear. Images of dream houses, houses from memories, typical – as on child’s drawing they construct a visual archetype of an asylum. Pictures of people and suburban houses compile an image of longing for stability, safety and owning your own place.

About Wiktoria Wojciechowska

Wiktoria Wojciechowska – photographer, visual artist. The Winner of Oskar Barnack Leica Newcomer Award 2015 – project “Short Flashes”, La Quatrieme Image Young Talents 2015 and Humanity Photo Awards 2015 in documentary category, IPA Awards 2015 – two Honorable Mentions. Her series “Own place” won Photo Diploma Award 2013 – international contest of photographic diplomas. Currently she is completing the project “Sparks” in the territory of conflict in Ukraine. The ongoing project won Portfolio Review on Krakow Photomonth 2015. She is nominated for the Joop Swart Masterclass 2016. She took part in artist residencies in Reykjavik and Beijing is the recipient of Prix de la Photographie 2016 by Fondation des Treilles.

Her works were presented during the festivals in Arles, Paris, Lille, Minsk, Bratyslava, Warsaw, Ljubljana, Niort and published in magazines such as: British Journal of Photography, Causette, GUP, ArchivoZine, ArtPhotoMag, Gente di Fotografia, L’Oeil de la photographie, Life Framer, Wysokie Obcasy, Leica Fotografie International, Fotografia Magazine, Duży Format, FT Weekend Magazine. [Official Website]

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PRINTED EDITION
Interview with Samuel Feron; Published in our printed edition #16

DnaEuropeInterview with Samuel Feron; Published in our printed edition #16

Samuel Feron has been photographing Nature for 2 decades, exploring remote and sparsely habited areas all over the world. He tries to go beyond what the eyes first see, assuming that Nature has secrets in itself.
Interview with Marco Cheli; Published in our printed edition #16

DnaEuropeInterview with Marco Cheli; Published in our printed edition #16

I think that Dodho provides a fantastic opportunity for those who want to be recognized by an informed public and by their peers. Seeing my work in the pages of Dodho, well, it is the most exciting thing that has ever happened to me, and I have photography to thank for it.
Interview with Lys Arango; Published in our printed edition #16

DnaEuropeInterview with Lys Arango; Published in our printed edition #16

Time, dedication, and the right rhythm combined with a human approach make the work of Lys Arango one of the most truthful and inspiring photo testimonies of indigenous people.
Interview with France Leclerc; Published in our printed edition #16

AmericaDnaInterview with France Leclerc; Published in our printed edition #16

Canadian Travel photographer France Leclerc tries to find this commonness with joy showing sweet observation through fresh eyes to portray ethnic group communities the world seems to ignore.
Interview with Nikolina Petolas; Published in our printed edition #16

DnaEuropeInterview with Nikolina Petolas; Published in our printed edition #16

I work in several techniques, but what you are reffering to in ’Tale of the Blue Pear’ series  are mostly digital collages combined with digital painting. I also paint in traditional techniques but that is done on canvas or hard board.
Interview with Michele Punturieri; published in our print edition #15

DnaInterview with Michele Punturieri; published in our print edition #15

This work is somewhat impromptu because it has been carried out, so to speak, on the spot and at the moment. Street photography pure, trying to capture the most interesting moments and faces in the places I visited. 
Interview with Dimitri Weber; published in our print edition #15

DnaEuropeInterview with Dimitri Weber; published in our print edition #15

I like the colours on my pictures to pop a bit. To be as natural as possible, while catching the eyes of the people looking at my pictures. So, I enhance some of those colours during my editing process, mostly to give them a homogeneous look that suits my style.
Interview with Ana Maria Robles; published in our print edition #15

AmericaDnaInterview with Ana Maria Robles; published in our print edition #15

There is no doubt that women play a leading role, but they are still a patriarchy and all decisions are made by men who meet in assemblies to discuss everyday issues. The pipes are carved and armed by them and generally match their ornaments in both the Toposa and the Didinga.
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Photo by ©Ryotaro Horiuchi | Japan | Issue#14
Dodho Magazine is pleased to announce the new call for the photographers selection from all over the world that will be presented in an exceptional edition.
Deadline: Monday, November 30, 2020
Photo by ©Ryotaro Horiuchi | Japan | Issue#14
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Thank You. We will contact you as soon as possible.
Submission
Dodho Magazine accepts submissions from emerging and professional photographers from around the world.
Their projects can be published among the best photographers and be viewed by the best professionals in the industry and thousands of photography enthusiasts. Dodho magazine reserves the right to accept or reject any submitted project. Due to the large number of presentations received daily and the need to treat them with the greatest respect and the time necessary for a correct interpretation our average response time is around 5/10 business days in the case of being accepted. This is the information you need to start preparing your project for its presentation.
To send it, you must compress the folder in .ZIP format and use our Wetransfer channel specially dedicated to the reception of works. Links or projects in PDF format will not be accepted. All presentations are carefully reviewed based on their content and final quality of the project or portfolio. If your work is selected for publication in the online version, it will be communicated to you via email and subsequently it will be published.
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